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      Walter Sickert, 1860 – 1942

      The 100 Most Famous Walter Sickert Paintings, Ranked

      The best-loved painting by Walter Sickert is The Idyll (1931), which hangs in the Ferens Art Gallery, Kingston upon Hull. The Cigarette (Jeanne Daurmont) (1906) and Chagford, Devon, across Fields (1915) come next among the canvases readers know best. Our catalogue holds 292 works by Walter Sickert: here are the 100 most famous, each with its year, its museum and what makes it memorable.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portræt af Walter Sickert
      Walter Sickert · 1860 – 1942
      Født · død
      1860 – 1942, München
      Bevægelse
      Post-impressionism
      Værker i vores katalog
      292
      Mest kendte
      The Idyll (1931)
      Flest værker hos
      Tate Gallery

      Top 10 Walter Sickert paintings: the canvases everyone knows

      The Idyll (1931) af Walter Sickert
      1

      The Idyll

      1931 · Oil On Canvas · Ferens Art Gallery, Kingston upon Hull

      In the quietude of 1931, Walter Richard Sickert captured a scene that transcends mere landscape, offering instead a profound meditation on connection and stillness. The Idyll is not simply a depiction of a lakeside retreat; it is a psychological threshold where the boundaries between the external world and internal emotion blur. The painting presents two figures poised before a tranquil expanse of water, their presence anchored by a shared, silent…

      The Cigarette (Jeanne Daurmont) (1906) af Walter Sickert
      2

      The Cigarette (Jeanne Daurmont)

      1906 · Oil On Canvas · Metropolitan Museum of Art, New York

      A monochromatic portrait captures Jeanne Daurmont in profile, her form emerging from a dark, indistinct background through a careful application of chiaroscuro. The composition focuses on the head and shoulders, positioned slightly off-center to create a sense of quiet intimacy. A light source from the front-left illuminates the subject's face and neck, while deep shadows swallow much of her hair and the brim of her wide hat.

      Cicely Hey (1923) af Walter Sickert
      8

      Cicely Hey

      1923 · Oil On Canvas · British Council Collection, London

      In the quiet intensity of Walter Richard Sickert’s 1923 masterpiece, “Cicely Hey,” we encounter more than just a portrait; we step into a profound psychological landscape. The painting captures a young woman in a moment of suspended animation, where her outward serenity is subtly undercut by an unmistakable sense of inner distress. As the viewer approaches this canvas, the subject's gaze pulls us into a state of deep contemplation, inviting…

      Mrs Swinton (1905) af Walter Sickert
      9

      Mrs Swinton

      1905 · Oil On Canvas

      A Glimpse into the Life of Mrs. Swinton The painting Mrs Swinton by Walter Richard Sickert, created in 1905, is a captivating portrait that invites viewers to ponder the life and character of its subject. Located at the Fitzwilliam Museum in Cambridge, United Kingdom, this oil on canvas piece is a testament to Sickert's skill in capturing the essence of his subjects. The Composition and Symbolism The painting depicts Mrs.…

      Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence (1888) af Walter Sickert
      10

      Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence

      1888 · Oil On Canvas · Yale University Art Gallery, New Haven

      We are looking at Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence, an oil on canvas created by Walter Sickert. This work, dating to 1888, captures a specific moment within the theatrical atmosphere of the music hall. The scene focuses on Katie Lawrence, a music hall singer, as she performs her turn on stage.

      More Walter Sickert canvases, 11 to 100

      The Miner (1935) af Walter Sickert
      #15

      The Miner

      1935 · Birmingham Museum and Art Gallery

      Walter Richard Sickert's "The Miner," painted in 1935-36, isn’t merely a depiction of a working man; it’s an intimate excavation of human experience. This oil painting, currently residing…

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      George Moore (1890) af Walter Sickert
      #16

      George Moore

      1890

      A Glimpse into Introspection: Walter Sickert's Portrait of George Moore This compelling portrait offers a poignant glimpse into the life of Irish author and playwright George Moore, captured…

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      The Brighton Pierrots (1915) af Walter Sickert
      #17

      The Brighton Pierrots

      1915 · Ashmolean Museet for Kunst og Arkæologi

      The scene unfolds in the monochrome shadows of a seaside night. Under the artificial glow of the pier, figures move through a landscape of salt air and darkness.…

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      George Moore (1890) af Walter Sickert
      #35

      George Moore

      1890 · Tate Gallery

      Walter Richard Sickert’s portrait, "George Moore," is not merely a likeness captured on canvas; it is an encounter with a profound, internalized moment. The subject confronts the viewer…

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      Ennui (1918) af Walter Sickert
      #37

      Ennui

      1918 · Ashmolean Museet for Kunst og Arkæologi

      In the dim, muted light of Walter Richard Sickert’s 1918 masterpiece, Ennui, we are invited into a private moment of profound emotional stagnation. The painting serves as a…

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      Mrs Swinton (1906) af Walter Sickert
      #42

      Mrs Swinton

      1906 · Fitzwilliam-museet

      In the quiet, evocative depths of Walter Richard Sickert’s 1906 masterpiece, "Mrs Swinton," viewers are invited into a world where the boundaries between portraiture and atmosphere dissolve. This…

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      The Sisters Lloyd (1889) af Walter Sickert
      #47

      The Sisters Lloyd

      1889 · Government Art Collection

      Walter Richard Sickert’s The Sisters Lloyd transports us into an intimate moment suspended in time, a scene steeped in the delicate artifice of domestic life. This portrait captures…

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      Jacques-Emile Blanche (1910) af Walter Sickert
      #48

      Jacques-Emile Blanche

      1910 · Tate Gallery

      In the quiet, shadowed corners of late nineteenth and early twentieth-century European art, few works capture the profound weight of identity as poignantly as Walter Richard Sickert’s “Jacques-Émile…

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      Israel Zangwill (1898) af Walter Sickert
      #49

      Israel Zangwill

      1898

      In the quiet depths of Walter Richard Sickert’s 1898 masterpiece, Israel Zangwill, we encounter more than just a mere likeness; we are invited into a profound moment of…

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      Baccarat, Dieppe (1920) af Walter Sickert
      #50

      Baccarat, Dieppe

      1920 · Auckland Art Gallery Toi o Tāmaki

      The scene unfolds in a moment of quiet concentration as a group of people gathers closely around a table. In Baccarat, Dieppe, the artist Walter Sickert captures a…

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      Mrs Barrett (1905) af Walter Sickert
      #51

      Mrs Barrett

      1905 · Tate Gallery

      Walter Richard Sickert’s ‘Mrs Barrett’: A Study in Shadows and Subtlety Walter Richard Sickert's “Mrs Barrett,” painted around 1905, isn’t merely a portrait; it’s a carefully constructed tableau…

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      The Yellow Sleeve (1904) af Walter Sickert
      #54

      The Yellow Sleeve

      1904 · New Walk Museum - Art Gallery

      In the quiet corners of art history, few moments possess the profound stillness found in Walter Richard Sickert’s 1904 masterpiece, The Yellow Sleeve. This evocative portrait invites the…

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      Camden Town Portrait (1915) af Walter Sickert
      #58

      Camden Town Portrait

      1915 · Amgueddfa Cymru - National Museum of Wales

      Camden Town Portrait - A Study in Shadow and Observation Walter Richard Sickert’s “Camden Town Portrait,” completed in 1915–16, resides within the National Museum Wales collection—a deceptively simple…

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      The Bar Parlour (1922) af Walter Sickert
      #59

      The Bar Parlour

      1922 · Fitzwilliam-museet

      In the quiet, amber-hued corners of early twentieth-century London, Walter Richard Sickert found his most profound muses. The Bar Parlorp, painted in 1922, serves as a masterful window…

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      The Horses of St Mark's, Venice (1905) af Walter Sickert
      #60

      The Horses of St Mark's, Venice

      1905 · Birmingham Museum and Art Gallery

      Walter Richard Sickert's "The Horses of St Mark's, Venice," painted in 1905, is a captivating oil on canvas that transports viewers to the heart of Venice. This artwork,…

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      Harold Gilman (1912) af Walter Sickert
      #62

      Harold Gilman

      1912 · Tate Gallery

      Walter Richard Sickert’s depiction of Harold Gilman is more than just a likeness; it is a carefully preserved moment plucked from the vibrant, sometimes fraught, atmosphere of early…

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      Miss Earhart's Arrival (1932) af Walter Sickert
      #64

      Miss Earhart's Arrival

      1932 · Tate Gallery

      Walter Richard Sickert’s Miss Earhart's Arrival is not merely a depiction of a rainy day; it is an immersion into a specific, charged moment of modern urban life.…

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      The Front at Hove (1930) af Walter Sickert
      #67

      The Front at Hove

      1930 · Tate Gallery

      Walter Richard Sickert's "The Front at Hove," painted in 1930, isn’t merely a depiction of a seaside scene; it’s a carefully constructed tableau brimming with psychological depth and…

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      Santa Maria del Carmelo, Venice (1900) af Walter Sickert
      #68

      Santa Maria del Carmelo, Venice

      1900 · Ashmolean Museet for Kunst og Arkæologi

      In the quiet, amber-hued twilight of Venice, where the mist of the lagoons meets the ancient stone of the city, Walter Richard Sickert captured a moment of profound…

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      Ennui (1917) af Walter Sickert
      #69

      Ennui

      1917 · Ashmolean Museum

      Walter Richard Sickert's 1917 painting, *Ennui*, is not merely a depiction of two women; it’s a carefully constructed tableau of quiet desperation, a poignant snapshot of the burgeoning…

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      A Marengo (1903) af Walter Sickert
      #71

      A Marengo

      1903 · Tate Gallery

      Walter Richard Sickert's “A Marengo,” painted in 1903, isn’t merely a depiction of two women engaged in conversation; it’s a carefully constructed tableau brimming with psychological depth and…

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      The Oxford Music Hall af Walter Sickert
      #73

      The Oxford Music Hall

      Art Gallery of New South Wales

      The Oxford Music Hall is a significant work by the artist Walter Sickert. This piece, which is also known by the alternative title The old Bedford, offers a…

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      Her Majesty's (1934) af Walter Sickert
      #74

      Her Majesty's

      1934 · Ashmolean Museum

      A Glimpse of Victorian Grandeur: Walter Richard Sickert’s “Her Majesty’s” Walter Richard Sickert's "Her Majesty’s," painted around 1934, isn’t merely a depiction of a London theatre; it’s a…

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      Wellington House Academy (1914) af Walter Sickert
      #75

      Wellington House Academy

      1914

      In the soft, filtered light of 1914, Walter Richard Sickert captured a moment that transcends mere musical practice to become a profound study of human connection and shared…

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      Interior of St Mark's, Venice (1895) af Walter Sickert
      #76

      Interior of St Mark's, Venice

      1895 · Tate Gallery

      Walter Richard Sickert’s “Interior of St Mark’s, Venice” (1895-6) isn't merely a depiction of a cathedral; it’s an immersive experience. This oil on canvas transports the viewer directly…

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      Bathing Huts, Dieppe (1890) af Walter Sickert
      #83

      Bathing Huts, Dieppe

      1890 · Courtauld Gallery

      Walter Richard Sickert's "Bathing Huts, Dieppe" isn’t merely a depiction of a coastal scene; it’s a carefully constructed tableau brimming with atmosphere and a subtle undercurrent of melancholy.…

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      Walter Sickert's canvases, period by period

      What Walter Sickert painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Walter Sickert's canvases hang

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Walter Sickert Malerier fra denne liste
      Tate Gallery, LondonTate Gallery London 19 George Moore, Jacques-Emile Blanche, Mrs Barrett
      Ashmolean Museet for Kunst og Arkæologi, OxfordAshmolean Museet for Kunst og Arkæologi Oxford 6 The Brighton Pierrots, Ennui, Santa Maria del Carmelo, Venice
      Fitzwilliam-museet, CambridgeFitzwilliam-museet Cambridge 4 Mrs Swinton, The Bar Parlour, The Old Bedford Music Hall
      Ashmolean Museum, OxfordAshmolean Museum Oxford 4 Ennui, Her Majesty's, Gaieté Montparnasse, dernière galerie de gauche
      Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 7 The Miner, The Horses of St Mark's, Venice
      Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 6 Portrait of the artist's first wife, née Ellen Cobden, The Oxford Music Hall
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 4 The Cigarette (Jeanne Daurmont), Reclining Nude (Thin Adeline)
      Courtauld Gallery, LondonCourtauld Gallery London 4 View of Dieppe with Eglise du Pollet, Bathing Huts, Dieppe

      Walter Sickert's best-loved canvas of each decade

      1. 1880s
      2. 1890s
        Portrait of the artist's first wife, née Ellen Cobden (1893) af Walter Sickert
        12 of 100

        Portrait of the artist's first wife, née Ellen Cobden

        Alder 30 – 39 · Art Gallery of New South Wales

        The work titled Portrait of the artist's first wife, née Ellen Cobden is a painting by the artist Walter Sickert. The subject of this portrait is Ellen Cobden,…

      3. 1900s
        The Cigarette (Jeanne Daurmont) (1906) af Walter Sickert
        2 of 100

        The Cigarette (Jeanne Daurmont)

        Alder 40 – 49 · Metropolitan Museum of Art

        A monochromatic portrait captures Jeanne Daurmont in profile, her form emerging from a dark, indistinct background through a careful application of chiaroscuro. The composition focuses on the head…

      4. 1910s
      5. 1920s
        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O. (1927) af Walter Sickert
        Canvas 6 of 100

        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O.

        Alder 60 – 69 · Minneapolis Institute of Art

        Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O. is an oil on canvas created by Walter Sickert. The work dates to 1927. It is currently held in the…

      6. 1930s
        The Idyll (1931) af Walter Sickert
        Ranked 1 of 100

        The Idyll

        Alder 70 – 79 · Ferens Art Gallery

        In the quietude of 1931, Walter Richard Sickert captured a scene that transcends mere landscape, offering instead a profound meditation on connection and stillness. The Idyll is not…

      About Walter Sickert's canvases: your questions answered

      What is the best-known painting by Walter Sickert?Read the answer

      The Idyll (1931), Ferens Art Gallery, Kingston upon Hull. The Cigarette (Jeanne Daurmont) (1906) and Chagford, Devon, across Fields (1915) follow.

      What age was Walter Sickert when The Idyll was painted?Read the answer

      Walter Sickert, born in 1860, was 71 years old: The Idyll dates from 1931.

      What are the 10 most famous paintings by Walter Sickert?Read the answer

      The Idyll, The Cigarette (Jeanne Daurmont), Chagford, Devon, across Fields, The Laundry Shop, Dieppe, France, The Red Shop (The October Sun), Portrait of Rear Admiral Walter Lumsden, C.I.E., C.V.O., The Honourable Lady Fry, Cicely Hey, Mrs Swinton og Gatti’s Hungerford Palace of Varieties. Second Turn of Katie Lawrence. Each canvas in the ranking above comes with its year and its museum.

      How many works did Walter Sickert paint in all?Read the answer

      292 works by Walter Sickert are in our catalogue, dated 1880 to 1937.

      Where can I see Walter Sickert's most famous canvases?Read the answer

      Mostly in Tate Gallery (London), Ashmolean Museet for Kunst og Arkæologi (Oxford) og Fitzwilliam-museet (Cambridge); the list above names each museum and its canvases.

      When did Walter Sickert paint the best-loved canvases?Read the answer

      In 1890s, which gave 25 of the 100 works on this page, Portrait of the artist's first wife, née Ellen Cobden among them.

      Which are Walter Sickert's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Violets (1880); the latest is Pimlico (1937).

      What did Walter Sickert paint most often?Read the answer

      Portrait (12), Victorian era (11) og Woman (9), across the 100 works on this page.

      Which medium did Walter Sickert paint in most often?Read the answer

      Oil On Canvas, used in 33 of the 100 works on this page.

      Which movement is Walter Sickert's painting part of?Read the answer

      Post-impressionism og Impressionism, as the canvases on this page show.

      Which Walter Sickert canvases hang at the Tate Gallery?Read the answer

      The Tate Gallery, London holds 12 of the works on this page, among them George Moore, Jacques-Emile Blanche og Mrs Barrett.

      Can I buy a reproduction of a Walter Sickert canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Walter Sickert: a life in paint

      Walter Richard Sickert: En Skyggefuld Maler af Londons Underliv

      Walter Richard Sickert, født i München i 1860, var en kunstner fanget mellem to verdener – tysk ved fødslen, britisk ved valg og altid svingende mellem traditionel malerkunst og den spirende moderne bevægelse. Hans tidlige liv var præget af konstant forandring; familiens flytning til England i 1868, drevet af politiske omvæltninger i Europa, indgav hos ham en følelse af fremmedgørelse – måske en drivkraft bag hans livslange fascination med udstødte og marginaliserede figurer. Selvom han kom fra en kunstnerisk linje – sin far, Oswald Sickert, var en dansk maler – havde ung Walter i starten ambitioner om scenen, hvor han kortvarigt optrådte som skuespiller sammen med den berømte Sir Henry Irving. Denne tidlige erfaring med scenekunsten, med illusion og karakterspil, ville dybt påvirke hans kunstneriske vision, og give hans malerier en teateragtighed og psykologisk dybde, der adskilte ham fra sine samtidige. Alligevel viste sig den visuelle udtrykskraft at være mere tiltrækkende, og han meldte sig ind på Slade School i 1881 og blev derefter en dedikeret elev af James Abbott McNeill Whistler. Denne vejledning var afgørende, og indgydede Sickert en præference for tonalstudier malet *alla prima*, direkte fra naturen, og en raffineret æstetisk sans, der underbyggede hans tidlige arbejde. Whistlers indflydelse var ikke blot teknisk; den fremmede en værdsættelse af kunstnerisk uafhængighed og en villighed til at udfordre konventionelle normer.

      Londons Underliv og Nøglen til Moderne Liv

      Sickerts kunstneriske kompas drev hurtigt mod London, byens pulserende, ofte grusomme virkelighed. Han blev betaget af atmosfæren i musikhallerne – rum fyldt med energi, spektakel og et mangfoldigt samfund. Hans malerier fra denne periode, såsom Katie Lawrence at Gatti's, er bemærkelsesværdige for deres ubarmhjertige portrætter af disse miljøer og deres beboere. De var ikke blot gengivelser; de var udforskninger af moderne byliv, der fangede flygtige øjeblikke og rå følelser i disse mure. Han søgte at male livet, som det blev levet – et radikalt brud med den victorianske kunsts idealiseringer. Denne forpligtelse til realisme udløste kontrovers. Kritikere fandt hans emner "skønne" og "ulækre," udfordrende af sensibilities, der foretrak idealiserede repræsentationer. Sickerts villighed til at male almindelige mennesker, især kvindelige artister, med ærlighed og uden romantik, var en provokerende handling – et forvarsel om skiftet mod socialrealisme i det 20. århundredes kunst. Hans tid i Dieppe, Frankrig, fra 1894 og fremefter gav ham også nye perspektiver på lys, farve og komposition, mens hans efterfølgende besøg i Venedig yderligere forfinede hans tilgang til at male indvendige rum og komplekse arrangementer af figurer. Han malede ikke blot det, han så; han fortolkede det gennem en tydeligt personlig linje, og lagde selv de mest banale scener med en følelse af mystik og psykologisk spænding.

      En Katalysator for Forandring: Camden Town Group og Udover

      Da det 20. århundredes begyndelse nærmede sig, blev Sickert en central figur i den spirende britiske avantgarde bevægelse. Han sluttede sig til New English Art Club i 1888, og alliancede sig med kunstnere, der omfavnede franske impressionistiske principper. Senere spillede han en afgørende rolle i at etablere Camden Town Group i 1911 – en gruppe af kunstnere dedikeret til at portrættere moderne liv med ubarmhjertig ærlighed og stilistisk innovation. Sickerts indflydelse på denne gruppe var betydelig, idet han opfordrede dem til at bryde med traditionelle akademiske begrænsninger og udforske nye former for udtryk. Han fremmede en unromantiseret vision af det urbane landskab, der fokuserede på hverdags scener og almindelige mennesker. Hans malerier i denne periode havde ofte en ubehagelig karakter, såsom hans Camden Town Murder-serie, der afspejlede en voksende fascination med kriminalitet og psykologisk spænding. Denne villighed til at konfrontere vanskelige temaer cementerede hans ry som en provokerende og udfordrende kunstner. Han var ikke blot interesseret i at male overfladen; han ville dykke ned i de mørkere afgrunde af den menneskelige psyke, og udforske temaer om alienation, angst og moralsk tvetydighed.

      Arv og Bliver Mystiske

      Walter Richard Sickerts arv strækker sig langt udover hans produktive output. Han var en katalysator for forandring i britisk kunst, der banede vejen for efterfølgende generationer af kunstnere til at omfavne modernismen og udforske nye veje for udtryk. Hans indflydelse kan ses i arbejdet hos mange kunstnere, især dem, der er forbundet med Camden Town Group og andre avantgarde bevægelser. Sickerts pionerånd, hans engagement i realisme og hans villighed til at udfordre samfundets normer resonerer stadig med kunstnere i dag. Hans malerier er kraftfulde vidnesbyrd om en foranderlig verden, der giver glimt af livets skønhed, ubehag og kompleksitet. *Han var en kunstner, der turde kigge ud over overfladen, konfrontere de ubehagelige sandheder i det moderne liv og fange dem på lærredet med ubarmhjertig ærlighed.*

      Nøgle Detaljer & Indflydelser

      • Født: 31. maj 1860, München, Bayern
      • Død: 22. januar 1942, Bathampton, England
      • Nøgle Indflydelser: James Abbott McNeill Whistler, Edgar Degas
      • Forbundne Grupper: New English Art Club, Camden Town Group
      Sickerts arbejde findes i store museer over hele verden, hvilket sikrer at hans vision fortsætter med at inspirere og provokere publikum i mange år fremover. Han er en central figur i kunsthistorien, en kunstner der turde udfordre konventionerne og male verden som han så den – i al sin skønhed, ubehag og kompleksitet.

      Alle 292 værker af Walter Sickert →