Plate one, fra A Rake's Progress er det maleri, som William Hogarth er bedst kendt for. Plate seks fra En Rævs Fremmarch og Gin Lane (1750) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 307 værker af William Hogarth. Her er de 100 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Forestil dig selv fordybet i den pulserende energi af et kunstnerstudie, hvor pensler svinger, papir klædes med farver og samtaler om kunst og liv fylder luften. William Hogarths "Plate One, from A Rake's Progress" fanger denne dynamiske scene med en utrolig præcision og detaljegrad. Engravingen, skabt i 1735, er mere end blot et billede; det er et vindue ind i den engelske kunstners verden, et øjebliksbillede af kreativitet, ambition og…
William Hogarths “Plate Six, fra A Rake’s Progress” er mere end blot et maleri; det er en levende skildring af et specifikt øjeblik i 18. århundredes London – et øjeblik fyldt med dekadence, moralisk forfald og en snert af bitter satire. Denne engelske gravering, udført med en præcision og detaljerigdom der er bemærkelsesværdig, transporterer os direkte ind i en travl taverna, hvor Tom Rakewell, hovedpersonen i hele serien, er fanget…
In the heart of 18th-century London, amidst the swirling fog and the growing shadows of social upheaval, William Hogarth captured a moment of profound human tragedy that continues to haunt the viewer centuries later. His masterpiece, Gin Lane, is far more than a mere engraving; it is a visceral, breathing chronicle of a city in the throes of moral and physical decay. Completed in 1751, this work serves as a…
A Window Into Georgian Society In the heart of 1745, William Hogarth captured more than a mere domestic arrangement; he froze a pivotal moment of social negotiation in "The Marriage Contract." This meticulously crafted tableau invites the viewer into a room thick with the palpable anxieties and lofty aspirations of Georgian England. As we gaze upon the central table where a man proposes to his prospective bride, we are not…
Maleriet præsenterer en livlig banketscene, der emmer af liv og er fyldt med skikkelser, der er opslugt af vidt forskellige aktiviteter – de spiser, drikker, spiller musik, fører animerede samtaler og fordyber sig generelt i festlig munterhed. Der er sandsynligvis tale om en skildring af en velhavende familie eller en social cirkel, der nyder et festmåltid. Det enorme antal individer, der er presset ind i kompositionen, skaber en overvældende følelse…
William Hogarths ”Satan, Sin, and Death”, malet i 1735, er langt mere end blot en illustration fra John Miltons episke digt, Paradise Lost; det er en omhyggeligt konstrueret moralsk allegori, der kaster beskueren ind i en verden af fristelse, konsekvens og evig konflikt. Dette oliemaleri på lærred, som i dag befinder sig på Tate Britain i London, måler 74 x 61 cm og tilbyder et bemærkelsesværdigt intimt blik ind i…
A Portrait of Intimacy: William Hogarth’s ‘The Painter and his Pug’ Subject & Composition: This captivating 1745 portrait by William Hogarth offers a charmingly informal glimpse into the artist's personal life. It depicts Hogarth himself, seated and gazing directly at the viewer, accompanied by his beloved pug, Trump. The composition is remarkably balanced; Hogarth occupies the central space while Trump rests comfortably to his right, creating an intimate and relaxed…
William Hogarths Melankoli Over Et Ædel Liv William Hogarths "The Suicide of the Countess" er et kunstværk, der ikke blot præsenterer et øjeblik af tragedie, men også udfordrer vores forståelse af det 18. århundredes samfund og dets værdier. Skabt mellem 1743 og 1745 som en del af hans ikoniske serie "Marriage A-la-Mode," er dette billede et skarpt fokuspunkt på den destruktive kraft af ægteskaber baseret på økonomisk interesse frem for…
William Hogarth's "The Four Times of Day: Night," painted in 1738, isn’t merely a depiction of a London street scene; it’s a meticulously crafted window into the social and moral landscape of eighteenth-century England. This remarkable work, now immortalized through WahooArt’s hand-painted reproductions, captures a moment of revelry – or perhaps reckless abandon – with an unparalleled level of detail and satirical observation that defines Hogarth's unique artistic legacy. The…
The room holds a sudden, sharp noise. A tea-table tilts, porcelain clatters, and the heavy weight of an argument settles over the fine fabrics. Mary, known as Moll Hackabout, moves with a violent intent, her arm a decisive line against the opulent interior. She kicks at the furniture to draw eyes away from the doorway, where a lover slips quietly into the shadows. A black serving boy stands near, a…
William Hogarths Selvportræt, malet i 1757, åbner et fængslende vindue til livet og den kunstneriske praksis hos en af Storbritanniens mest betydningsfult kunstnere. Dette oliemaleri på lærred (45…
Bring dette lys hjem →
William Hogarth's "Soliciting Votes," completed in 1754, stands as a masterful distillation of Enlightenment satire and a poignant reflection on the burgeoning political landscape of London. More than…
Bring dette lys hjem →
William Hogarth’s “The Heir,” completed in 1735, is more than simply a depiction of a domestic scene; it’s a meticulously crafted social commentary rendered with the precision and…
Bring dette lys hjem →
William Hogarth's "A Scene from The Beggar’s Opera," painted in 1729, isn’t merely a depiction of a theatrical performance; it’s a meticulously crafted snapshot of 18th-century London life…
Få det malet i hånden →
In the swirling currents of 1721 London, amidst a fever of unbridled greed and financial delirium, William Hogarth unleashed a visual critique that would forever etch itself into…
Bestil dette lærred →
I det storslåede gobelin af det attende århundredes britiske kunst besidder få værker den bidende kløgt og narrative dybde, som findes i William Hogarths Marriage à la Mode.…
Bring dette lys hjem →
William Hogarth og *A Rake’s Progress*: Et Satirisk Portræt af Det Rokoko Æra William Hogarth (1697-1764) var mere end blot en kunstner; han var en visuel historiker, en…
Bring dette lys hjem →
William Hogarth’s “The Rake’s Progress – The Rake in Bedlam” is not merely a depiction of a scene; it’s a meticulously crafted indictment of societal decadence and the…
Bestil dette lærred →
William Hogarth's *Hudibras*, specifically the frontispiece and related engravings from Samuel Butler’s satirical poem, offers far more than a simple illustration; it’s a meticulously crafted social commentary frozen…
Få det malet i hånden →
I det livlige, men bidende London i det 18. århundrede træder William Hogarths “Besøg hos kvaksalveren” frem som en dybsindig teatralsk forestilling fanget i maling. Dette mesterværk fra…
Bestil dette lærred →
William Hogarth's “A Harlot’s Progress, Plate 4,” a cornerstone of his ambitious series depicting the moral decline of a young woman named Moll Hackabout, isn’t merely a depiction…
Få det malet i hånden →
The Pulse of an Era: London Unveiled In the year 1763, as the gears of the Industrial Revolution began to turn and the streets of London swelled with…
Bestil dette lærred →
A Shocking Revelation: Hogarth’s “Mary Toft” and 18th-Century Skepticism The Scene: William Hogarth's engraving, created in 1726, doesn’t depict a traditional birth scene. Instead, it plunges the viewer…
Få det malet i hånden →
William Hogarths selvportræt fra 1745 er ikke blot en lighed; det er et omhyggeligt udformet vindue ind i sindet på en af Englands mest skarpsindige og satiriske iagttagere.…
Bestil dette lærred →
A Portrait of Privilege and Virtue: Examining William Hogarth’s Miss Mary Edwards William Hogarth's "Miss Mary Edwards," completed in 1742, stands as an emblem of Enlightenment England—a meticulously…
Få det malet i hånden →
William Hogarth's "The Battle of the Pictures," completed in 1743, isn’t merely an engraving; it’s a vibrant, chaotic microcosm of 18th-century London’s art world – a scene brimming…
Bestil dette lærred →
Georgian England was gripped by a fervor for moral reform following the Enlightenment. Writers like Jonathan Swift satirized aristocratic excesses and championed reason over superstition, influencing artists like…
Bring dette lys hjem →
William Hogarth’s “Canvassing for Votes” isn't merely a painting; it’s a meticulously crafted social commentary, a vibrant snapshot of corruption and manipulation embedded within the seemingly convivial atmosphere…
Få det malet i hånden →
William Hogarth’s “The Countess’s Morning Levee,” completed around 1745, stands as a cornerstone of Rococo art and a masterful distillation of Enlightenment observation. More than just a depiction…
Bring dette lys hjem →
To stand before William Hogarth's depiction of "The Ball" is to be instantly transported across the threshold of time, directly into the glittering heart of an 18th-century London…
Bestil dette lærred →
A Gathering of Characters: Decoding Hogarth’s ‘The Bench’ Subject & Narrative: William Hogarth's 1758 engraving, ‘The Bench’, presents a tightly composed group of six men, each meticulously rendered…
Bestil dette lærred →
A Satirical Vision of Virtue and Vice William Hogarth’s “The Bruiser Charles Churchill, once the Reverend, in the Character of a Russian Hercules” is not merely a print;…
Få det malet i hånden →
A Scene of Accusation: Unveiling Hogarth’s ‘The Denunciation’ William Hogarth's *The Denunciation*, painted in 1729, is far more than a depiction of a social gathering; it’s a meticulously…
Bring dette lys hjem →
William Hogarth's “The Four Times of Day: Night,” completed in 1736, isn’t merely a depiction of a London street scene; it’s a meticulously crafted social commentary rendered with…
Få det malet i hånden →
William Hogarth's "Plate Seven" from his sprawling moral epic, *A Rake’s Progress*, is not merely a painting; it’s a meticulously crafted tableau of despair and the corrosive power…
Bestil dette lærred →
A middle-aged man gazes directly from an oval vignette, his expression calm and steady. He wears a soft red cap and a patterned blue robe, the heavy silk…
Få det malet i hånden →
In the grand, sweeping tapestry of 18th-century English art, few threads are as biting or as brilliantly woven as those found in William Hogarth's "Shortly After the Marriage."…
Bestil dette lærred →
A Window Into Georgian Society: Examining William Hogarth’s “The Triumph of Representatives” William Hogarth's "The Triumph of Representatives," completed in 1755, isn’t merely a depiction of an event;…
Bring dette lys hjem →
The Grim Spectacle of Marriage: William Hogarth’s “The Death of the Earl” William Hogarth's "The Death of the Earl," painted in 1731, isn’t merely a depiction of mortality;…
Få det malet i hånden →
Emblematical Print of the South Sea Scheme: A Satirical Reflection on Financial Excess William Hogarth’s “Emblematical Print on the South Sea Scheme,” created in 1721 and widely disseminated…
Bestil dette lærred →
A black and white etching presents a crowded street scene set outside the Bell Inn in London. In the foreground, Mary Hackabout, a young woman from the countryside,…
Få det malet i hånden →
This powerful engraving, created by William Hogarth in 1751, offers a chilling glimpse into the realities of 18th-century England. Far from idealized landscapes or flattering portraits, this work…
Få det malet i hånden →
Du har også muligheden for at tilpasse The Arrest, så det passer præcis til dine personlige ønsker. Besøg vores hjemmeside for at lære mere om vores muligheder for…
Få det malet i hånden →
In the annals of British art, few works capture the visceral intersection of stagecraft and psychological depth as profoundly as William Hogarth’s David Garrick as Richard III. Completed…
Få det malet i hånden →
The Reward of Cruelty William Hogarth’s “The Reward of Cruelty,” published in 1751 as part of his monumental *Four Stages of Cruelty*, stands as a chilling indictment of…
Bring dette lys hjem →
Simon Lord Lovat – Etchings of Power and Intrigue William Hogarth’s “Simon Lord Lovat” is more than just a portrait; it's a meticulously crafted snapshot of 18th-century England,…
Bestil dette lærred →
A Window Into Enlightenment: Examining William Hogarth’s “Scholars at a Lecture” The etching by William Hogarth, "Scholars at a Lecture," transcends mere depiction; it's an exquisitely crafted snapshot…
Få det malet i hånden →
Sarah Malcolm in Prison: A Portrait of Crime and Vulnerability William Hogarth’s *Sarah Malcolm in Prison* stands as a chilling testament to the moral anxieties of Georgian England,…
Bring dette lys hjem →
William Hogarth’s “Gerard Anne Edwards in His Cradle,” painted in 1733, isn't merely a portrait of a baby; it’s a meticulously crafted snapshot of Georgian England – a…
Bestil dette lærred →
In the heart of 18th-century London, amidst the swirling fog and the growing shadows of social upheaval, William Hogarth captured a moment of profound human tragedy that continues…
Få det malet i hånden →
William Hogarth’s “The Murder of the Count,” completed in 1745, is not merely a depiction of violence; it’s a meticulously constructed moral fable, a searing indictment of societal…
Bring dette lys hjem →
In the heart of 1741 London, amidst the burgeoning energy of the Enlightenment, William Hogarth captured a moment of pure, unadulterated sensory overload. The Enraged Musician is not…
Bring dette lys hjem →
William Hogarth's *The Bathos*, a powerfully unsettling engraving created towards the end of his life, is not merely an artwork; it’s a visual lament—a darkly satirical reckoning with…
Bring dette lys hjem →
William Hogarth's "Falstaff Examining His Recruits," painted in 1728, isn’t merely a depiction of a tavern scene; it’s a meticulously crafted tableau vivant, a vibrant snapshot of London…
Bestil dette lærred →
In the somber conclusion to William Hogarth’s monumental six-part narrative, A Harlot's Progress, plate 6 emerges as a chillingly visceral study in societal neglect and the tragic end…
Bring dette lys hjem →
A Satirical Feast: Decoding William Hogarth’s “The Roast Beef of Old England” William Hogarth's 1748 masterpiece, *“The Roast Beef of Old England”* (also known as *“The Gate of…
Bring dette lys hjem →
A Window Into Georgian Society: Exploring Hogarth's "The Beggar's Opera" William Hogarth’s “The Beggar’s Opera,” completed in 1729, transcends mere visual representation; it serves as a meticulously crafted…
Bestil dette lærred →
The artwork A Harlot's Progress, plate 4 is an etching and engraving that captures a scene within Bridewell Prison. The subject matter depicts the protagonist beating hemp in…
Få det malet i hånden →
William Hogarth’s etching, “Moses Brought to the Pharaoh’s Daughter,” transcends mere visual representation; it’s a meticulously crafted tableau vivant—a living picture—that captures a pivotal moment from biblical history…
Bring dette lys hjem →
William Hogarth’s “Lame Theater,” completed around 1730, stands as a cornerstone of English Rococo satire and a remarkably astute observation of the social landscape of Georgian London. More…
Bestil dette lærred →
Step into the swirling, sensory overload of William Hogarth’s Southwark Fair, a masterpiece that serves as a vivid, unvarnished window into the heart of 1730s London. This is…
Bestil dette lærred →
In the quiet intimacy of his studio, William Hogarth presents us with more than just a likeness; he offers a profound window into the very essence of Enlightenment…
Bring dette lys hjem →
A Scathing Satire: Decoding Hogarth’s “Credulity, Superstition, and Fanaticism” William Hogarth’s 1762 engraving, “Credulity, Superstition, and Fanaticism,” is a masterclass in satirical social commentary. This densely packed scene…
Få det malet i hånden →
A Window into 18th-Century London: William Hogarth’s *A Harlot's Progress*, Plate 2 This engraving, plate two from William Hogarth’s celebrated series *A Harlot’s Progress*, offers a remarkably detailed…
Få det malet i hånden →
The Committee, plate ten from Hudibras is an etching and engraving by William Hogarth. Created in February 1725/26, this print belongs to a larger sequence of twelve large…
Bestil dette lærred →
Introduction to the Artist and the Painting William Hogarth was a prominent English artist known for his satirical engravings and paintings. One of his most notable works is…
Bestil dette lærred →
A Scene of Deceit: Unveiling Hogarth’s “Plate Five” from A Rake's Progress This striking engraving, *Plate Five* from William Hogarth’s renowned series *A Rake’s Progress*, offers a chilling…
Bestil dette lærred →
William Hogarth's "A Harlot’s Progress, Plate Six" is not merely an etching; it’s a meticulously crafted tableau of moral decay and societal critique, frozen in stark black and…
Bring dette lys hjem →
In the vibrant, often chaotic tapestry of eighteenth-century London, few images capture the era's social friction as vividly as William Hogarth’s The March of the Guards to Finchley.…
Bestil dette lærred →
“Tyburn Large,” painted by William Hogarth in 1746, isn't merely a depiction of an execution; it’s a meticulously rendered snapshot of 18th-century London life, brimming with social commentary…
Bestil dette lærred →
William Hogarth, født i det pulserende London i 1697, var mere end blot en kunstner; han var en visuel historiker, en skarp observatør af menneskelig natur og en…
Få det malet i hånden →
A Snapshot of Urban Decay: Hogarth’s “The Theft of a Watch” William Hogarth's "The Theft of a Watch," painted in 1731, isn’t merely a depiction of petty crime;…
Få det malet i hånden →
William Hogarth’s “Royalty, Episcopacy and Law,” created circa 1724-5, stands as a masterful exemplar of satirical engraving during the Restoration period in England. More than just a visually…
Få det malet i hånden →
A Prisoner of the Fleet Being Examined Before a Committee of the House of Commons: A Window into Georgian Satire William Hogarth’s “A Prisoner of the Fleet Being…
Bestil dette lærred →
“The Mackinen Children,” painted by William Hogarth in 1747, stands as a cornerstone of British Rococo art and exemplifies the artist’s masterful command of classical principles. More than…
Bestil dette lærred →
A Portrait of Moral Decay: Examining Hogarth’s Engraving of John Wilkes William Hogarth's "Engraving of John Wilkes" stands as a cornerstone of 18th-century British art and satire, capturing…
Bring dette lys hjem →
The room is thick with the scent of spilled ale and heavy velvet. In this corner of the Rose Tavern, bodies press against one another in a dense,…
Bring dette lys hjem →
Step into the shadows of Rummer Court, an alleyway tucked between Whitehall and Charing Cross Road. In this scene, the air feels heavy with the dampness of a…
Bring dette lys hjem →
The light catches a soft, pale face as she turns slightly toward the right, her gaze meeting yours with an unmistakable directness. She exists in a moment of…
Få det malet i hånden →
An opulent sitting room provides the setting for this group portrait, capturing members of the Montagu family amidst an atmosphere of refined leisure. The composition is arranged horizontally…
Bring dette lys hjem →
The Weight of Presence A man sits in the center of a dark void. He wears a heavy black robe that swallows the light, its folds thick and…
Bestil dette lærred →
The room falls into deep shadow, leaving only a single figure to emerge from the darkness. Thomas Herring, Archbishop of Canterbury, sits with a quiet, heavy dignity that…
Få det malet i hånden →
William Hogarth’s “A Harlot’s Progress,” specifically plate three from the series, isn’t merely a depiction of a single scene; it’s a meticulously crafted moral fable, a searing indictment…
Bestil dette lærred →
William Hogarth’s “Times of the Day – Morning,” a cornerstone of his celebrated series, isn’t merely a depiction of a London street; it’s a meticulously crafted observation of…
Bestil dette lærred →
Satire on False Perspective William Hogarth’s *Satire on False Perspective*, created in 1754 for Joshua Kirby's pamphlet *Method of Perspective*, stands as a masterful demonstration of artistic critique…
Bestil dette lærred →
The drawing emerged during a period marked by significant social upheaval. Enlightenment ideals clashed with entrenched aristocratic privilege, fostering debates about virtue and vice. Hogarth’s intention wasn't simply…
Få det malet i hånden →
Analisis af Skønhed William Hogarths "Analisis af Skønhed," skabt i 1753, er en kompleks og detaljeret træsnit som udforsker konceptet om skønhed gennem et satirisk perspektiv. Dette værk…
Bestil dette lærred →
A Glimpse Behind the Mask: William Hogarth’s Self Portrait from the Gate of Calais William Hogarth, a name synonymous with 18th-century British satire and social commentary, offers us…
Få det malet i hånden →
An infant sits within an ornate cradle, positioned slightly off-center to create a sense of quiet stability. The composition focuses on the child, who holds a small figure…
Bring dette lys hjem →
The young Duke stands centered against a world of heavy masonry and soft, distant leaves. His coat, a sharp strike of vermilion red, catches the light from the…
Få det malet i hånden →
An elderly gentleman, Thomas Pellett, M.D., occupies the center of this 1737 oil portrait. The composition utilizes a dark, oval vignette to focus attention on the subject's face…
Bring dette lys hjem →
The portrait presents William Cavendish, Marquess of Hartington, captured in a three-quarter view within an oval vignette. The composition focuses on the sitter's steady gaze and upright posture,…
Bring dette lys hjem →
In this 1735 self-portrait, we encounter the artist not as a distant figure, but in an intimate, eye-level encounter. The composition focuses on a bust-length view of a…
Bestil dette lærred →
The image is a black and white painting of a theater scene featuring a group of people gathered around a stage. The main focus of the painting is…
Få det malet i hånden →
In the heart of 18th-century London, amidst the swirling fog and burgeoning chaos of a city in transition, William Hogarth captured a story not of triumph, but of…
Bestil dette lærred →
Step closer and observe the tension held within this theatrical fragment. We find ourselves in the midst of a crowded, dimly lit setting, perhaps a tavern or a…
Få det malet i hånden →
Beer Street, an iconic engraving created by William Hogarth in 1751, is a masterpiece that showcases the artist's ability to blend social commentary with artistic finesse. This work…
Bring dette lys hjem →
A Window into Georgian Society: Examining Hogarth’s “Rake’s Progress” William Hogarth's "Rake's Progress," completed in 1735, stands as a cornerstone of British Baroque art and a searing indictment…
Bestil dette lærred →De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af William Hogarth | Malerier fra denne liste |
|---|---|---|---|
 Sir John Soane's Museum |
London | 14 | Gildet, Soliciting Votes, The heir |
 Yale Center for British Art |
New Haven | 11 | The Beggar's Opera, The Family of John, 2nd Duke of Montagu and an attendant, William Augustus, Duke of Cumberland |
 National Gallery of Ireland |
Dublin | 7 | Self-Portrait, The Mackinen Children |
 Upton House |
Banbury | 3 | The Four Times of Day: Night, Gerard Anne Edwards Hamilton (1732–1773) in his Cradle |
 Ascott House |
Leighton Buzzard | 2 | A Harlot's Progress: Quarrels with her Jewish Protector, An Unknown Lady, possibly Miss Woodley, later Mrs Henry Vaughan (not Mrs Jane Hogarth) |
 National Gallery of Art |
Washington | 2 | A Scene from The Beggar's Opera, A Scene from the Beggar's Opera |
 National Gallery |
London | 9 | Marriage à la Mode |
 Fitzwilliam Museum |
9 | A prisoner of the Fleet being examined before a committee of the House of Commons |
William Hogarth's "A Scene from The Beggar’s Opera," painted in 1729, isn’t merely a depiction of a theatrical performance; it’s a meticulously crafted snapshot of 18th-century London life…
William Hogarths ”Satan, Sin, and Death”, malet i 1735, er langt mere end blot en illustration fra John Miltons episke digt, Paradise Lost; det er en omhyggeligt konstrueret…
A Window Into Georgian Society In the heart of 1745, William Hogarth captured more than a mere domestic arrangement; he froze a pivotal moment of social negotiation in…
In the heart of 18th-century London, amidst the swirling fog and the growing shadows of social upheaval, William Hogarth captured a moment of profound human tragedy that continues…
The Pulse of an Era: London Unveiled In the year 1763, as the gears of the Industrial Revolution began to turn and the streets of London swelled with…
Plate one, fra A Rake's Progress, efterfulgt af Plate seks fra En Rævs Fremmarch og Gin Lane (1750).
Plate one, fra A Rake's Progress, Plate seks fra En Rævs Fremmarch, Gin Lane, The Marriage Contract, Gildet, Satan, Synd og Død (En scene fra Milton, The Painter and his Pug, Dødsfaldet til Countess, The Four Times of Day: Night og A Harlot's Progress: Quarrels with her Jewish Protector. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
307 værker af William Hogarth er i vores katalog, dateret fra 1721 til 1763.
Primært i Sir John Soane's Museum (London), Yale Center for British Art (New Haven) og National Gallery of Ireland (Dublin); listen ovenfor nævner hvert museum og dets lærreder.
I 1740s, som udgør 18 af de 100 værker på denne side, herunder The Marriage Contract.
Det tidligste lærred her er Emblematical print of the South Sea Scheme (1721); det seneste er The Times, plate 2 (1763).
Satire (29), Social commentary (28) og 18th century (26), fordelt på de 100 værker på denne side.
Acrylic On Canvas, anvendt i 29 af de 100 værker på denne side.
Sir John Soane's Museum, London har 5 af værkerne på denne side, herunder Gildet, Soliciting Votes og The heir.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
London, 1697. Luften i Bartholomew Close er tyk af lydene fra en metropol i vækst. Her træder William Hogarth ind i en verden præget af en usikker stabilitet. Hans far, Richard Hogarth, kæmper for at skabe et livsgrundlag som latinskolemester og lærebogsforfatter. Familiens økonomi svinger voldsomt; på et tidspunkt står Richard over for den barske virkelighed ved at blive fængslet for gæld i Fleet Prison. Denne tidlige eksponering for storbyens ustabilitet sætter dybe spor. William Hogarth vokser op med et skarpt blik for kløften mellem de sociale klasser – et perspektiv, der i sidste ende skal definere hans karriere som maler, graver, satiriker, tegner og forfatter.
Drengens vej er ikke brolagt med arv eller nem mæcenatvirksomhed. I stedet er det et liv formet af storbyens rå realiteter. Han bevæger sig gennem Londons gader og observerer de karakterer, der befolker kaffehusene og markedspladserne. Hans mor, Anne Gibbons, udgør det hjemlige anker i et liv, der ofte er præget af tidens økonomiske skift. Da han begynder at sætte sit præg på kunstverdenen, er han allerede en mand med mange discipliner, der bruger blæk og maling til at dissekere netop det samfund, der har formet ham.
London, 1697. Som søn af Richard Hogarth, en latinskolelærer og lejlighedsvis skribent, vokser William op midt i de skiftende lykker hos en mand, der kæmper for at finde fodfæste i storbyen. Hjemmets ustabilitet tager en drastisk drejning, da Richard bliver idømt fem års fængsel i Fleet Prison på grund af ubetalt gæld. Denne periode med modgang, præget af familiens økonomiske usikkerhed, efterlader et uudsletteligt indtryk på den unge observatør af metropolen.
Omkring 1714 skifter fokus mod håndværkets tekniske detaljer. Hogarth påbegynder et læretid hos Ellis Gamble, en guld- og sølvgraver i Leicester Fields. Her lærer han den præcision, der kræves til visitkort og lignende produkter, hvilket giver ham en grundlæggende beherskelse af kobberpladen. Dette tekniske fundament lægger kimen til en karriere, der med tiden vil bevæge sig langt ud over blot kommerciel reproduktion.
Hans livsbane ændrer sig, i takt med at han bevæger sig mod formel kunstnerisk uddannelse. I 1720 indskriver han sig på St Martin's Lane Academy. Hans træning udvides yderligere under Sir James Thornhill, George Is sergentmaler. Under Thornhill skifter fokus fra graveringens småskala-præcision til maleriets og kompositionens større kompleksiteter. Han bevæger sig fra håndværkerens omhyggelige arbejde mod den fine kunsts storslåede skala.
William Hogarth bevæger sig ubesværet mellem den realistiske portrætkunsts præcision og den hurtige, sekventielle energi, man finder i tegneserieagtige serier. Han maler ikke blot; han konstruerer fortællinger. Denne tilgang når sit højdepunkt i udviklingen af hans "moderne moralske emner" – en metode, hvor han benytter visuel historiefortælling til at kritisere samfundets sociale struktur. Han behandler lærredet og kobberstikpladen som scener for et udfoldende drama, og han benytter ofte en blanding af humor og bidende satire for at understrege sine pointer med stor kraft.
Det tekniske fundament for hans virke ligger i hans mesterskab inden for kobberstik. Han forstår linjens tyngde og trykkets enorme magt til at nå et bredt publikum. I 1753 bevæger han sig fra det rent visuelle til det teoretiske med udgivelsen af sit værk Analysis of Beauty. Her går han skridtet videre end blot observation og formulerer sine æstetiske teorier, hvor han specifikt lægger vægt på betydningen af den "serpentinske linje" som et fundamentalt princip for skønhed og bevægelse.
Den narrative kraft i hans værker når sit højdepunkt i de såkaldte "moderne moralske emner", en række malerier designet til at fungere som visuelle romaner. I 1731/1732 følger A Harlot's Progress den tragiske undergang for en ung kvinde, der ankommer til London, blot for at bukke under for byens fristelser. Dette mønster af socialt forfald fortsætter i 1735 med A Rake's Progress, som skildrer Tom Rakewells hensynsløse nedstigning, mens han ødsler sin arv væk på hasardspil og dekadence. Disse værker afbilder ikke blot scener; de kortlægger konsekvenserne af moralsk fordærv gennem minutiøse detaljer og dybe symbolske elementer.
Fokus skifter fra det individuelle forfald til sammenstødet mellem de sociale klasser i serien Marriage A-la-Mode, skabt mellem 1743 og 1745. Her stikker kunstneren en kæp i hveden for de katastrofale følger af arrangerede ægteskaber og jagten på social status. Spændingen mellem de velhavendes overdådige interiører og de fattiges elendige realiteter bliver et gennemgående tema. Selv i hans senere år forbliver hans kommentarer skarpe. I 1748 adresserer O the Roast Beef of Old England den nationale identitet, mens 1750'ernes The March of the Guards to Finchley præsenterer et kaotisk og larmende blik på militærlivet, hvor disciplinerede rækker i det fjerne kontrasteres med soldaternes larmende og uordentlige adfærd i forgrunden.
Det 18. århundrede vidner om fremkomsten af en udpræget britisk kunstskole, en bevægelse der blev hjulpet på vej af William Hogarths nægtelse af at læne sig op ad kontinentale forbilleder. Han bevægede sig langt ud over den rene efterligning af fremmede stilarter for at etablere et visuelt sprog, der var dybt forankret i Londons gader. Dette skifte var skelsættende; han blev den vigtigste engelske kunstner i sin generation. Hans indflydelse er så gennemgribende, at begrebet "hogarthiansk" indtrådte i sproget for at beskrive hans helt særlige form for satirisk observation.
Den kommercielle virkelighed bag hans succes bragte dog en ny form for konflikt med sig. I takt med at hans raderinger opnåede enorm popularitet, tiltrak de også en bølge af uautoriserede reproduktioner. Plagiat blev en konstant trussel mod hans livsgrundlag. Denne spænding tvang ham ud i en juridisk konfrontation, der ændrede landskabet for intellektuel ejendomsret fundamentalt. Han lobbyede for ophavsretsloven af 1735, et træk der sikrede kunstneres rettigheder mod dem, der ønskede at profitere på deres arbejde uden tilladelse.
Hans metode med at fortælle historier gennem sekventielle billeder skabte en blåstempling for fremtidige medier. Han fungerer som en direkte forløber for den moderne politiske satiretegning og tegneserien. Ved at bruge en række billeder til at dissekere social adfærd, leverede han en skabelon for visuelle fortællinger, der kræver læsning snarere end blot et flygtigt blik. Hans indflydelse strækker sig fra 1700-tallets satiriske tryk helt ind til selve fundamentet af den moderne populærkultur.
De fysiske spor af William Hogarths sociale kritik er i dag spredt ud over flere store institutioner. I London finder man i National Gallery værker fra Marriage à la Mode-serien, hvor den visuelle fortælling om socialt forfald er bevaret for eftertiden. Ikke langt derfra rummer Tate Britain værket Satan, Sin and Death (A Scene from Milton, et mesterværk der understreger hans evne til at oversætte komplekse litterære temaer til en visuel form. Foundling Museum har ligeledes en stærk tilstedeværelse i byen med værket The March of the Guards to Finchley, der indfanger den kaotiske energi fra det 18. århundredes militære liv.
Hans værkers rækkevidde strækker sig langt ud over Storbritannien. I New York City bevarer the Frick Collection Miss Mary Edwards, et portræt der reflekterer hans exceptionelle evne til at indfange det individuelle karaktertræk. Disse samlinger giver beskueren mulighed for at møde de finere detaljer i hans raderinger og malerier i deres oprindelige kontekst. Som besøgende kan man mærke hans indflydelse i den måde, disse institutioner håndterer spændingsfeltet mellem den fine kunst og den folkelige satire.
