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      Trevor Sutton, født 1948

      Trevor Sutton: De 9 mest kendte malerier

      Af alle Trevor Sutton's malerier er Suchness (1993) det mest berømte; det hænger på Government Art Collection i London. Lige efter følger Joseph (1990) og Friendship (1990). Blandt de 9 værker af Trevor Sutton i vores katalog er disse 9 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

      Portræt af Trevor Sutton
      Trevor Sutton · født 1948
      Født · død
      født 1948
      Værker i vores katalog
      9
      Mest kendte
      Suchness (1993)
      Flest værker hos
      Government Art Collection

      Trevor Suttons 10 mest fejrede malerier

      Suchness (1993) af Trevor Sutton
      1

      Suchness

      1993 · Oil · Government Art Collection, London

      In the realm of abstract minimalism, few works command attention with such quiet authority as Trevor Sutton’s Suchness. Created in 1993, this striking composition serves as a masterclass in the power of restraint. At first glance, the viewer is met with a vibrant, pulsating red field that seems to radiate warmth and energy from the canvas. Yet, anchored within this sea of crimson is a singular, profound focal point: a…

      Aoyama (1996) af Trevor Sutton
      9

      Aoyama

      1996

      The painting Aoyama by Trevor Sutton is a remarkable piece of art that showcases the artist's unique style and contribution to the world of abstract art. Created in 1996, this oil on canvas painting measures 94 x 94 cm and features a large brown circle on a white background. Artist Background Trevor Sutton is a talented artist known for his bold and thought-provoking works of art. His use of color…

      Hvad Trevor Sutton har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Trevor Sutton's lærreder hænger

      De 4 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Trevor Sutton Malerier fra denne liste
      Government Art Collection, LondonGovernment Art Collection London 3 Suchness, Wisbech, Thusness
      British Council Collection, LondonBritish Council Collection London 3 Joseph, Teigngrance II, Thinking South
      Arts Council Collection, LondonArts Council Collection London 1 Friendship
      Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Not One Thing II

      År for år: Trevor Suttons mest fejrede lærreder

      Fra 1990 til 1999, et årti med lys og farver: Trevor Sutton's daterede lærreder, opført år for år.

      1. 1990
        Joseph (1990) af Trevor Sutton
        Lærred 2 af 9

        Joseph

        Alder 42 · British Council Collection
      2. 1990
        Friendship (1990) af Trevor Sutton
        3 ud af 9

        Friendship

        Alder 42 · Arts Council Collection
      3. 1992
        Teigngrance II (1992) af Trevor Sutton
        Rangeret som nr. 4 ud af 9

        Teigngrance II

        Alder 44 · British Council Collection
      4. 1993
        Suchness (1993) af Trevor Sutton
        1 ud af 9

        Suchness

        Alder 45 · Government Art Collection

        In the realm of abstract minimalism, few works command attention with such quiet authority as Trevor Sutton’s Suchness. Created in 1993, this striking composition serves as a masterclass…

      5. 1993
        Thusness (1993) af Trevor Sutton
        Rangeret som nr. 6 ud af 9

        Thusness

        Alder 45 · Government Art Collection
      6. 1993
        Thinking South (1993) af Trevor Sutton
        Rangeret som nr. 7 ud af 9

        Thinking South

        Alder 45 · British Council Collection
      7. 1995
        Wisbech (1995) af Trevor Sutton
        Rangeret som nr. 5 ud af 9

        Wisbech

        Alder 47 · Government Art Collection
      8. 1996
        Aoyama (1996) af Trevor Sutton
        9 ud af 9

        Aoyama

        Alder 48

        The painting Aoyama by Trevor Sutton is a remarkable piece of art that showcases the artist's unique style and contribution to the world of abstract art. Created in…

      9. 1999

      Dine spørgsmål om Trevor Suttons malerier, besvaret

      Hvilket er det mest berømte maleri af Trevor Sutton?Læs svaret

      Suchness (1993), Government Art Collection, London. Joseph (1990) og Friendship (1990) følger efter.

      Hvor gammel var Trevor Sutton på tidspunktet for Suchness?Læs svaret

      Trevor Sutton, født i 1948, var 45 år gammel: Suchness er fra 1993.

      Hvor mange malerier af Trevor Sutton er kendt?Læs svaret

      9 værker af Trevor Sutton er i vores katalog, dateret fra 1990 til 1999.

      Hvilke museer udstiller Trevor Suttons mest kendte lærreder?Læs svaret

      Primært i Government Art Collection (London), British Council Collection (London) og Arts Council Collection (London); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Trevor Sutton sine mest berømte lærreder?Læs svaret

      I 1993, som udgør 3 af de 9 værker på denne side, herunder Suchness.

      Hvad er de første og de sidste af Trevor Suttons berømte lærreder?Læs svaret

      Det tidligste lærred her er Joseph (1990); det seneste er Not One Thing II (1999).

      Hvilke motiver går oftest igen i Trevor Sutton's malerier?Læs svaret

      Abstract (3) og Geometric (2), fordelt på de 9 værker på denne side.

      Hvad kan jeg se af Trevor Sutton på Government Art Collection?Læs svaret

      Government Art Collection, London har 3 af værkerne på denne side, herunder Suchness, Wisbech og Thusness.

      Trevor Sutton: malerens historie

      Trevor Sutton: Architect of Quiet Intensity

      Trevor Sutton (born Romford, Essex, 1948) is a British painter and printmaker whose distinctive approach to abstraction—characterized by meticulous geometric forms and restrained color palettes—has garnered international acclaim. His work explores the relationship between perception and space, reflecting a profound engagement with architectural principles and a deep fascination for the subtle interplay of light and shadow. Sutton’s artistic journey began at Hornsey College of Art in 1967, where he honed his skills in drawing and painting before graduating from Birmingham Polytechnic in 1972. This formative period instilled in him a disciplined aesthetic sensibility that would permeate his subsequent explorations of visual language.
      • Early Influences: Sutton’s artistic vision was shaped by encounters with Minimalism and Conceptual Art, movements that championed simplicity and intellectual rigor. Artists like Josef Albers and Agnes Martin served as crucial models for his stylistic development, encouraging him to prioritize form over ornamentation and to distill visual ideas into their purest expressions.
      • The Grid System: Sutton’s unwavering commitment to geometric abstraction is embodied in his use of the grid—a technique he adopted early in his career and continues to employ throughout his oeuvre. He sees the grid not merely as a compositional device but as a conceptual framework that embodies fundamental principles of spatial organization. “It stops me having to think,” Sutton has explained, “I want to describe it as a safety net.”

      Exploring Spatial Dynamics: From Early Collages to Monumental Paintings

      Sutton’s artistic evolution can be traced through a series of meticulously crafted collages and paintings that delve into the complexities of visual perception. His initial explorations focused on exploring the interplay between color and texture, utilizing layered materials—often paper and pigment—to create surfaces that evoke atmospheric depth and subtle shifts in tonal hue. These early works established his signature style: a quiet confidence in form and color combined with an unwavering attention to detail. Notable pieces include “Not One Thing II” (1995), which captures the mood of a stormy seascape through expressive brushwork, and “Wisbech” (1995), a circular oil painting that embodies celestial duality—a testament to Sutton’s ability to transform observation into evocative visual narratives.
      • Notable Exhibitions: Sutton's work has been showcased in prestigious galleries across Europe and North America, cementing his reputation as one of Britain’s leading contemporary artists. Solo exhibitions include Katsura Imperial Villa at AIS/Concept Space in Shibukawa, Japan; Blue Lightning at Cairn Gallery, Fife; Small World at Zuleika Gallery, Woodstock; and most recently, “Hidden Architecture” at Post Room gallery in London.
      • Recognition: Sutton’s artistic achievements have been recognized by institutions such as Tate London, British Council, Arts Council England, Aberdeen Art Gallery, Sainsbury Centre UEA, Pallant House Chichester, Ballinglen Museum of Art Ireland, and Artothèque de Limousin France.

      The Influence of Architecture and Observation

      Sutton’s artistic practice is fundamentally rooted in his profound engagement with architectural spaces—both built environments and internal landscapes—and his meticulous observation of natural phenomena. He draws inspiration from the rhythms and patterns inherent in geological formations, urban vistas, and celestial skies, translating these sensory experiences into visual representations that prioritize clarity and understated beauty. His paintings are often described as “quiet,” reflecting Sutton’s belief that art should invite contemplation rather than demanding immediate attention. As he himself has stated, "I want to describe it as a safety net."

      Legacy and Continuing Exploration

      Trevor Sutton's enduring contribution to contemporary art lies in his unwavering commitment to geometric abstraction—a stylistic choice that transcends temporal trends while simultaneously conveying profound emotional resonance. His meticulous technique, combined with his sensitivity to spatial dynamics and color harmony, ensures that his work continues to captivate audiences worldwide. Currently residing in London, Sutton remains actively engaged in artistic creation, exploring new visual vocabularies and pushing the boundaries of abstraction—a testament to his lifelong pursuit of aesthetic excellence.