Af alle Henry Raeburn's malerier er Reverend Dr Robert Walker (1755–1808) på skøjter på Duddingston Loch (1795) det mest berømte; det hænger på Scottish National Gallery i Edinburgh. Lige efter følger Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) og Young Girl Holding Flowers (1798). Blandt de 360 værker af Henry Raeburn i vores katalog er disse 100 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Luften føles skarp og kold, mens en ensom skikkelse glider hen over den frosne flade på Duddingston Loch. Han er en mand af betydning, klædt i en tung sort frakke og høj hat, men han bevæger sig med en lethed, der trodser hans formelle påklædning. Det ene ben er løftet i en delikat balance, mens hans hænder rækker ned for at gribe om foden, hvilket indfanger et flygtigt øjeblik af…
To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…
Henry Raeburn's "Young Girl Holding Flowers," painted in 1798 and currently residing within the hallowed halls of the Musée du Louvre, is more than just a charming pastoral scene; it’s a profound meditation on youth, beauty, and the fleeting joys of nature. This exquisite oil-on-canvas work captures a young girl, seemingly lost in contemplation as she cradles a vibrant bouquet of wildflowers. Raeburn's masterful technique—characterized by soft, luminous colors and…
To stand before this portrait is to encounter not merely a likeness, but a carefully curated moment of intellectual gravity. Painted by the master of Scottish realism, Henry Raeburn in 1810, this work captures Henry Mackenzie with an arresting dignity that seems to transcend the passage of time. The composition itself speaks volumes; while the subject occupies a central space, his slight off-centering lends a subtle dynamism, preventing the formality…
To stand before Henry Raeburn’s portrait of Professor Dugald Stewart is to encounter not merely a likeness, but an embodiment of Enlightenment intellect. Painted in 1810, this work transcends simple portraiture; it is a carefully constructed meditation on genius itself. The subject, Professor Dugald Stewart, is presented in a three-quarter view that immediately draws the viewer into a direct, compelling dialogue. Raeburn masterfully isolates him against a background so deep…
To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…
To stand before Henry Raeburn’s portrait of Allan Maconochie is to encounter not merely a likeness, but a carefully curated study in character and societal standing. Painted in 1814, this work transcends simple portraiture; it is a document of early nineteenth-century British gentry, imbued with the quiet weight of authority. Raeburn, the master chronicler of Scottish life elevated to national prominence, captures Maconochie—the 1st Lord Meadowbank and Judge—with an unflinching…
This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…
To stand before this portrait of George Malcolm is to step directly into the refined drawing rooms of the late eighteenth century. Painted around 1790, this oil on canvas captures more than just a likeness; it arrests a moment of profound contemplation. The subject, depicted as a gentleman in his prime with distinguished white hair, meets the viewer's gaze with an intensity that is both direct and deeply thoughtful. His…
This meticulously rendered portrait of John James Audubon, executed in shades of gray, black, and white, offers a profound glimpse into the mind and character of one of history’s most celebrated ornithologists. Attributed to the masterful hand of Sir Henry Raeburn, a Scottish painter renowned for his realism and ability to capture the essence of his subjects, this artwork transcends a simple likeness; it's an embodiment of dedication, intellect, and…
In the annals of Scottish Romanticism, few portraits command the room with such quiet authority as Henry Raeburn’s “Portrait of Catherine Vorontsova.” Completed in 1810, this masterpiece transcends…
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Henry Raeburns “Young Girl Holding Flowers”, malet i 1798, er mere end blot en charmerende pastoral scene; det er en rørende destillation af skotsk realisme og de spirende…
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Henry Raeburn’s “Mrs. Anne Hart,” painted in 1810, is more than just a portrait; it's a carefully constructed tableau of domestic tranquility and quiet contemplation. The canvas immediately…
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Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797): A Portrait Embodied in Light and Shadow Henry Raeburn’s depiction of Charles Gordon stands as a cornerstone of Scottish portraiture…
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A single, bright white powdered wig catches the light, anchoring the face of William Law of Elvinston. The man sits in a quiet, heavy stillness. His gaze meets…
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Henry Raeburn's “A Young Lady,” painted circa 1795-1800, isn’t merely a portrait; it’s a carefully constructed tableau of youthful sensibility and understated elegance. This captivating work, now residing…
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Henry Raeburn's “Mrs Downey,” completed around 1787-90, stands as a cornerstone of Scottish portraiture and exemplifies the refined sensibilities of the late Enlightenment. Held proudly within the Tate…
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In the quiet intensity of Henry Raeburn’s 1783 masterpiece, Rear-Admiral Charles Inglis, one does not merely encounter a portrait of a naval officer; one meets the very essence…
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A Portrait Steeped in Elegance: Exploring Henry Raeburn’s ‘Mrs H.W. Lauzun’ The Tate Gallery holds within its walls a treasure trove of artistic achievement, and amongst its celebrated…
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An elderly man sits within a heavy, dark silence. His face, illuminated by a single light source from the upper left, rests upon a hand in a pose…
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This portrait, titled Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician, was executed by the Scottish artist Sir Henry Raeburn. The work presents a formal study…
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A full-length portrait depicts Lady Montgomery, née Helen Graham, positioned slightly to the left of the center. She is dressed in a high-waisted white gown, a style characteristic…
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Ann Fraser sits before us, her presence filling the space with a serene, steady dignity. She is captured in a three-quarter view, her body angled slightly away while…
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Henry Raeburn’s “Portrait of Sir Walter Scott” is more than just a likeness; it's a carefully constructed tableau of Scottish identity and the burgeoning spirit of the Romantic…
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A formal, full-length portrait of Margaret Rankine, known as Mrs John Campbell of Kilberry, emerges from a dark, atmospheric landscape. She is positioned slightly off-center, her figure defined…
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In the quiet presence of Lady Dalrymple, one finds oneself transported to an era of profound grace and understated dignity. This stunning portrait by the Scottish master Henry…
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In the quiet, dignified presence of Professor James Gregory, we encounter more than just a likeness; we step into the very heart of the Scottish Enlightenment. Painted in…
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To stand before this portrait of William Glendonwyn is to step back into the refined atmosphere of the early nineteenth century, a time when status and character were…
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A single man occupies the canvas, his gaze turned away from the viewer toward an unseen point on the right. He wears a dark coat that absorbs the…
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In this 1804 oil portrait, we encounter Sir James Montgomery, Second Baronet of Stanhope, captured in a moment of quiet authority. He is presented in a three-quarter length…
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The Portrait of David Cowan is an oil on canvas painting by the Scottish artist Henry Raeburn. This bust-length portrait captures the sitter in a moment of quiet…
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A young child stands within a landscape, positioned slightly off-center to the left. Beside her rests a large dog, its black and white markings providing a sharp contrast…
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is an oil portrait by the British artist Henry Raeburn. Executed about 1810, this work represents a significant example of 19th-century portraiture. The subject remains an unidentified man,…
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This oil on canvas portrait, titled Sir William Napier, was executed by the Scottish artist Henry Raeburn in 1810. The work presents a formal, full-length depiction of the…
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The oil on canvas titled Mrs. Alexander Campbell of Possil by Henry Raeburn captures a single figure in a moment of quietude. Painted in 1756, this portrait presents…
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The portrait known as Master James Hay emerges from the shadows of the late eighteenth century, a quiet presence captured in oil on canvas. Painted by the Scottish…
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The room falls into a quiet, heavy stillness as the sitter meets the gaze of the observer. John Baillie sits in a three-quarter length pose, his body angled…
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A formal, three-quarter length portrait of Andrew Spottiswoode, rendered in oil on canvas. The subject is positioned slightly off-center, his gaze meeting the observer directly while his body…
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The man sits before us, emerging from a deep, impenetrable darkness that swallows the edges of his world. His gaze is steady, meeting the viewer with a quiet,…
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E. Finley, Esquire is an oil on canvas portrait created by the artist Henry Raeburn. This work belongs to the portrait genre, focusing on the likeness of a…
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The portrait of Mrs. James Wedderburn, née Isabelle Clerk, presents a bust-length study of a woman set against a dark, atmospheric background. The subject is positioned in a…
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Sir Duncan Campbell of Barcaldine, 1st Bt., is the subject of this oil on canvas by the Scottish artist Henry Raeburn. Executed circa 1812, the portrait captures the…
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Resemblance of a Girl and a Boy is a formal portrait painted by Henry Raeburn. Created about 1800, the oil on canvas work depicts two young children positioned…
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The air in the room seems to settle around Alexander Murray, 8th Baron Elibank, as he sits in a moment of quiet, aristocratic poise. He is a young…
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This oil on canvas, titled Portrait of a Man, was executed by the Scottish artist Sir Henry Raeburn. Known also by the title Mandsportræt, the work offers a…
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Dr. Mackenzie of Edinburgh is a portrait by Henry Raeburn, executed about 1790. The work presents a single male figure, identified as John MacKenzie, rendered in oil on…
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Portrait of Mrs. George Bell is an oil on canvas painted by the Scottish artist Henry Raeburn. Executed between circa 1801 and circa 1802, the work captures the…
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Henry Raeburn’s “Alexander Leith of Freeland,” completed around 1796, stands as a cornerstone of Scottish portraiture during the Enlightenment. More than just a likeness, it embodies the ideals…
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This oil on canvas portrait, titled William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826, was executed by the Scottish artist Henry Raeburn. The work…
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Henry Raeburn’s 1810 portrait of Thomas Williamson Ramsay is more than a simple likeness; it’s a meticulously crafted tableau of intellect, status, and the measured dignity of the…
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The Portrait of Sir Patrick Inglis, Baronet of Sunnyside emerges from the shadows of history through the brush of Henry Raeburn. This oil on canvas captures a moment…
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The portrait presents a man of significant presence, captured in the twilight of his life. He is depicted with white hair and a beard, his features framed by…
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Rev. Dr John Erskine, 1721 - 1803. Theologian is a portrait attributed to the Scottish artist Sir Henry Raeburn (1756–1823). Created about 1804, this oil painting captures the…
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In Quintin McAdam, Henry Raeburn presents a formal and dignified full-length portrait of a young boy. The composition centers on a single standing figure, positioned with a natural…
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Henry Raeburn’s “Frances Harriet Wynne, Mrs. Hamilton of Kames,” painted in 1811, is more than a simple portrait; it's a carefully constructed tableau of wealth, social standing, and…
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This oil on canvas portrait depicts Henry David Erskine, Twelfth Earl of Buchan. The subject, who lived from 1783 to 1857, is presented in a formal manner. The…
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Henry Raeburn’s “Mrs. Charles Steuart,” painted in 1794, is more than just a portrait; it's a meticulously crafted window into the social and artistic sensibilities of late 18th-century…
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De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Henry Raeburn | Malerier fra denne liste |
|---|---|---|---|
 Scottish National Portrait Gallery |
Edinburgh | 30 | Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician |
 Tate Gallery |
London | 8 | Pringle Fraser, A Young Lady, Mrs Downey |
 Scottish National Gallery |
Edinburgh | 40 | Reverend Dr Robert Walker (1755–1808) på skøjter på Duddingston Loch, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826 |
 Detroit Institute of Arts |
Detroit | 5 | Sir James Montgomery, Second Baronet of Stanhope, Mrs. Alexander Campbell of Possil, Alexander Murray, 8th Baron Elibank |
 Art Institute of Chicago |
Chicago | 4 | Adam Rolland of Gask II, Robert Brown of Newhall, Eleanor Margaret Gibson-Carmichael |
 Fine Arts Museums of San Francisco |
San Francisco | 3 | Sir William Napier, Sir Duncan Campbell of Barcaldine, John Tait of Harviestoun |
 Minneapolis Institute of Art |
Minneapolis | 3 | Portrait of John Baillie (1772-1833), Portrait of Mrs. George Bell, Portrait of Sir Patrick Inglis, Baronet of Sunnyside |
 The National Trust For Scotland |
Turriff | 6 | Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797), Professor James Gregory (1753–1821) |
Henry Raeburn's “Mrs Downey,” completed around 1787-90, stands as a cornerstone of Scottish portraiture and exemplifies the refined sensibilities of the late Enlightenment. Held proudly within the Tate…
Luften føles skarp og kold, mens en ensom skikkelse glider hen over den frosne flade på Duddingston Loch. Han er en mand af betydning, klædt i en tung…
To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures…
To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered…
This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of…
Reverend Dr Robert Walker (1755–1808) på skøjter på Duddingston Loch (1795), Scottish National Gallery, Edinburgh. Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) og Young Girl Holding Flowers (1798) følger efter.
Henry Raeburn, født i 1756, var 39 år gammel: Reverend Dr Robert Walker (1755–1808) på skøjter på Duddingston Loch er fra 1795.
Reverend Dr Robert Walker (1755–1808) på skøjter på Duddingston Loch, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), Young Girl Holding Flowers, Henry Mackenzie, Professor Dugald Stewart (1753–1828), Philosopher, Pringle Fraser, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828), George Malcolm og John James Audubon (1785–1851). Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
360 værker af Henry Raeburn er i vores katalog, dateret fra 1776 til 1823.
Primært i Scottish National Portrait Gallery (Edinburgh), Tate Gallery (London) og Scottish National Gallery (Edinburgh); listen ovenfor nævner hvert museum og dets lærreder.
I 1810s, som udgør 35 af de 100 værker på denne side, herunder Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814).
Det tidligste lærred her er Portrait of James Veitch, Lord Eliock (1776); det seneste er Portrait of David Cowan (1823).
Portrait (31), Man (19) og Portraiture (14), fordelt på de 100 værker på denne side.
Oil On Canvas, anvendt i 54 af de 100 værker på denne side.
Scottish neoclassicism og Romanticism, som lærrederne på denne side viser.
Scottish National Portrait Gallery, Edinburgh har 7 af værkerne på denne side, herunder Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge og Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
