Af alle Henry Fuseli's malerier er Mareridt (1781) det mest berømte; det hænger på Detroit Institute of Arts i Detroit. Lige efter følger Titania og Bottom med æssehovedet og The Nightmare (1790). Blandt de 161 værker af Henry Fuseli i vores katalog er disse 100 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Henry Fuselis ”The Nightmare” er et ikonisk værk, der indfanger essensen af gotisk horror og romantik. Dette oliemalerie fra 1781 er en dybdegående udforskning af det underbevidste sind, hvor dramatisk komposition forenes med rig symbolik for at fremkalende en følelse af både ubehag og fascination.
I de skyggefulde, måneskinbelyste dybder af en urgammel skov inviterer Johann Heinrich Füssli os ind i et rige, hvor grænserne mellem det menneskelige og det overnaturlende helt opløses. Hans mesterværk, Titania og Bottom med æssehovedet, indfanger et skelsættende øjeblik af forvandling fra William Shakespeares En skærsommernatsdrøm. Kompositionen er en åndeløs hvirvelvind af bevægelse og mystik, centreret omkring den æteriske dronning Titania, mens hun hviler midt i et hav af flaksende…
In the shadowy realm of Johann Heinrich Füssli, the boundaries between sleep and wakefulness dissolve into a haunting spectacle of terror and desire. His seminal work, The Nightmare, stands as a profound exploration of the human psyche, capturing that breathless moment when the terrors of the unconscious manifest in the physical world. The painting presents a woman lying prostrate in bed, her limbs cast downward in a state of vulnerable,…
To stand before this depiction of Lady Macbeth is to confront the very precipice of human ambition curdled by guilt. Johann Heinrich Friesli’s masterful rendering captures not merely a scene from Shakespeare, but the suffocating aftermath of moral transgression. The air in the painting feels thick, heavy with unspoken secrets and the metallic tang of spilled blood. It is an intensely dramatic tableau, steeped in the Romantic fascination with the…
The incubus leaving two young women is an oil on canvas painting by Henry Fuseli. Created about 1794, the work captures a moment of supernatural departure. It belongs to the realms of folklore and demons. The canvas holds a heavy, nocturnal stillness.
Johann Heinrich Füssli og "Kunstnerens Årti før Rommets Grandeur" Denne beskrivende artikel omfatter detaljeret information om kunstværket "Kunstnerens Årti før Rommets Grandeur" af Johann Heinrich Füssli, samt relevante historiske kontekster og analyser. Artiklen er skrevet i en engagerende stil og fokuserer på kunstværkets betydning inden for romantikken og kunsthistorien. Kunstværks Titel: Kunstnerens Årti før Rommets Grandeur (Der Künstler verzweifelnd vor der Grösse der antiken Trümmer) Kunstner: Johann Heinrich Füssli (1741-1825),…
In this drawing from 1785, we find ourselves drawn into a moment of profound psychological unrest. The scene captures a dramatic encounter, likely inspired by the tension of Shakespearean tragedy, where the boundary between the living and the supernatural dissolves. A central figure, arms outstretched, appears caught in a state of sudden, violent realization. Around this focal point, other figures react with a mixture of struggle and silent observation, their…
Henry Fuseli's "The Night-Hag Visiting Lapland Witches," painted in 1796, isn’t merely a depiction of a scene; it’s an immersion into the shadowed heart of human psychology. This arresting oil on canvas, currently residing within the hallowed halls of The Metropolitan Museum of Art in New York City, pulsates with a potent blend of gothic horror and nascent Romanticism – a visual embodiment of fear, superstition, and the unsettling allure…
Portrait of a Young Woman by Henry Fuseli: A Gothic Reverie The Portrait of a Young Woman by Johann Heinrich Füssli, painted in 1781, stands as an arresting emblem of the Romantic movement’s fascination with psychological depth and unsettling beauty. More than just a depiction of a female figure, it's a meticulously crafted tableau that delves into themes of dreams, fear, and the subconscious—a realm where reason yields to imagination…
In the shadowy corridors of art history, few names evoke as much intrigue and nocturnal wonder as Johann Heinrich Füssli. Known to the English-speaking world as Henry Fuseli, this Swiss master was a pioneer of the Romantic movement, a painter who dared to venture into the deepest recesses of the human psyche. His work, particularly his depictions of the supernatural, serves as a bridge between the rational Enlightenment and the…
Deep shadows swallow the edges of the canvas, leaving only a single, tormented face to struggle against the encroaching dark. A heavy, shroud-like fabric clings to the brow…
Få det malet i hånden from $178 →
Created in 1807, this work reflects a period of intense interest in the irrational and the emotional. The painting moves away from the strict logic of the Enlightenment,…
Få det malet i hånden from $178 →
Deutsch Titania liebkost den eselköpfigen Bottom is an oil on canvas created by Henry Fuseli in 1794. The work originates from the artist's mature period, a time when…
Få det malet i hånden from $178 →
The composition is contained within a circular tondo, focusing the viewer's attention on a high-stakes encounter. A man with dark skin, clad in white tunics accented by a…
Få det malet i hånden from $203 →
In this 1801 oil painting, Henry Fuseli captures a singular, heavy moment of grief. The scene depicts the immediate aftermath of a lightning strike. Celadon and Amelia, two…
Få det malet i hånden from $203 →
In this dramatic composition from 1785, we find ourselves witnessing a moment of profound cosmic upheaval. The central figure, a muscular male rendered in pale, luminous flesh tones,…
Bring dette lys hjem from $178 →
In this oil on canvas study, titled Study for the three witches in Macbeth, the artist Henry Fuseli explores a moment of profound tension. Created in 1783, the…
Bestil dette lærred from $228 →
Euphrosyne before the Imagination and the Temperance is a work by the Swiss artist Henry Fuseli, executed between 1799 and 1800. The painting belongs to the artist's Milton…
Få det malet i hånden from $178 →
To hold this work is to witness the very pulse of the creative process. This double-sided oil on canvas offers a rare, intimate glimpse into the mind of…
Bestil dette lærred from $228 →
The Dream of Queen Katherine (from William Shakespeare's 'Henry VIII', Act IV, Scene 2) is an oil painting created in 1781 by the Swiss artist Henry Fuseli, also…
Få det malet i hånden from $278 →
We are looking at Prince Arthur and the Fairy Queen., an oil on canvas painted by Henry Fuseli. This work, which carries the alternative title Prinz Arthur und…
Få det malet i hånden from $203 →
Henry Fuseli's Tekemessa and Eurysakes, executed about 1805, draws its narrative from the ancient Greek tragedy Ajax by Sophocles. The composition focuses on the immediate aftermath of the…
Bestil dette lærred from $203 →
The air in the cavern is thick with the scent of cooling metal and ancient dust. Within this dark, enclosed space, a triangular grouping of figures gathers, their…
Bring dette lys hjem from $253 →
In this oil on canvas, titled Satan and Death with Sin Intervening, we encounter a work by Henry Fuseli. The artist, also known as Johann Heinrich Fussli, presents…
Bring dette lys hjem from $203 →
In the hauntingly beautiful masterpiece "Ariadne Watching the Struggle of Theseus with the Minotaur," completed in 1820, Johann Heinrich Füssli invites us into a realm where myth and…
Bring dette lys hjem from $178 →
The oil on canvas titled Danaë and Perseus on Seriphos (?) was executed by the artist Henry Fuseli. This work dates to ca. 1785–90. The physical dimensions of…
Bestil dette lærred from $203 →
The painting titled The Erinyes Drive Alcmaeon from the Corpse of his Mother, Eriphyle, Whom He Has Killed. is an oil on canvas work by the artist Henry…
Bring dette lys hjem from $203 →
The scene unfolds in a moment of sudden, startling revelation within the work titled Satan Starting from the Touch of Ithuriels Spear. This creation by Henry Fuseli captures…
Bestil dette lærred from $178 →
To gaze upon Johann Heinrich Füssli's depiction of Christ Disappearing at Emmaus is to step directly into a moment suspended between the earthly and the divine. This painting…
Bring dette lys hjem from $178 →
The scene unfolds within the shadows of Laying Nude and piano player, an oil on canvas that captures a quiet, heavy moment. Henry Fuseli breathes life into this…
Bring dette lys hjem from $178 →
The portrait presents a single female figure positioned centrally against a dark, indeterminate background. The subject is depicted from the waist up, wearing a voluminous white gown that…
Få det malet i hånden from $178 →
The artwork titled The Serpent tempting Eve (Satan's first address to Eve) was executed by the artist Henry Fuseli. This specific piece dates to 1802. It functions as…
Bring dette lys hjem from $203 →
This meticulously crafted hand-painted reproduction captures a pivotal moment from William Shakespeare’s *Henry V*, specifically Act II, Scene 2 – the unsettling discovery of the conspirators. Executed in…
Bring dette lys hjem from $178 →
To stand before Johann Heinrich Füssli’s depiction of The Infant Shakespeare Between Tragedy and Comedy is to step through a veil of time, encountering not merely a portrait,…
Få det malet i hånden from $178 →
The artwork Ezzelin and Meduna by Henry Fuseli presents a scene centered on two figures within a dark, enclosed setting. The subject matter depicts Ezzelin Bracciaferro musing over…
Bring dette lys hjem from $228 →
In the quietude of Johann Heinrich Füssli’s Silence, we are invited into a realm where the boundaries between the physical and the psychological begin to blur. The painting…
Bring dette lys hjem from $178 →
In the grand tapestry of Romantic art, few works capture the feverish intensity of the human imagination quite like Johann Heinrich Füssli’s “Titania, Bottom and the Fairies.” Painted…
Bring dette lys hjem from $178 →
The Shepherd's Dream is a remarkable oil painting created by the Swiss-born British artist Henry Fuseli (Johann Heinrich Füssli) in 1793. This masterpiece is currently housed at the…
Få det malet i hånden from $178 →
In the hauntingly beautiful realm of Johann Heinrich Füssli, the boundaries between reality and the subconscious dissolve into a mist of shadows and moonlight. His work, The Incubus…
Bring dette lys hjem from $178 →
Macbeth' Act I Scene 3 The Weird Sisters is a work by the Anglo-Swiss painter Henry Fuseli. Born in Zürich in 1741, the artist brought a sense of…
Bring dette lys hjem from $178 →
Johann Heinrich Füssli's "Woman Sitting, Curled up," executed in 1778, is a deceptively simple yet profoundly evocative drawing that speaks to the core of human experience – rest,…
Få det malet i hånden from $178 →
In the ethereal realm of Johann Heinrich Füssli, the boundaries between the earthly and the divine dissolve into a breathtaking tapestry of light and shadow. His masterpiece, The…
Bring dette lys hjem from $178 →
The drawing Portrait of the Artist is a work by Henry Fuseli. Created in 1790, this piece captures a singular moment of quietude. It exists as a delicate…
Få det malet i hånden from $178 →
In the hauntingly atmospheric Dante and Virgil on the Ice of Kocythos, we are thrust into a realm where the boundaries between the physical and the metaphysical dissolve.…
Bring dette lys hjem from $178 →
In the ethereal realm of late eighteenth-century Romanticism, few artists captured the tension between the mortal and the divine as hauntingly as Johann Heinrich Füssli. His watercolor masterpiece,…
Bring dette lys hjem from $178 →
In the delicate, translucent layers of Johann Heinrich Füssli’s watercolor portrait, we find ourselves peering into a private moment of late 18th-century elegance. This bust portrait of a…
Bring dette lys hjem from $178 →
The painting Deutsch Der Feuerkönig English The Fire King Русский Король огня is a work by Henry Fuseli. Born in Zurich, Switzerland, in 1741, the artist lived until…
Bring dette lys hjem from $178 →
In the evocative masterpiece Hagen and the Nymphs of the Danube, the legendary Swiss artist Johann Heinrich Füssli invites us into a realm where the boundaries between the…
Bring dette lys hjem from $178 →
De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Henry Fuseli | Malerier fra denne liste |
|---|---|---|---|
 Kunsthaus Zürich |
Zürich | 12 | Kunstnerens fortvivlelse foran Antikkens storhed, Deutsch Titania liebkost den eselköpfigen Bottom, Thetis asks Hephaistos to forge armor for her son Achilles |
 Yale Center for British Art |
New Haven | 7 | Scene of Witches, from The Masque of Queens by Ben Jonson, Tekemessa and Eurysake, Ariadne Watching the Struggle of Theseus with the Minotaur |
 Detroit Institute of Arts |
Detroit | 3 | Mareridt, Portrait of a Young Woman, Portrait of a Lady |
 Art Institute of Chicago |
Chicago | 3 | Head of a Damned Soul from Dante's "Inferno," (verso), Sketch for "Oath on the Rütli," Female Figure (verso), Milton Dictating to His Daughter |
 Metropolitan Museum of Art |
New York | 3 | The Night-Hag Visiting Lapland Witches, Hagen and the Nymphs of the Danube |
 Tate Gallery |
London | 2 | Lady Macbeth with the Daggers, The Shepherd's Dream |
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 2 | Study for the three witches in Macbeth, The Serpent tempting Eve (Satan's first address to Eve) |
 Kunstmuseum Basel |
Basel | 2 | Prince Arthur and the Fairy Queen., Laying Nude and piano player |
Johann Heinrich Füssli og "Kunstnerens Årti før Rommets Grandeur" Denne beskrivende artikel omfatter detaljeret information om kunstværket "Kunstnerens Årti før Rommets Grandeur" af Johann Heinrich Füssli, samt relevante…
Henry Fuselis ”The Nightmare” er et ikonisk værk, der indfanger essensen af gotisk horror og romantik. Dette oliemalerie fra 1781 er en dybdegående udforskning af det underbevidste sind,…
In the shadowy realm of Johann Heinrich Füssli, the boundaries between sleep and wakefulness dissolve into a haunting spectacle of terror and desire. His seminal work, The Nightmare,…
Created in 1807, this work reflects a period of intense interest in the irrational and the emotional. The painting moves away from the strict logic of the Enlightenment,…
To stand before this depiction of Lady Macbeth is to confront the very precipice of human ambition curdled by guilt. Johann Heinrich Friesli’s masterful rendering captures not merely…
In the hauntingly beautiful masterpiece "Ariadne Watching the Struggle of Theseus with the Minotaur," completed in 1820, Johann Heinrich Füssli invites us into a realm where myth and…
Mareridt (1781), Detroit Institute of Arts, Detroit. Titania og Bottom med æssehovedet og The Nightmare (1790) følger efter.
Henry Fuseli, født i 1741, var 40 år gammel: Mareridt er fra 1781.
Mareridt, Titania og Bottom med æssehovedet, The Nightmare, Lady Macbeth with the Daggers, The incubus leaving two young women, Kunstnerens fortvivlelse foran Antikkens storhed, Hamlet and his father's Ghost, The Night-Hag Visiting Lapland Witches, Portrait of a Young Woman og Scene of Witches, from The Masque of Queens by Ben Jonson. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
161 værker af Henry Fuseli er i vores katalog, dateret fra 1774 til 1821.
Primært i Kunsthaus Zürich (Zürich), Yale Center for British Art (New Haven) og Detroit Institute of Arts (Detroit); listen ovenfor nævner hvert museum og dets lærreder.
I 1790s, som udgør 25 af de 100 værker på denne side, herunder The Nightmare.
Det tidligste lærred her er Head of a Damned Soul from Dante's "Inferno," (verso) (1774); det seneste er The Erinyes Drive Alcmaeon from the Corpse of his Mother, Eriphyle, Whom He Has Killed. (1821).
Woman (15), Dark background (13) og Shadows (12), fordelt på de 100 værker på denne side.
Oil On Canvas, anvendt i 29 af de 100 værker på denne side.
Romantic gothic horror, som lærrederne på denne side viser.
Kunsthaus Zürich, Zürich har 9 af værkerne på denne side, herunder Kunstnerens fortvivlelse foran Antikkens storhed, Deutsch Titania liebkost den eselköpfigen Bottom og Thetis asks Hephaistos to forge armor for her son Achilles.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Johann Heinrich Füssli blev født den 7. februar 1741 i Zürich, Schweiz. Han voksede op i et stort hushold som det andet af 18 børn. Hans far, Johann Caspar Füssli, var en mand med både pensel og pen; han arbejdede som portræt- og landskabsmaler, mens han samtidig skrev Lives of the Helvetic Painters. Dette miljø udgjorde en stabil, omend travl, kulisse for hans tidlige år.
Hans uddannelse fulgte en struktureret sti på Collegium Carolinum i Zürich, hvor han studerede de klassiske fag. Denne formelle dannelse inden for sprog og historie skulle senere farve den måde, han tilgik sine motiver på. Livet bevægede sig dog ikke med det samme mod lærredet for ham. I 1761 modtog han ordensløfter og tilbragte en periode som præst.
Præstebanen blev dog ikke hans endelige destination. Hans tidlige år var præget af en spænding mellem det religiøse liv, han var blevet forberedt på, og sin fars visuelle verden. Denne periode med studier og tjeneste lagde det intellektuelle fundament, som i sidste ende skulle understøtte hans senere, mere dramatiske interesser.
I 1765 ankom han til England, hvor han fandt måder at forsørge sig selv på gennem diverse skribentvirksomhed. Det var i denne periode, at han mødte Sir Joshua Reynolds. Efter at have set hans tegninger foreslog Reynolds, at han opgav sine øvrige sysler og i stedet dedikerede sig fuldt ud til maleriet. Dette råd markerede et afgørende vendepunkt i hans livsbane.
I 1770 begav han sig ud på en kunstnerisk pilgrimsrejse til Italien, hvor han blev boende indtil 1778. Under sit ophold i Rom brugte han meget af sin tid på at fordybe sig i Michelangelos værker og de marmorstatuer, der prydede Monte Cavallo. Det var i disse formative år i Italien, at han valgte at ændre sit navn fra Füssli til det mere italiensk-klingende Fuseli.
Da han vendte tilbage til Storbritannien i begyndelsen af 1779, fandt han hurtigt sin plads i det pulserende kunstmiljø i London gennem en bestilling fra rådmand John Boydell. Dette arbejde indebar et bidrag til Shakespeare Gallery, et ambitiøst projekt, der gav ham muligheden for at transformere dramatisk litteratur til levende, visuelle former. Hans tilstedeværelse i storbyen voksede støt, efterhånden som han avancerede gennem de institutionelle rækker i Royal Academy, hvor han blev udnævnt til associeret i 1788 og opnåede status som fuldgyldigt akademiker i 1790.
Hans indflydelse i Akademiet rakte langt ud over hans egne lærreder. Han besad betydelige administrative og undervisningsmæssige poster, først som Keeper og senere som professor i malerkunst. Disse roller placerede ham i selve hjertet af den britiske kunstneriske uddannelse. Hans liv i London var præget af disse officielle embeder og hans ægteskab med Sophia Rawlins, som tidligere havde fungeret som en af hans modeller. Han forblev en uundværlig og fast bestanddel af Akademiets struktur gennem mange år.
Meget af hans kunstneriske virke søger mod sindets dybeste skygger. I hans maleri fra omkring 1781, Mareridtet, udforskes drømmenes og det underbevidstes tunge, urolige vægt. Han rettede ofte sit blik mod den dramatiske spænding, man finder i litteraturen, og han skabte flere værker til John Boydells Shakespeare Gallery, hvor han med stor intensitet fokuserede på William Shakespeares skuespil. Hans fascination af Bardens fortællinger førte ham til at skildre scener som dem fra Macbeth, hvor han indfangede karakterernes psykiske opløsning og indre kamp.
Ud over scenekunsten trak han på både det antikke og det hellige. Hans lærreder fortolker ofte mytologiske og bibelske fortællinger, hvor han benytter en idealiseret skala til at forstærke følelsen af det fantastiske. Han brugte også betydelig tid på at udvikle en serie malerier baseret på John Miltons værker, i et forsøg på at oversætte digterens episke visioner til en visuel form. Disse motiver gav ham friheden til at bevæge sig sømløst mellem det guddommelige og det groteske.
Henry Fuseli gjorde mere end blot at deltage i romantikken; han var med til at antænde dens flamme. Hans værker bevægede sig væk fra oplysningstidens strenge logik og søgte i stedet mod det viscerale og det dybt følelsesmæssige. Dette skift banede vejen for et helt nyt visuelt sprog i Storbritannien. Hans besættelse af det underbevidste og det irrationelle satte et uudsletteligt præg på det britiske kunstlandskab og påvirkede den retning, som mange yngre kunstnere ville følge i de efterfølgende årtier.
Man kan tydeligt spore hans skygge i værkerne hos William Blake, som delte en lignende fascination af det visionære og det intense. Henry Fuselis evne til at trække temaer op fra drømmenes dyb og det overnaturliges rige skabte en skabelon for udforskningen af den menneskelige psyke gennem maleriet. Selv i dag fortsætter hans fokus på det urovækkende og det fantastiske med at fascinere beskueren. Hans interesse for, hvordan et mareridt føles, snarere end blot hvordan det ser ud, forbliver en central del af hans eftermæle i kunsthistorien.
