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      Pompeo Batoni, 1708 – 1787

      Pompeo Batonis 100 mest berømte malerier

      Hercules at the Crossroads (detail) (1748) er det maleri, som Pompeo Batoni er bedst kendt for; det befinder sig på Liechtenstein Museum, Wien. A Knight in Rome: Charles Cecil Roberts (1778) og Gaetano II Sforza Cesarini, Duke of Segni (1768) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 164 værker af Pompeo Batoni. Her er de 100 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Pompeo Batoni
      Pompeo Batoni · 1708 – 1787
      Født · død
      1708 – 1787, Lucca
      Bevægelse
      Neoclassicism
      Værker i vores katalog
      164
      Mest kendte
      Hercules at the Crossroads (detail) (1748)
      Flest værker hos
      Uppark

      De ti mest elskede malerier af Pompeo Batoni

      Hercules at the Crossroads (detail) (1748) af Pompeo Batoni
      1

      Hercules at the Crossroads (detail)

      1748 · Oil On Canvas · Liechtenstein Museum, Wien

      To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

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      A Knight in Rome: Charles Cecil Roberts (1778) af Pompeo Batoni
      2

      A Knight in Rome: Charles Cecil Roberts

      1778 · Oil On Canvas · Museo del Prado, Madrid

      Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

      Få det malet i hånden Historien om maleriet
      Gaetano II Sforza Cesarini, Duke of Segni (1768) af Pompeo Batoni
      3

      Gaetano II Sforza Cesarini, Duke of Segni

      1768 · Oil On Canvas · National Gallery of Victoria, Melbourne

      The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

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      Time Unveiling Truth (1742) af Pompeo Batoni
      4

      Time Unveiling Truth

      1742 · Oil · Art Institute of Chicago, Chicago

      A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

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      Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) af Pompeo Batoni
      6

      Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

      1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

      Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

      Få det malet i hånden Historien om maleriet
      John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) af Pompeo Batoni
      7

      John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

      1761 · Oil On Canvas · Scottish National Portrait Gallery, Edinburgh

      The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

      Få det malet i hånden Historien om maleriet
      Portrait of John Woodyeare (1750) af Pompeo Batoni
      8

      Portrait of John Woodyeare

      1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

      The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

      Få det malet i hånden Historien om maleriet
      Peter Beckford (1740-1811), godsejer, Dorset. (1766) af Pompeo Batoni
      9

      Peter Beckford (1740-1811), godsejer, Dorset.

      1766 · Oil On Canvas · Statens Museum for Kunst, København

      A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

      Få det malet i hånden Historien om maleriet
      The Rotterdam tobacco trader Pieter Caarten (1778) af Pompeo Batoni
      10

      The Rotterdam tobacco trader Pieter Caarten

      1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

      Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

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      Pompeo Batoni: lærreder fra 11 til 100 på ranglisten

      Peace and War (1776) af Pompeo Batoni
      #15

      Peace and War

      1776 · Art Institute of Chicago

      A dramatic tension defines this 1776 composition, where two figures exist in a state of balanced opposition. On the left, a male warrior clad in Roman-style armor embodies…

      Få det malet i hånden →
      Peace and Justice (1745) af Pompeo Batoni
      #18

      Peace and Justice

      1745 · Montreal Museum of Fine Arts

      Two female figures are locked in a tender, intimate embrace, their bodies arranged in a stable pyramidal composition. This Neoclassical work utilizes a dramatic chiaroscuro effect, where a…

      Få det malet i hånden →
      Samson and Delilah (1766) af Pompeo Batoni
      #20

      Samson and Delilah

      1766 · Detroit Institute of Arts

      In this 1766 oil on canvas, Pompeo Batoni captures a moment of profound betrayal. The work, titled Samson and Delilah, belongs to the genre of religious art. It…

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      Atis and Galathea (1761) af Pompeo Batoni
      #21

      Atis and Galathea

      1761 · Nationalmuseum

      The air feels heavy with the scent of sun-warmed stone and the sudden, sharp terror of a chase. On the left, a massive, muscular figure looms, his body…

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      Philip Metcalfe (1766) af Pompeo Batoni
      #22

      Philip Metcalfe

      1766 · National Portrait Gallery

      The sitter, Philip Metcalfe, meets the viewer through the steady gaze of a man defined by his many roles. He was a distiller and a collector, a patron…

      Få det malet i hånden →
      Saint Andrew (1741) af Pompeo Batoni
      #24

      Saint Andrew

      1741 · Art Institute of Chicago

      An elderly man sits amidst the shadows, his body a landscape of weathered skin and straining muscle. He is Saint Andrew, caught in a moment of profound internal…

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      Allegory of the Arts (1740) af Pompeo Batoni
      #27

      Allegory of the Arts

      1740 · Städel Museum

      In this 1740 oil painting, five female figures occupy a classical architectural space. The arrangement follows a pyramidal structure, with a central seated woman acting as the focal…

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      Thomas William Coke (1773) af Pompeo Batoni
      #34

      Thomas William Coke

      1773 · Holkham Hall

      Pompeo Batoni executed this portrait of Thomas William Coke in 1773. The subject is Thomas William Coke, 1st Earl of Leicester (of the Second Creation). This oil on…

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      Truth and Mercy (1745) af Pompeo Batoni
      #76

      Truth and Mercy

      1745 · Montreal Museum of Fine Arts

      In this 1745 oil painting, we find ourselves drawn into a swirling, cloudy sky where two female figures move with a rhythmic, upward grace. The composition is defined…

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      Pompeo Batonis lærreder, periode for periode

      Early Period

      1736 – 1745 · 4 værker på denne liste
      The infant Hercules strangling serpents in his cradle (1743), Pompeo Batoni #19 The infant Hercules strangling serpents in his cradle 1743 · Palazzo Pitti Saint Andrew (1741), Pompeo Batoni #24 Saint Andrew 1741 · Art Institute of Chicago Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736), Pompeo Batoni #36 Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa 1736 · J. Paul Getty Museum Truth and Mercy (1745), Pompeo Batoni #76 Truth and Mercy 1745 · Montreal Museum of Fine Arts

      Mature Period

      1740 – 1782 · 32 værker på denne liste
      Hercules at the Crossroads (detail) (1748), Pompeo Batoni #1 Hercules at the Crossroads (detail) 1748 · Liechtenstein Museum A Knight in Rome: Charles Cecil Roberts (1778), Pompeo Batoni #2 A Knight in Rome: Charles Cecil Roberts 1778 · Museo del Prado Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria Time Unveiling Truth (1742), Pompeo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

      Hvad Pompeo Batoni har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Man 27 værker

      Gaetano II Sforza Cesarini, Duke of Segni (1768), Pompeo Batoni #3 Gaetano II Sforza Cesarini, Duke of Segni 1768 · National Gallery of Victoria Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761), Pompeo Batoni #7 John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile 1761 · Scottish National Portrait Gallery Portrait of John Woodyeare (1750), Pompeo Batoni #8 Portrait of John Woodyeare 1750 · Minneapolis Institute of Art

      Woman 13 værker

      Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785), Pompeo Batoni #5 Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley 1785 · Yale Center for British Art Hercules at the Crossroads (1748), Pompeo Batoni #11 Hercules at the Crossroads 1748 · Liechtenstein Museum Hercules at the Crossroads (1742), Pompeo Batoni #12 Hercules at the Crossroads 1742 · Palazzo Pitti Hercules at the Crossroads (1765), Pompeo Batoni #13 Hercules at the Crossroads 1765 · Hermitage Museum

      Landscape 7 værker

      Peter Beckford (1740-1811), godsejer, Dorset. (1766), Pompeo Batoni #9 Peter Beckford (1740-1811), godsejer, Dorset. 1766 · Statens Museum for Kunst Philip Metcalfe (1766), Pompeo Batoni #22 Philip Metcalfe 1766 · National Portrait Gallery Portrait of John Talbot, later 1st Earl Talbot (1773), Pompeo Batoni #35 Portrait of John Talbot, later 1st Earl Talbot 1773 · J. Paul Getty Museum Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764), Pompeo Batoni #6 Alexander Gordon, 4th Duke of Gordon (1743 - 1827) 1764 · Scottish National Gallery

      Sky 5 værker

      Time Unveiling Truth (1742), Pompeo Batoni #4 Time Unveiling Truth 1742 · Art Institute of Chicago James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753), Pompeo Batoni #17 James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) 1753 · Yale Center for British Art Atis and Galathea (1761), Pompeo Batoni #21 Atis and Galathea 1761 · Nationalmuseum Venus Presenting Aeneas with Armour Forged by Vulcan (1748), Pompeo Batoni #31 Venus Presenting Aeneas with Armour Forged by Vulcan 1748 · Liechtenstein Museum

      Hvor Pompeo Batoni's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Pompeo Batoni Malerier fra denne liste
      UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
      Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
      National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
      Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
      Liechtenstein Museum, WienLiechtenstein Museum Wien 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Time Unveiling Truth, Peace and War, Saint Andrew
      National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
      Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

      Pompeo Batonis mest berømte lærred, årti efter årti

      1. 1730s
      2. 1740s
        Hercules at the Crossroads (detail) (1748) af Pompeo Batoni
        1 ud af 100

        Hercules at the Crossroads (detail)

        Alder 32 – 41 · Liechtenstein Museum

        To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from…

      3. 1750s
        Portrait of John Woodyeare (1750) af Pompeo Batoni
        Lærred 8 af 100

        Portrait of John Woodyeare

        Alder 42 – 51 · Minneapolis Institute of Art

        The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in…

      4. 1760s
        Gaetano II Sforza Cesarini, Duke of Segni (1768) af Pompeo Batoni
        3 ud af 100

        Gaetano II Sforza Cesarini, Duke of Segni

        Alder 52 – 61 · National Gallery of Victoria

        The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant…

      5. 1770s
        A Knight in Rome: Charles Cecil Roberts (1778) af Pompeo Batoni
        Lærred 2 af 100

        A Knight in Rome: Charles Cecil Roberts

        Alder 62 – 71 · Museo del Prado

        Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere…

      6. 1780s

      Pompeo Batonis lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Pompeo Batoni mest kendt for?Læs svaret

      Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Wien. A Knight in Rome: Charles Cecil Roberts (1778) og Gaetano II Sforza Cesarini, Duke of Segni (1768) følger efter.

      Hercules at the Crossroads (detail): hvor gammel var Pompeo Batoni, da det blev malet?Læs svaret

      Pompeo Batoni, født i 1708, var 40 år gammel: Hercules at the Crossroads (detail) er fra 1748.

      Hvad er Pompeo Batonis ti mest berømte lærreder?Læs svaret

      Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. og The Rotterdam tobacco trader Pieter Caarten. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Pompeo Batoni skabt?Læs svaret

      164 værker af Pompeo Batoni er i vores katalog, dateret fra 1733 til 1785.

      Hvor hænger Pompeo Batonis mest berømte lærreder i dag?Læs svaret

      Primært i Uppark, Basildon Park og National Gallery of Ireland (Dublin); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Pompeo Batoni sine mest berømte lærreder?Læs svaret

      I 1740s, som udgør 30 af de 100 værker på denne side, herunder Hercules at the Crossroads (detail).

      Hvilket berømt lærred af Pompeo Batoni kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Portrait of a man (1733); det seneste er Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

      Hvilke motiver malede Pompeo Batoni mest?Læs svaret

      Man (27), Woman (13) og Landscape (7), fordelt på de 100 værker på denne side.

      Hvilket medie optræder hyppigst i Pompeo Batoni's malerier?Læs svaret

      Oil On Canvas, anvendt i 34 af de 100 værker på denne side.

      Hvilken stilart er Pompeo Batoni associeret med?Læs svaret

      Neoclassicism, som lærrederne på denne side viser.

      Hvilke malerier af Pompeo Batoni er i Upparks samling?Læs svaret

      Uppark har 10 af værkerne på denne side, herunder Purity of Heart, Meekness og Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear.

      Hvor kan jeg købe en reproduktion af et maleri af Pompeo Batoni?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Pompeo Batoni

      Tidligt liv og uddannelse

      • Født: Lucca, Italien (1708)
      • Død: 1787
      • Pompeo Batoni flyttede til Rom i 1727.
      • Han var i lære hos Agostino Masucci, Sebastiano Conca og/eller Francesco Imperiali.
      • Hans første selvstændige bestilling kom som følge af de regnskyl, der ramte Rom i april 1732.
      • Maleriets "Sankt Catharina af Siens ekstase" illustrerer hans akademiske forfinelse af den senbarokke stil.

      Kunstnerisk stil og indflydelser

      • Batonis stil trak inspiration fra klassisk antikvitet, fransk rokoko, bolognesisk klassicisme og kunstnere som Nicolas Poussin, Claude Lorrain og især Raphael.
      • Han betragtes som en forløber for nyklassicismen.
      • Hans værker kan findes på forskellige museer, herunder Pinacoteca di Brera i Milano, Italien.

      Bemærkelsesværdige værker og bestillinger

        Jomfru og barn med helgener
      • En ridder i Rom: Charles Cecil Roberts – Et berømt portræt af en britisk rejsende, sat mod baggrund af romerske ruiner.
      • Venedigs triumf
      • Adskillige altertavler til kirker i Italien, såsom Museum Duomo i Siena.
      • Han var i høj kurs til portrætter, især blandt britiske rejsende på "The Grand Tour", som bestilte stående portrætter i antikke omgivelser.

      Udvikling og historisk betydning

        Batoni blev en yderst moderigtig maler i Rom, efter at hans rival, Anton Raphael Mengs, rejste til Spanien i 1761.
      • Han knyttede venskab med Winckelmann og tilstræbte at dæmpe klassicismen i sit maleri.
      • Hans portrætter indfangede ånden fra Grand Tour-æraen og afspejlede den europæiske elites fascination af den klassiske antikvitet.
      • Batonis evne til at forene barokke teknikker med fremspirende nyklassicistiske idealer placerede ham som en overgangsfigur i den italienske kunsthistorie.

      Eftermæle

        Pompeo Batoni gik bort den 4. februar 1787 i Rom.
      • Han efterlod sig en arv som en af sin tids mest berømte italienske malere.
      • Hans arbejde fortsætter med at blive beundret for sin tekniske dygtighed, elegante kompositioner og indsigtsfulde skildringer af individer i deres historiske kontekst.

      Alle 164 værker af Pompeo Batoni →