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The Last Match
Håndmalet oliereproduktion fra $203 29 × 35 cm
Samme størrelse som originalen $570 100 × 131 cm Bestil i original størrelse →
William Small, 1843 – 1929
William Smalls 1 mest berømte malerier
The Last Match (1887) er det maleri, som William Small er bedst kendt for. Vores katalog indeholder 1 værker af William Small. Her er de 1 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
- Født · død
- 1843 – 1929, Edinburgh
- Værker i vores katalog
- 1
- Mest kendte
- The Last Match (1887)
De ti mest elskede malerier af William Small
William Smalls mest berømte lærreder, år efter år
De daterede lærreder af William Small på denne side stammer alle fra 1887: her er de, i rækkefølge efter berømmelse.
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1887
1 ud af 1The Last Match
William Smalls lærreder, spørgsmål for spørgsmål
Hvilket lærred er William Small mest kendt for?Læs svaret
The Last Match (1887)
The Last Match: hvor gammel var William Small, da det blev malet?Læs svaret
William Small, født i 1843, var 44 år gammel: The Last Match er fra 1887.
Hvor mange malerier har William Small skabt?Læs svaret
1 værker af William Small er i vores katalog.
Hvor kan jeg købe en reproduktion af et maleri af William Small?Læs svaret
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Mød maleren: William Small
A Life in Lines and Light
Born in Edinburgh, United Kingdom, in 1843, William Small occupied a significant space in the visual landscape of the Victorian era. He was a man of many mediums, moving with ease between the precision of a draftsperson and the fluid grace of a watercolorist. His career was defined by a prolific output that reached far beyond the walls of private studios, finding its way into the hands of the public through the pages of noted periodicals such as The Graphic, Good Words, and Once a week. He possessed a particular ability to translate complex narratives into striking illustrations, a skill that earned him a reputation as one of the most successful illustrators of his time.
His technical range was vast. Whether working in oil on canvas or through the delicate application of lithography, Small demonstrated a mastery over his tools. His work often leaned toward the Idyllic school, a style that favored a certain sense of peace and pastoral beauty. This inclination is visible in his ability to capture the quietude of nature and the subtle tensions of human interaction.
The Breadth of a Victorian Career
Small’s professional life was marked by a steady accumulation of accolades and institutional recognition. His contributions to the arts were not confined to a single genre, but rather spanned the essential disciplines of the nineteenth-century illustrator and painter. His reach extended from the bustling centers of London to the galleries of Manchester, Liverpool, and Leicester.
His professional identity was shaped by several key roles and honors:
- Painter and watercolorist
- Illustrator for major periodicals
- Draftsperson and lithographer
- Recipient of the R.I. and H.R.S.A. titles
The Final Chapter
As the decades progressed, Small’s influence remained steady, even as the artistic sensibilities of the era began to shift. He remained a fixture of the British art scene until his death in Worcester, England, in 1929. His legacy is preserved not merely in individual canvases, but in the historical record of the periodicals that relied on his hand to bring stories to life. From the quietude of The woodlands to the more spirited scenes of The Last Match, his work remains a window into the visual language of a bygone age.