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      Wilhelm Morgner, 1891 – 1917

      Wilhelm Morgner: De 39 mest kendte malerier

      Af alle Wilhelm Morgner's malerier er Goats (1911) det mest berømte. Lige efter følger The Lumberjack (1911) og Soest Farmer (1912). Blandt de 39 værker af Wilhelm Morgner i vores katalog er disse 39 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Wilhelm Morgner
      Wilhelm Morgner · 1891 – 1917
      Født · død
      1891 – 1917, Soest
      Bevægelse
      Expressionism
      Værker i vores katalog
      39
      Mest kendte
      Goats (1911)
      Flest værker hos
      Museum Ostwall

      Wilhelm Morgners 10 mest fejrede malerier

      Wilhelm Morgners malerier rangeret fra 11 til 39

      Hvor Wilhelm Morgner's lærreder hænger

      De 2 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Wilhelm Morgner Malerier fra denne liste
      Museum Ostwall, DortmundMuseum Ostwall Dortmund 1 Entry of Christ into Jerusalem
      Städel Museum, FrankfurtStädel Museum Frankfurt 1 Astrale Komposition VI

      År for år: Wilhelm Morgners mest fejrede lærreder

      Fra 1909 til 1913, i alt 5 år, fortæller Wilhelm Morgners daterede lærreder en kort historie: her er den, år for år.

      1. 1909
      2. 1909
      3. 1909
      4. 1910
      5. 1910
      6. 1910
        Sower (1910) af Wilhelm Morgner
        Lærred 24 af 39

        Sower

        Alder 19
      7. 1911
        Goats (1911) af Wilhelm Morgner
        Lærred 1 af 39

        Goats

        Alder 20
      8. 1911
      9. 1911
      10. 1911
      11. 1911
      12. 1911
      13. 1911
      14. 1911
      15. 1911
        Mason (1911) af Wilhelm Morgner
        Rangeret som nr. 17 ud af 39

        Mason

        Alder 20
      16. 1912
      17. 1912
      18. 1912
      19. 1912
      20. 1912
      21. 1912
      22. 1912
      23. 1912
      24. 1912
      25. 1913
        Ascension (1913) af Wilhelm Morgner
        Rangeret som nr. 31 ud af 39

        Ascension

        Alder 22

      Dine spørgsmål om Wilhelm Morgners malerier, besvaret

      Hvilket er det mest berømte maleri af Wilhelm Morgner?Læs svaret

      Goats (1911), efterfulgt af The Lumberjack (1911) og Soest Farmer (1912).

      Hvor gammel var Wilhelm Morgner på tidspunktet for Goats?Læs svaret

      Wilhelm Morgner, født i 1891, var 20 år gammel: Goats er fra 1911.

      Hvilke ti malerier er Wilhelm Morgner mest kendt for?Læs svaret

      Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape og The Porter. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier af Wilhelm Morgner er kendt?Læs svaret

      39 værker af Wilhelm Morgner er i vores katalog, dateret fra 1909 til 1913.

      Hvilke museer udstiller Wilhelm Morgners mest kendte lærreder?Læs svaret

      Primært i Museum Ostwall (Dortmund) og Städel Museum (Frankfurt); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Wilhelm Morgner sine mest berømte lærreder?Læs svaret

      I 1911, som udgør 15 af de 39 værker på denne side, herunder Goats.

      Hvad er de første og de sidste af Wilhelm Morgners berømte lærreder?Læs svaret

      Det tidligste lærred her er Schulte Stands at Open Door (1909); det seneste er Ascension (1913).

      Hvilken kunstretning tilhører Wilhelm Morgner?Læs svaret

      Expressionism, som lærrederne på denne side viser.

      Kan jeg bestille en håndmalet kopi af et maleri af Wilhelm Morgner?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Wilhelm Morgner: malerens historie

      The Brief, Radiant Life of Wilhelm Morgner

      In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.

      Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.

      A Symphony of Color and Abstraction

      As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.

      This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:

      • Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
      • Die Aktion: A platform for the most provocative voices of German Expressionism.
      • The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
      • The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.

      A Legacy Forged in Fire and Memory

      The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.

      Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.

      Alle 39 værker af Wilhelm Morgner →