Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Thomas Sully, 1783 – 1872

      Thomas Sullys 100 mest berømte malerier

      Queen Victoria (1838) er det maleri, som Thomas Sully er bedst kendt for; det befinder sig på Wallace Collection, London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) og George Washington (1840) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 437 værker af Thomas Sully. Her er de 100 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Thomas Sully
      Thomas Sully · 1783 – 1872
      Født · død
      1783 – 1872, Horncastle
      Bevægelse
      Romanticism
      Værker i vores katalog
      437
      Mest kendte
      Queen Victoria (1838)
      Flest værker hos
      Metropolitan Museum of Art

      De ti mest elskede malerier af Thomas Sully

      Thomas Jefferson (1743-1826), LL.D. 1786 (1823) af Thomas Sully
      2

      Thomas Jefferson (1743-1826), LL.D. 1786

      1823 · Oil On Canvas · Yale University Art Gallery, New Haven

      Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that remains indistinct and atmospheric. His gaze is directed slightly upward and away, suggesting a mind preoccupied with matters beyond the immediate frame. He wears a long, dark purple or plum-colored coat with wide cuffs, a garment that holds its form through heavy,…

      George Washington (1840) af Thomas Sully
      3

      George Washington

      1840 · Oil On Canvas · Metropolitan Museum of Art, New York

      Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on formal dignity. The portrait belongs to the tradition of nineteenth-century American portraiture, reflecting the era's emphasis on character and status.

      Dr. Edward Hudson (1810) af Thomas Sully
      4

      Dr. Edward Hudson

      1810 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just a likeness of Dr. Edward Hudson—a prominent physician and influential figure within London society—the painting embodies the ideals of refinement, intellect, and moral virtue that defined the period’s artistic sensibilities.

      Child Asleep (The Rosebud) (1841) af Thomas Sully
      5

      Child Asleep (The Rosebud)

      1841 · Oil On Canvas · Metropolitan Museum of Art, New York

      In the quietude of Thomas Sully’s 1841 masterpiece, Child Asleep (The Rosebud), we find more than a mere depiction of infancy; we encounter a profound meditation on innocence and the ephemeral nature of beauty. This exquisite oil on canvas serves as a cornerstone of American Romanticism, capturing a moment of absolute tranquility that seems to suspend time itself. The painting presents a serene tableau where a sleeping infant rests upon…

      The Coleman Sisters (1844) af Thomas Sully
      6

      The Coleman Sisters

      1844 · Acrylic On Canvas · National Gallery of Art, Washington

      Thomas Sully’s “The Coleman Sisters,” painted in 1844, is more than just a portrait; it's a carefully constructed tableau of Victorian elegance imbued with an undercurrent of melancholic beauty. The painting depicts three young women – likely sisters – posed before a simple wall backdrop, their postures and expressions hinting at both composure and a quiet introspection that speaks volumes about the era’s societal expectations for women.

      William B. Wood as "Charles de Moor" (1810) af Thomas Sully
      7

      William B. Wood as "Charles de Moor"

      1810 · Oil · National Gallery of Art, Washington

      In this oil painting from 1810, we find ourselves drawn into a dramatic landscape at the edge of day. The composition centers on a reclining figure, William B. Wood, portrayed here through the persona of "Charles de Moor." He rests within a rugged terrain, his arm outstretched toward the left, guiding our gaze across the scene. There is a certain tension in his pose, an energy that suggests a narrative…

      Thomas Sully (1815) af Thomas Sully
      8

      Thomas Sully

      1815 · Oil · National Portrait Gallery, Washington, D.C.

      The Painter in the Shadows A young man gazes out from the canvas, his eyes meeting the viewer with a calm, contemplative stillness. He sits amidst the tools of his trade, the blurred shapes of a palette and paintbrushes resting in the foreground, hinting at a life lived through the application of pigment. The light falls heavily upon one side of his face, a technique of deep shadows and bright…

      Colonel Samuel Boyer Davis (1819) af Thomas Sully
      9

      Colonel Samuel Boyer Davis

      1819 · Oil On Canvas · Crystal Bridges Museum of American Art, Bentonville

      Colonel Samuel Boyer Davis is rendered in a full-length, vertical composition that emphasizes his military authority. He stands with a slight, dynamic tilt, positioned off-center against an atmospheric backdrop of swirling grey and beige clouds. This setting suggests the smoke and dust of a battlefield, providing a somber environment for the subject. The lighting, originating from the upper left, casts subtle shadows across his face and body, creating a sense…

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853) (1831) af Thomas Sully
      10

      Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853)

      1831 · Oil On Canvas · Harvard Art Museums, Cambridge

      The air in the room feels still, held in a quiet suspension as Eliza Melville Young McAllister meets the viewer's gaze. She sits with a poise that suggests a life of quiet refinement, her expression composed and steady. The light, soft and directional, spills from the upper left, brushing against the pale curve of her cheek and the delicate, translucent lace of her headpiece. This illumination creates a gentle depth,…

      Thomas Sully: lærreder fra 11 til 100 på ranglisten

      John Finley (1821) af Thomas Sully
      #11

      John Finley

      1821 · Metropolitan Museum of Art

      Thomas Sully's "John Finley," painted in 1821, is more than just a likeness; it’s a carefully constructed embodiment of power and prestige within the burgeoning American landscape. The…

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      John Sergeant (1811) af Thomas Sully
      #13

      John Sergeant

      1811 · National Portrait Gallery

      This portrait of John Sergeant was painted by Thomas Sully in 1811. The sitter, a man of significant political and legal standing, is captured here in a moment…

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      Mother and Son (1840) af Thomas Sully
      #14

      Mother and Son

      1840 · Metropolitan Museum of Art

      Mother and Son: An Allegory of Domestic Harmony This magnificent portrait by Thomas Sully, completed in 1840, transcends mere representation; it embodies a profound meditation on familial bonds…

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      Isabella Tod Stewart (1837) af Thomas Sully
      #16

      Isabella Tod Stewart

      1837 · Isabella Stewart Gardner Museum

      The sitter faces the viewer with a steady, direct gaze, her presence anchored by the deep shadows of a dark background. A soft, directional light brushes the right…

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      Mary Anne Heide Norris (1830) af Thomas Sully
      #17

      Mary Anne Heide Norris

      1830 · Philadelphia Museum of Art

      Thomas Sully's "Mary Anne Heide Norris," painted in 1830, is more than just a likeness; it’s a carefully constructed tableau of wealth, status, and the idealized femininity prized…

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      Thomas Ash II (1807) af Thomas Sully
      #18

      Thomas Ash II

      1807 · National Portrait Gallery

      This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

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      Lester Wallach (1820-1888) (1847) af Thomas Sully
      #22

      Lester Wallach (1820-1888)

      1847 · Yale University Art Gallery

      This small-scale portrait miniature presents a bust-length view of a young man, Lester Wallach, set within an oval frame. The subject is positioned centrally, facing the viewer with…

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      John Vaughan (1819) af Thomas Sully
      #23

      John Vaughan

      1819 · National Portrait Gallery

      Thomas Sully rendered this oil on canvas portrait of John Vaughan between 1815 and 1823. The work captures the subject in a dignified, intimate bust-length composition, positioning him…

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      Thomas Heyward, Jr. (1854) af Thomas Sully
      #24

      Thomas Heyward, Jr.

      1854 · National Portrait Gallery

      Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

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      William Alston (1826) af Thomas Sully
      #26

      William Alston

      1826 · Cincinnati Art Museum

      Thomas Sully’s William Alston, Class of 1825 presents a formal portrait of a single male figure. The work, executed in oil, captures the likeness of Alston during a…

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      Mischief (Girl's Head) (1866) af Thomas Sully
      #27

      Mischief (Girl's Head)

      1866 · Reading Public Museum

      Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

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      Self-Portrait (1850) af Thomas Sully
      #63

      Self-Portrait

      1850 · National Gallery of Art

      The gaze meets us directly in Self-Portrait, a work where the artist Thomas Sully turns his brush upon his own likeness. Created in 1850, this painting captures the…

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      Charles Carnan Ridgely (1820) af Thomas Sully
      #72

      Charles Carnan Ridgely

      1820 · National Gallery of Art

      This portrait presents Charles Carnan Ridgely, a man who held significant influence as the second master of the Hampton estate. Painted in 1820, the work captures the sitter…

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      Major John Biddle (1818) af Thomas Sully
      #74

      Major John Biddle

      1818 · Metropolitan Museum of Art

      The gaze of Major John Biddle meets the viewer with a steady, unyielding weight. He sits encased in a black coat, the fabric absorbing the light, punctuated only…

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      The David Children (1826) af Thomas Sully
      #75

      The David Children

      1826 · National Gallery of Art

      The David Children is a portrait painted by Thomas Sully in 1826. The canvas captures a mother and her young child, likely a boy, within a quiet domestic…

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      Portrait of a Woman (1810) af Thomas Sully
      #76

      Portrait of a Woman

      1810 · Reading Public Museum

      This work is a Portrait of a Woman by the artist Thomas Sully. Executed in oil on canvas or panel, the piece belongs to the genre of portraiture,…

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      James Pollard Espy (1849) af Thomas Sully
      #79

      James Pollard Espy

      1849 · National Portrait Gallery

      This 1849 oil on canvas presents a bust-length portrait of James Pollard Espy. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze meets…

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      Captain Charles Stewart (1812) af Thomas Sully
      #80

      Captain Charles Stewart

      1812 · National Gallery of Art

      This oil on canvas portrait, titled Captain Charles Stewart, was executed by the artist Thomas Sully. The work depicts Captain Charles Stewart, a United States Navy officer, in…

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      Rosalie Spang (1848) af Thomas Sully
      #81

      Rosalie Spang

      1848 · Carnegie Museum of Art

      This oil on canvas portrait depicts Rosalie Spang. The work was executed by the artist Thomas Sully in 1848. The subject is presented in a formal manner, positioned…

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      Rebecca Gratz (1831) af Thomas Sully
      #82

      Rebecca Gratz

      1831

      The Rebecca Gratz painting, created by Thomas Sully in 1831, is a captivating oil on panel portrait that showcases the artist's skill in capturing the essence of his…

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      Musidora (1813) af Thomas Sully
      #83

      Musidora

      1813 · Metropolitan Museum of Art

      Thomas Sully’s “Musidora,” completed in 1813, is more than just a depiction of a nude figure; it's a carefully constructed moment of burgeoning romance, steeped in the sensibilities…

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      The Student (1839) af Thomas Sully
      #86

      The Student

      1839 · Metropolitan Museum of Art

      Thomas Sully's "The Student," painted in 1839, is more than just a likeness; it’s a carefully constructed tableau of introspection and nascent artistic promise. This captivating portrait, rendered…

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      Equestrian Portrait of George Washington (1842) af Thomas Sully
      #87

      Equestrian Portrait of George Washington

      1842 · The Abraham Lincoln Foundation of The Union League of Philadelphia

      Grand portrait of President George Washington (1732-1799), Commander-in-Chief to the Continental Army during the American Revolution and 1st President of the United States. General Washington is not depicted…

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      Mrs. George Lingen (1842) af Thomas Sully
      #88

      Mrs. George Lingen

      1842 · Art Institute of Chicago

      In this 1842 portrait, we find ourselves in the presence of Mrs. George Lingen. There is a quiet confidence in her gaze, a subtle smile that suggests a…

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      Governor Peyton Randolph (1806) af Thomas Sully
      #91

      Governor Peyton Randolph

      1806 · Wilton House Museum

      In the quiet, commanding presence of Thomas Sully’s 1806 portrait, Governor Peyton Randolph, one finds more than a mere likeness of a political figure; one encounters the very…

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      Thomas Sullys lærreder, periode for periode

      Hvad Thomas Sully har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Thomas Sully's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Thomas Sully Malerier fra denne liste
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 23 George Washington, Child Asleep (The Rosebud), John Finley
      National Gallery of Art, WashingtonNational Gallery of Art Washington 22 The Coleman Sisters, William B. Wood as "Charles de Moor", John Quincy Adams
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 6 Thomas Sully, John Sergeant, Thomas Ash II
      Pennsylvania Academy of Fine Arts, PhiladelphiaPennsylvania Academy of Fine Arts Philadelphia 8 George Frederick Cooke as Richard III, Elizabeth Willing Jackson, Frances Anne Kemble as Beatrice
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 7 John Myers, Mrs. Joseph Rotch (Anne Smith), Victor René Value and His Daughter Charlotte
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 4 Thomas Jefferson (1743-1826), LL.D. 1786, Lester Wallach (1820-1888), Elizabeth Cook (Mrs. Benjamin Franklin Bache) as The Country Girl
      Cincinnati Art Museum, CincinnatiCincinnati Art Museum Cincinnati 4 Portia, Merchant of Venice (Recto) / Sketch of a Woman's Head (Verso), William Alston
      Dallas Museum of Art, DallasDallas Museum of Art Dallas 3 Mary Harvey, Mrs. Paul Beck, Jr., Portrait of Mrs. George H. Crossman

      Thomas Sullys mest berømte lærred, årti efter årti

      1. 1800s
        Thomas Ash II (1807) af Thomas Sully
        Lærred 18 af 100

        Thomas Ash II

        Alder 17 – 26 · National Portrait Gallery

        This oil portrait, executed in 1807, presents a bust-length view of Thomas Ash II. The subject is positioned slightly off-center, facing toward the left while his gaze is…

      2. 1810s
        Dr. Edward Hudson (1810) af Thomas Sully
        Lærred 4 af 100

        Dr. Edward Hudson

        Alder 27 – 36 · Detroit Institute of Arts

        Thomas Sully’s “Mrs. Edward Hudson,” completed in 1814, stands as an emblem of the Victorian era's fascination with portraiture and its celebration of aristocratic status. More than just…

      3. 1820s
        Thomas Jefferson (1743-1826), LL.D. 1786 (1823) af Thomas Sully
        Lærred 2 af 100

        Thomas Jefferson (1743-1826), LL.D. 1786

        Alder 37 – 46 · Yale University Art Gallery

        Thomas Jefferson steps from the shadows of a doorway into a soft, overcast light. He is captured in a moment of transition, moving toward an outdoor setting that…

      4. 1830s
        Queen Victoria (1838) af Thomas Sully
        Rangeret som nr. 1 ud af 100

        Queen Victoria

        Alder 47 – 56 · Wallace Collection
      5. 1840s
        George Washington (1840) af Thomas Sully
        Rangeret som nr. 3 ud af 100

        George Washington

        Alder 57 – 66 · Metropolitan Museum of Art

        Thomas Sully rendered this portrait of George Washington in 1840. Executed in oil on canvas, the work captures the likeness of the American leader with a focus on…

      6. 1850s
        Thomas Heyward, Jr. (1854) af Thomas Sully
        Rangeret som nr. 24 ud af 100

        Thomas Heyward, Jr.

        Alder 67 – 76 · National Portrait Gallery

        Thomas Sully presents a portrait of Thomas Heyward, Jr., executed about 1854. The work features a single male figure, rendered with the technical precision characteristic of the American…

      7. 1860s
        Mischief (Girl's Head) (1866) af Thomas Sully
        Rangeret som nr. 27 ud af 100

        Mischief (Girl's Head)

        Alder 77 – 86 · Reading Public Museum

        Thomas Sully executed Mischief (Girl's Head) in 1866. This oil on canvas painting belongs to the artist's later period, capturing a specific moment of youthful curiosity through a…

      Thomas Sullys lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Thomas Sully mest kendt for?Læs svaret

      Queen Victoria (1838), Wallace Collection, London. Thomas Jefferson (1743-1826), LL.D. 1786 (1823) og George Washington (1840) følger efter.

      Queen Victoria: hvor gammel var Thomas Sully, da det blev malet?Læs svaret

      Thomas Sully, født i 1783, var 55 år gammel: Queen Victoria er fra 1838.

      Hvad er Thomas Sullys ti mest berømte lærreder?Læs svaret

      Queen Victoria, Thomas Jefferson (1743-1826), LL.D. 1786, George Washington, Dr. Edward Hudson, Child Asleep (The Rosebud), The Coleman Sisters, William B. Wood as "Charles de Moor", Thomas Sully, Colonel Samuel Boyer Davis og Eliza Melville Young McAllister (Mrs. John McAllister, Jr.) (1790-1853). Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Thomas Sully skabt?Læs svaret

      437 værker af Thomas Sully er i vores katalog, dateret fra 1802 til 1866.

      Hvor hænger Thomas Sullys mest berømte lærreder i dag?Læs svaret

      Primært i Metropolitan Museum of Art (New York), National Gallery of Art (Washington) og National Portrait Gallery (Washington, D.C.); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Thomas Sully sine mest berømte lærreder?Læs svaret

      I 1810s, som udgør 25 af de 100 værker på denne side, herunder Dr. Edward Hudson.

      Hvilket berømt lærred af Thomas Sully kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Mrs. Thomas Sully (Sarah Annis) (1802); det seneste er Mischief (Girl's Head) (1866).

      Hvilke motiver malede Thomas Sully mest?Læs svaret

      Man (18), Portrait (17) og Woman (10), fordelt på de 100 værker på denne side.

      Hvilket medie optræder hyppigst i Thomas Sully's malerier?Læs svaret

      Oil On Canvas, anvendt i 32 af de 100 værker på denne side.

      Hvilken stilart er Thomas Sully associeret med?Læs svaret

      Romanticism og Neoclassicism, som lærrederne på denne side viser.

      Hvilke malerier af Thomas Sully er i Metropolitan Museum of Arts samling?Læs svaret

      Metropolitan Museum of Art, New York har 11 af værkerne på denne side, herunder George Washington, Child Asleep (The Rosebud) og John Finley.

      Hvor kan jeg købe en reproduktion af et maleri af Thomas Sully?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Thomas Sully

      Thomas Sully: En Transatlantic Brushstroke

      Thomas Sullys liv og kunst er en fascinerende fortælling om en engelsk-amerikansk maler, der forvandlede sig til en af Amerikas mest fremtrædende portræthåndværkere i det 19. århundrede. Hans rejse var ikke blot geografisk, men også en dybtgående kulturel og kunstnerisk transformation – et skifte fra teaterscenen i England til de elegante saloner i Philadelphia. Født under Horncastles himmel i Lincolnshire i 1783, var Sully et barn af skuespillere, Matthew og Sarah Chester Sully, hvilket gav ham en tidlig forståelse for udtryk og karakterisering – elementer, der senere ville forme hans kunstneriske sans. Hans barndom var præget af konstant rejse med familien, hvilket eksponerede ham for forskellige kulturer og livsstile, og som senere ville påvirke hans evne til at fange essensen af sit motiv.

      Fra Miniature til Monumental: En Amerikansk Stil

      Sulllys kunstneriske udvikling var ikke begrænset af geografiske grænser. Hans tid i London fra 1808 og frem, under den ansete Benjamin West, var afgørende for hans stil. Wests erfaring og tekniske dygtighed var uden tvivl en inspiration, men det var Thomas Lawrences elegante stil, hans mesterlige brug af lys og tekstur, og evnen til at fange både lighed og karakter, der virkelig fangede Sully. Han vendte tilbage til USA med denne æstetik i sig, hvilket hurtigt gav ham kælenavnet “Sir Thomas Lawrence of America”. Men Sully var ikke blot en kopi; han adopterede og forfinede disse indflydelser, og skabte en distinkt amerikansk stil, der blandede europæisk raffinement med en unik New World-følelse. Hans portrætter var ikke blot billeder af rigdom eller status; de var udforskninger af personlighed, fyldt med psykologisk dybde og følelsesmæssig resonans. Han etablerede hurtigt sig i Philadelphia, og blev en førende portæthåndværker, der fangede ansigterne og historierne om nationens hurtige forandring.

      Portrætter af Amerikas Ledere og Elite

      Sulllys kunst var særligt kendt for sine portrætter af Amerikas ledende figurer – præsidenter som Thomas Jefferson, John Quincy Adams og Andrew Jackson, samt berømte personer fra den tidlige amerikanske elite. Han malede også Lafayette, en fransk revolutionær helt, og en række kvindelige portrætter, der ofte var kendt for deres elegance og charme. Hans evne til at fange essensen af sit motiv, både fysisk og psykologisk, gjorde ham til en eftertragtet kunstner blandt de velhavende i Pennsylvania og Maryland. Han var ikke blot en portæthåndværker; han dokumenterede en æra, og bevarede ansigterne og historierne om et land under hurtig forandring. Hans produktivitet var enorm – over 2.300 malerier spredt over syv årtier, hvilket vidner om både hans talent og hans utrættelige dedikation.

      Historiske Scener og Et Kunstnerisk Arv

      Udover portrætter ventured Sully også ud i historiske malerier, som *Washington crossing the Delaware* (1819). Dette monumentale billede af Washingtons ikoniske krydsning demonstrerede hans evne til at håndtere store kompositioner og indgyde dem med dramatisk kraft. Denne villighed til at engagere sig i historiske fortællinger udvidede hans appel, og cementerede hans plads i den amerikanske kunstverden. Han var ikke blot en portæthåndværker; han var en fortolker af sin tids ånd, der fangede essensen af Amerikas fødsel og udvikling. Hans indflydelse spredte sig ud over hans egne lærrede – han var en dedikeret lærer, der vejledte mange kunstnere, herunder Marcus Aurelius Root, som senere blev en pioner inden for fotografi.

      Musik, Samfund og Et Varigt Eftermæle

      Sulllys bidrag til kunsten omfattede dog mere end blot maleri. Som medlem af Philadelphia's Musical Fund Society viste han en dyb engagement i at fremme kulturelle liv i sit lokalsamfund. Dette involverede også hans deltagelse i det sociale liv, og hans interesse for musik og teater. Hans arbejde blev tilmed tilpasset til brug på amerikanske mønter, hvilket yderligere cementerede hans plads i den nationale bevidsthed. Thomas Sully efterlod sig et varigt kunstnerisk arv – en testament til kunstens transformative potentiale og den vedvarende appel af det menneskelige ansigt. Hans værker hænger stadig i prestigefyldte museer over hele landet, og fortsætter med at fange publikums opmærksomhed med deres skønhed, elegance og varige kraft.

      Alle 437 værker af Thomas Sully →