Werner Büttner, født 1954
De 1 mest berømte Werner Büttner-malerier, rangeret
Det mest elskede maleri af Werner Büttner er The third world pushing its way to the regulars' table (1981), som hænger på Städel Museum i Frankfurt. Vores katalog indeholder 2 værker af Werner Büttner: her er de 1 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
- Født · død
- født 1954, Jena
- Værker i vores katalog
- 2
- Mest kendte
- The third world pushing its way to the regulars' table (1981)
- Flest værker hos
- Städel Museum
Top 10 Werner Büttner malerier: lærrederne som alle kender
Hvor Werner Büttner's lærreder hænger
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Werner Büttner | Malerier fra denne liste |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | The third world pushing its way to the regulars' table |
Werner Büttners mest elskede lærreder, år for år
Hvert dateret lærred af Werner Büttner på denne side er malet i 1981; her er de mest berømte først.
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1981
Lærred 1 af 1
The third world pushing its way to the regulars' table
Om Werner Büttner's lærreder: dine spørgsmål besvaret
Hvad er det mest kendte maleri af Werner Büttner?Læs svaret
The third world pushing its way to the regulars' table (1981)
Hvor gammel var Werner Büttner, da The third world pushing its way to the regulars' table blev malet?Læs svaret
Werner Büttner, født i 1954, var 27 år gammel: The third world pushing its way to the regulars' table er fra 1981.
Hvor mange værker malede Werner Büttner i alt?Læs svaret
2 værker af Werner Büttner er i vores katalog.
Hvor kan jeg se Werner Büttners mest berømte lærreder?Læs svaret
Primært i Städel Museum (Frankfurt); listen ovenfor nævner hvert museum og dets lærreder.
Werner Büttner: et liv i maling
The Artistic Evolution of Werner Büttner
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Teaching and Later Works
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: