Det mest elskede maleri af Jan Asselijn er The Threatened Swan (1652), som hænger på Rijksmuseum i Amsterdam. The Threatened Swan (1650) og King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 84 værker af Jan Asselijn: her er de 84 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted in political turmoil. More than just a depiction of avian behavior, this monumental oil painting on canvas is an intricate allegory reflecting the anxieties surrounding Johan de Witt’s leadership during a period marked by internal dissent and external threats.
Jan Asselijn’s “The Threatened Swan,” painted around 1650, is more than just a beautiful depiction of a majestic bird; it's a meticulously crafted political allegory that offers a fascinating glimpse into the turbulent world of 17th-century Holland. This oil on canvas masterpiece, currently residing in the Rijksmuseum in Amsterdam, immediately captivates with its dynamic composition and dramatic lighting, hallmarks of the Dutch Golden Age’s artistic prowess. The painting depicts a…
Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…
A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…
The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…
The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…
The composition is framed by the heavy, dark masses of a rocky grotto, creating a natural vignette that directs the eye toward a luminous, sunlit vista. Within this…
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This captivating scene, titled Landscape with Ruins and Hunting Party, transports the viewer directly into the heart of the 17th century Netherlands. Painted in 1645 by Jan Asselijn,…
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To gaze upon this scene is to step directly into the tranquil heart of the Dutch Golden Age. The composition unfolds like a gentle breath across the canvas,…
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To gaze upon Jan Asselijn's River Bank with Herdsmen is to step directly into a moment of profound tranquility from the heart of the 17th century. This oil…
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In the quietude of Jan Asselijn’s 1652 masterpiece, Coastal Scene with Resting Riders (detail), we find ourselves transported to a world where time seems to hold its breath.…
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In the heart of 1652, as Amsterdam flourished as a beacon of artistic brilliance, Jan Asselijn turned his gaze toward the warmth of the south. His masterpiece, Imaginary…
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Shepherds with cattle resting under the vaults of the Colosseum in Rome.
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The Serene Majesty of “PAYSAGE AVEC UNE TOUR” – A Dutch Golden Age Masterpiece Jan Asselijn’s “PAYSAGE AVEC UNE TOUR,” a captivating landscape rendered in the rich, atmospheric…
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A towering rock formation dominates this vertical composition, its rugged, textured surface rising sharply toward a cloudy sky. At its base, a shepherd's hut is nestled among dense…
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WahooArt offers high-quality hand-painted reproductions of “Muleteers beside an Italian Ruin” by Jan Asselijn, capturing the essence of this captivating artwork in stunning detail. Explore our collection today…
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Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…
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Jan Asselijn's "Herders with Their Animals under an Arch of the Colosseum in Rome," painted in 1652, is more than a simple depiction of a pastoral scene; it’s…
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Hunting Company Out of Rome Jan Asselijn’s “Hunting Company Out of Rome,” completed in 1652, stands as a quintessential emblem of the Dutch Golden Age landscape tradition—a testament…
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Beggars i Front af en Romersk Limekiln – En Dramatisk Afbildning af Tidens Ånd Jan Asselijn, født omkring 1610 i Dieppe og død i Amsterdam i 1652, var…
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Jan Asselijn's "Italian Coast Scene," painted circa 1640-1652, isn’t merely a depiction of a coastal landscape; it’s an invitation to step into a moment of serene contemplation. This…
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Jan Asselijn's "Italian Landscape," painted circa 1625-1652, isn’t merely a depiction of a picturesque vista; it’s an invitation to step into a carefully constructed world of serene beauty…
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Italian Landscape with the Ruins of a Roman Bridge and Aqueduct Jan Asselijn’s “Italian Landscape with the Ruins of a Roman Bridge and Aqueduct” stands as a testament…
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Horsefight at sunset. In the middle, a kneeled shooter looses a shot on a storming rider on a white horse.
Få det malet i hånden →De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jan Asselijn | Malerier fra denne liste |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 11 | The Threatened Swan, The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 |
 Academy of Fine Arts Vienna |
Wien | 6 | Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail) |
 Statens Museum for Kunst |
København | 5 | King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers |
 Gemäldegalerie |
Berlin | 4 | King Gustav Adolf II of Sweden, Battle near Lutzen 1632, Landscape with Swans and a Swimming Dog, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651 |
 Louvre |
Paris | 3 | PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS |
 Cannon Hall Museum |
Barnsley | 2 | Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside |
 Yale University Art Gallery |
New Haven | 2 | Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon |
 Hermitage Museum |
Sankt Petersborg | 2 | Riders Gallopping towards the Gates of the Fortress, Winter Landscape |
Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…
Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal…
Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted…
The Threatened Swan (1652), Rijksmuseum, Amsterdam. The Threatened Swan (1650) og King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) følger efter.
Jan Asselijn, født i 1610, var 42 år gammel: The Threatened Swan er fra 1652.
The Threatened Swan, The Threatened Swan, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep og Italian Landscape. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
84 værker af Jan Asselijn er i vores katalog, dateret fra 1620 til 1652.
Primært i Rijksmuseum (Amsterdam), Academy of Fine Arts Vienna (Wien) og Statens Museum for Kunst (København); listen ovenfor nævner hvert museum og dets lærreder.
I 1650s, som udgør 27 af de 84 værker på denne side, herunder The Threatened Swan.
Det tidligste lærred her er Hangout in Italy (1620); det seneste er The Threatened Swan (1652).
Landscape (27), Figures (5) og Italy (5), fordelt på de 84 værker på denne side.
Oil On Canvas, anvendt i 11 af de 84 værker på denne side.
Dutch golden age og Baroque, som lærrederne på denne side viser.
Rijksmuseum, Amsterdam har 11 af værkerne på denne side, herunder The Threatened Swan, The Threatened Swan og Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
