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      William Patten, 1793 – 1843

      De 5 mest berømte William Patten-malerier, rangeret

      Det mest elskede maleri af William Patten er William Hone (engraved 1818) (1818), som hænger på National Portrait Gallery i London. Sir Edward Banks (1835) og Portrait of a Gentleman (1831) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 5 værker af William Patten: her er de 5 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af William Patten
      William Patten · 1793 – 1843
      Født · død
      1793 – 1843
      Værker i vores katalog
      5
      Mest kendte
      William Hone (engraved 1818) (1818)
      Flest værker hos
      National Portrait Gallery

      Top 10 William Patten malerier: lærrederne som alle kender

      William Hone (engraved 1818) (1818) af William Patten
      1

      William Hone (engraved 1818)

      1818 · Engraving · National Portrait Gallery, London

      The engraving titled William Hone (engraved 1818) captures a man of singular presence. Created by the artist William Patten, this portrait presents the subject in formal attire, a study of structured cloth and quiet dignity. The likeness is fixed in a moment of stillness, where the weight of the fabric meets the steady gaze of the sitter. It is a record of a face etched against a dark, receding space.

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $296 64 × 76 cm Bestil i original størrelse →
      Sir Edward Banks (1835) af William Patten
      2

      Sir Edward Banks

      1835 · Oil On Canvas · National Portrait Gallery, London

      In this formal portrait by William Patten, Sir Edward Banks sits with a quiet, settled authority. The year is about 1835. He was a man of iron and water, an English civil engineer and a pioneer of steam ships who helped shape the movement of the age. The brush captures a man who understood the weight of stone and the pull of the tide. He had been knighted in June…

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $391 81 × 99 cm Bestil i original størrelse →
      Portrait of a Gentleman (1831) af William Patten
      3

      Portrait of a Gentleman

      1831 · Oil · University of Southampton, Southampton

      The Portrait of a Gentleman is a painting from 1831 that depicts a man seated in a chair. He is dressed in formal attire, consisting of a suit and a tie, with his hands resting folded in his lap. In front of him lies an open book, suggesting a moment of study or reading.

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $379 80 × 95 cm Bestil i original størrelse →
      Portrait of a Lady (1828) af William Patten
      4

      Portrait of a Lady

      1828 · Oil · University of Southampton, Southampton

      In this 1828 portrait, we encounter a woman who possesses a certain poised stillness. She is dressed in pink, a choice that suggests a soft elegance, paired with white gloves that lend a sense of formal grace to her posture. She holds a yellow umbrella, a detail that introduces a subtle touch of color and a hint of a life lived outdoors, perhaps during a stroll through a manicured estate.…

      Håndmalet oliereproduktion fra $178 28 × 36 cm Samme størrelse som originalen $435 87 × 109 cm Bestil i original størrelse →
      Sir Edward Banks (1770–1835), Builder (1829) af William Patten
      5

      Sir Edward Banks (1770–1835), Builder

      1829 · Oil On Canvas · Guildhall Art Gallery, London

      Sir Edward Banks sits with a quiet, settled authority, his hands clasped in a gesture of composed stillness. The portrait, rendered in 1835, captures a man whose life was defined by the weight of stone and the movement of water. As a civil engineer and pioneer of steam ships, Banks helped shape the infrastructure of a changing Britain, from the construction of Waterloo Bridge to the complex channels of the…

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $386 81 × 97 cm Bestil i original størrelse →

      Hvad William Patten har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor William Patten's lærreder hænger

      De 3 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af William Patten Malerier fra denne liste
      National Portrait Gallery, LondonNational Portrait Gallery London 2 William Hone (engraved 1818), Sir Edward Banks
      University of Southampton, SouthamptonUniversity of Southampton Southampton 2 Portrait of a Gentleman, Portrait of a Lady
      Guildhall Art Gallery, LondonGuildhall Art Gallery London 1 Sir Edward Banks (1770–1835), Builder

      William Pattens mest elskede lærred fra hvert årti

      1. 1810s
        William Hone (engraved 1818) (1818) af William Patten
        Lærred 1 af 5

        William Hone (engraved 1818)

        Alder 17 – 26 · National Portrait Gallery

        The engraving titled William Hone (engraved 1818) captures a man of singular presence. Created by the artist William Patten, this portrait presents the subject in formal attire, a…

      2. 1820s
        Portrait of a Lady (1828) af William Patten
        Rangeret som nr. 4 ud af 5

        Portrait of a Lady

        Alder 27 – 36 · University of Southampton

        In this 1828 portrait, we encounter a woman who possesses a certain poised stillness. She is dressed in pink, a choice that suggests a soft elegance, paired with…

      3. 1830s
        Sir Edward Banks (1835) af William Patten
        2 ud af 5

        Sir Edward Banks

        Alder 37 – 46 · National Portrait Gallery

        In this formal portrait by William Patten, Sir Edward Banks sits with a quiet, settled authority. The year is about 1835. He was a man of iron and…

      Om William Patten's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af William Patten?Læs svaret

      William Hone (engraved 1818) (1818), National Portrait Gallery, London. Sir Edward Banks (1835) og Portrait of a Gentleman (1831) følger efter.

      Hvor gammel var William Patten, da William Hone (engraved 1818) blev malet?Læs svaret

      William Patten, født i 1793, var 25 år gammel: William Hone (engraved 1818) er fra 1818.

      Hvor mange værker malede William Patten i alt?Læs svaret

      5 værker af William Patten er i vores katalog, dateret fra 1818 til 1835.

      Hvor kan jeg se William Pattens mest berømte lærreder?Læs svaret

      Primært i National Portrait Gallery (London), University of Southampton (Southampton) og Guildhall Art Gallery (London); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede William Patten de mest elskede lærreder?Læs svaret

      I 1820s, som udgør 2 af de 5 værker på denne side, herunder Portrait of a Lady.

      Hvilke er William Pattens tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er William Hone (engraved 1818) (1818); det seneste er Sir Edward Banks (1835).

      Hvad malede William Patten oftest?Læs svaret

      Man (4), Chair (3) og Formal attire (2), fordelt på de 5 værker på denne side.

      Hvilket medie malede William Patten oftest i?Læs svaret

      Oil On Canvas, anvendt i 2 af de 5 værker på denne side.

      Hvilke lærreder af William Patten hænger på National Portrait Gallery?Læs svaret

      National Portrait Gallery, London har 2 af værkerne på denne side, herunder William Hone (engraved 1818) og Sir Edward Banks.

      Kan jeg købe en reproduktion af et lærred af William Patten?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      William Patten: et liv i maling

      A Glimpse into Aristocratic England: The Life and Art of William Patten

      William Patten, also known as Henry Patten (born 1793, died 1843), remains a fascinating, if somewhat elusive, figure in the landscape of early 19th-century British portraiture. While not enjoying the widespread fame of contemporaries like Lawrence or Raeburn, Patten carved out a niche for himself depicting the gentry and nobility with a refined elegance that speaks volumes about the social sensibilities of his time. His work offers a compelling window into the world he inhabited – a world of stately homes, carefully constructed appearances, and burgeoning industrial wealth. Information regarding Patten’s early life is scarce; however, it's known he established himself as a portrait painter in London, quickly gaining favor amongst a discerning clientele who appreciated his ability to capture not just likeness, but also character and social standing. He wasn’t merely recording faces; he was documenting a way of life.

      Style and Technique: Elegance and Restraint

      Patten's artistic style is characterized by its subtlety and restraint. He eschewed the dramatic flourishes favored by some of his peers, opting instead for a more controlled approach to brushwork and composition. His portraits are typically executed with a smooth, polished finish, emphasizing the textures of fabrics – silks, velvets, and lace – and the delicate features of his sitters. Color palettes tend towards muted tones, creating an atmosphere of quiet dignity and refinement. He possessed a remarkable skill in rendering light, using it to sculpt forms and highlight key details, such as jewelry or the gleam in a subject’s eye. This attention to detail wasn't simply about technical prowess; it was integral to conveying the wealth and status of those he portrayed. His compositions are generally straightforward, often featuring sitters posed against neutral backgrounds, allowing their presence and attire to take center stage. While not overtly innovative, Patten’s technique demonstrates a mastery of traditional portrait conventions, refined through careful observation and skillful execution.

      Notable Works and Patronage

      Although a comprehensive catalogue raisonné of Patten's work remains elusive, several portraits have survived that showcase his talent and the caliber of his patrons. Perhaps one of his most recognized works is the portrait of Sir Edward Banks, a prominent figure in British society. This painting exemplifies Patten’s ability to capture both the physical likeness and the inner character of his subject – Sir Edward appears as a man of authority, intelligence, and quiet confidence. Other portraits attributed to Patten depict members of various aristocratic families, suggesting a network of patronage that extended throughout London's upper echelons. These paintings weren’t simply commissions; they were statements of social identity, carefully curated representations designed to project an image of power, wealth, and lineage. The fact that his works found their way into the collections of such prominent individuals speaks to the esteem in which he was held by his contemporaries.

      Influences and Historical Context

      Patten’s work reflects the broader artistic currents of the early 19th century, particularly the influence of Sir Thomas Lawrence. Like Lawrence, Patten possessed a keen understanding of fashionable society and an ability to create portraits that were both flattering and psychologically insightful. However, Patten's style is generally less flamboyant than Lawrence’s, exhibiting a greater degree of restraint and formality. He also drew inspiration from earlier portrait masters such as Anthony van Dyck, whose elegant compositions and refined brushwork served as models for his own artistic endeavors. The historical context in which Patten worked was one of significant social and economic change. The Industrial Revolution was transforming British society, creating a new class of wealthy industrialists who sought to emulate the lifestyles of the aristocracy. Patten’s portraits reflect this changing landscape, depicting both established families and newly affluent individuals eager to establish their place within the social hierarchy.

      Legacy and Significance

      While William Patten may not be a household name today, his work offers valuable insights into the art and society of early 19th-century Britain. His portraits provide a glimpse into the lives of the gentry and nobility, capturing their appearances, attitudes, and social aspirations.
      • His refined technique and subtle style demonstrate a mastery of traditional portrait conventions.
      • He successfully captured both likeness and character in his depictions of sitters.
      • Patten’s work reflects the broader artistic currents of his time, while maintaining a distinct aesthetic sensibility.
      As interest in Victorian art continues to grow, Patten's paintings are increasingly recognized for their historical significance and artistic merit. They serve as a reminder of a bygone era – an era of elegance, restraint, and carefully constructed appearances. His contribution lies not in radical innovation, but in the skillful execution of a timeless art form, providing us with enduring portraits that continue to captivate and intrigue.