Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Orcagna, 1315 – 1368

      Orcagna: De 13 mest kendte malerier

      Af alle Orcagna's malerier er Saint John the Baptist (1355) det mest berømte; det hænger på Yale University Art Gallery i New Haven. Lige efter følger The Calling of St. Matthew (1367) og Throne of Grace (1400). Blandt de 13 værker af Orcagna i vores katalog er disse 13 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Orcagna
      Orcagna · 1315 – 1368
      Født · død
      1315 – 1368, Florence
      Værker i vores katalog
      13
      Mest kendte
      Saint John the Baptist (1355)
      Flest værker hos
      Cappella Strozzi

      Orcagnas 10 mest fejrede malerier

      Orcagnas malerier rangeret fra 11 til 13

      Hvad Orcagna har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Orcagna's lærreder hænger

      De 5 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Orcagna Malerier fra denne liste
      Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
      Nationalmuseet i Warszawa, WarszawaNationalmuseet i Warszawa Warszawa 1 Throne of Grace
      Palazzo Vecchio, FirenzePalazzo Vecchio Firenze 1 The Expulsion of the Duke of Athens
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

      Årti for årti: Orcagnas mest fejrede lærred

      1. 1340s
      2. 1350s
      3. 1360s

      Dine spørgsmål om Orcagnas malerier, besvaret

      Hvilket er det mest berømte maleri af Orcagna?Læs svaret

      Saint John the Baptist (1355), Yale University Art Gallery, New Haven. The Calling of St. Matthew (1367) og Throne of Grace (1400) følger efter.

      Hvor gammel var Orcagna på tidspunktet for Saint John the Baptist?Læs svaret

      Orcagna, født i 1315, var 40 år gammel: Saint John the Baptist er fra 1355.

      Hvilke ti malerier er Orcagna mest kendt for?Læs svaret

      Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) og The Expulsion of the Duke of Athens. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier af Orcagna er kendt?Læs svaret

      13 værker af Orcagna er i vores katalog, dateret fra 1343 til 1367.

      Hvilke museer udstiller Orcagnas mest kendte lærreder?Læs svaret

      Primært i Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) og Nationalmuseet i Warszawa (Warszawa); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Orcagna sine mest berømte lærreder?Læs svaret

      I 1350s, som udgør 8 af de 13 værker på denne side, herunder Saint John the Baptist.

      Hvad er de første og de sidste af Orcagnas berømte lærreder?Læs svaret

      Det tidligste lærred her er The Expulsion of the Duke of Athens (1343); det seneste er The Calling of St. Matthew (1367).

      Hvad kan jeg se af Orcagna på Cappella Strozzi?Læs svaret

      Cappella Strozzi, Florence har 2 af værkerne på denne side, herunder View of the Chapel og The Strozzi Altarpiece.

      Kan jeg bestille en håndmalet kopi af et maleri af Orcagna?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Orcagna: malerens historie

      Andrea di Cione: The Architect of Florentine Vision

      The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

      Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

      The Grandeur of Orvieto: Mosaic Master

      Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

      The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

      The Sculptural Triumph: Orsanmichele’s Tabernacle

      Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

      The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

      A Legacy of Innovation

      Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

      Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

      Alle 13 værker af Orcagna →