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      William Johnstone, 1897 – 1981

      William Johnstones 22 mest berømte malerier

      Summer, Selkirk (1927) er det maleri, som William Johnstone er bedst kendt for; det befinder sig på Scottish National Gallery of Modern Art, Edinburgh. A Point in Time (1937) og Francis George Scott (1880–1958), Composer (1933) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 22 værker af William Johnstone. Her er de 22 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

      Portræt af William Johnstone
      William Johnstone · 1897 – 1981
      Født · død
      1897 – 1981
      Værker i vores katalog
      22
      Mest kendte
      Summer, Selkirk (1927)
      Flest værker hos
      Scottish National Gallery of Modern Art

      De ti mest elskede malerier af William Johnstone

      William Johnstone: lærreder fra 11 til 22 på ranglisten

      Hvor William Johnstone's lærreder hænger

      De 6 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af William Johnstone Malerier fra denne liste
      Scottish National Gallery of Modern Art, EdinburghScottish National Gallery of Modern Art Edinburgh 3 Summer, Selkirk, A Point in Time, Mrs J. E. Winand
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 Street Musicians (Post Cubist), Landscape with Trees (verso), Geometric Landscape (recto)
      The Fleming Collection, LondonThe Fleming Collection London 2 Self Portrait, Entombment
      Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Francis George Scott (1880–1958), Composer
      Government Art Collection, LondonGovernment Art Collection London 1 Surrey Landscape
      Pallant House Gallery, ChichesterPallant House Gallery Chichester 1 Landscape (Scottish Landscape)

      William Johnstones mest berømte lærred, årti efter årti

      1. 1910s
      2. 1920s
        Summer, Selkirk (1927) af William Johnstone
        1 ud af 22

        Summer, Selkirk

        Alder 23 – 32 · Scottish National Gallery of Modern Art
      3. 1930s
        A Point in Time (1937) af William Johnstone
        Rangeret som nr. 2 ud af 22

        A Point in Time

        Alder 33 – 42 · Scottish National Gallery of Modern Art
      4. 1940s
        Golgotha (1948) af William Johnstone
        Lærred 11 af 22

        Golgotha

        Alder 43 – 52

      William Johnstones lærreder, spørgsmål for spørgsmål

      Hvilket lærred er William Johnstone mest kendt for?Læs svaret

      Summer, Selkirk (1927), Scottish National Gallery of Modern Art, Edinburgh. A Point in Time (1937) og Francis George Scott (1880–1958), Composer (1933) følger efter.

      Summer, Selkirk: hvor gammel var William Johnstone, da det blev malet?Læs svaret

      William Johnstone, født i 1897, var 30 år gammel: Summer, Selkirk er fra 1927.

      Hvad er William Johnstones ti mest berømte lærreder?Læs svaret

      Summer, Selkirk, A Point in Time, Francis George Scott (1880–1958), Composer, Self Portrait, Thomas Scott (1854–1927), Artist (after George Fiddes Watt), Street Musicians (Post Cubist), Ode to the North Wind, Francis George Scott, Richard Thomas Church og Border Landscape The Eildon Hills. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har William Johnstone skabt?Læs svaret

      22 værker af William Johnstone er i vores katalog, dateret fra 1918 til 1948.

      Hvor hænger William Johnstones mest berømte lærreder i dag?Læs svaret

      Primært i Scottish National Gallery of Modern Art (Edinburgh), Abbot Hall Art Gallery (Kendal) og The Fleming Collection (London); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede William Johnstone sine mest berømte lærreder?Læs svaret

      I 1930s, som udgør 5 af de 22 værker på denne side, herunder A Point in Time.

      Hvilket berømt lærred af William Johnstone kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Thomas Scott (1854–1927), Artist (after George Fiddes Watt) (1918); det seneste er Golgotha (1948).

      Hvilke malerier af William Johnstone er i Scottish National Gallery of Modern Arts samling?Læs svaret

      Scottish National Gallery of Modern Art, Edinburgh har 3 af værkerne på denne side, herunder Summer, Selkirk, A Point in Time og Mrs J. E. Winand.

      Mød maleren: William Johnstone

      A Life Bathed in Light: The Poetic Vision of William Johnstone

      William Johnstone, born in 1897 and passing in 1981, remains a quietly compelling figure within the landscape of Scottish art. While not a household name, his work possesses a distinctive atmospheric quality that resonates with a deep sensitivity to place and mood. His life story, though somewhat elusive in detail, is inextricably linked to the poetic spirit that infuses his paintings – a spirit often described as Whistlerian in its subtle harmonies and evocative power. He also painted under the pseudonym Sholto Douglas. Johnstone’s artistic journey wasn't one of dramatic shifts or revolutionary pronouncements; rather, it was a gradual unfolding of a personal vision, rooted in observation and refined through dedicated practice.

      Early Influences & Artistic Development

      The early years of Johnstone’s life undoubtedly shaped his aesthetic inclinations. Scotland itself – its rugged highlands, misty lochs, and ever-changing skies – served as an enduring source of inspiration. While specific details regarding his formal training are scarce, the influence of James McNeill Whistler is readily apparent in his work. Whistler's emphasis on tonalism, a restrained palette, and the creation of atmosphere over precise representation clearly resonated with Johnstone. He wasn’t merely copying Whistler’s style; instead, he absorbed its principles and adapted them to his own unique sensibility, imbuing his landscapes with a distinctly Scottish character. This is not to say that Johnstone was solely beholden to Whistlerian aesthetics. A quiet realism, reminiscent of the Victorian portrait tradition – as exemplified by artists like William Herbert Johnston (a contemporary) – also subtly informs his depictions of figures and interiors.

      Themes & Techniques: Capturing Ephemeral Beauty

      Johnstone’s oeuvre primarily comprises landscapes and portraits, often interwoven with scenes of domestic life. His landscapes are not grand vistas designed to overwhelm the viewer; they are intimate studies of light and shadow, capturing fleeting moments of beauty in the natural world. He possessed a remarkable ability to convey atmosphere – the damp chill of a Scottish morning, the golden glow of late afternoon sunlight, the soft haze that hangs over rolling hills. His technique is characterized by delicate brushwork, subtle gradations of tone, and a masterful use of color to create mood. The colors are often muted, creating a sense of tranquility and introspection. In his portraits, Johnstone eschews flamboyant displays of virtuosity in favor of capturing the inner character of his sitters. He focuses on conveying personality through nuanced expressions and carefully observed details.

      Historical Significance & Legacy

      While Johnstone may not have achieved widespread fame during his lifetime, his work holds a significant place within the context of Scottish art history. He represents a continuation of the tonalist tradition, demonstrating its enduring appeal in the 20th century. His paintings offer a valuable glimpse into the social and cultural life of Scotland during this period, particularly through his portraits of local notables. More importantly, however, Johnstone’s legacy lies in his ability to evoke emotion and create atmosphere through subtle yet powerful means. He reminds us that true beauty often resides not in grand gestures but in quiet moments of observation and reflection. His work continues to captivate viewers with its poetic sensibility and masterful use of light, offering a timeless testament to the enduring power of artistic vision.