Zeitraum

Bewegung

1. Guržžot ja guovssat / Spell on you! — Outi Pieski, 2020
2. Urban Indian 4 — terrance houle, 2007
3. The yellow font — Juan Antonio Zamora Zambudio
4. The Wrench — Kristian George Fletcher, 2013
5. Moderate Enlightenment — Imran Qureshi, 2006
6. Untitled — Mustapha A. Haidar
7. Welcome — paul schofield, 2006
8. Der Trellis — Gustave Courbet, 1862
9. Benefits Supervisor Sleeping (auch bekannt als Big Sue) — Lucian Freud, 1995
10. The Divorce, Number 3 — Mark Greenwold, 1983
11. Zoma Contemporary Art Center (interior studio lounge space) — Elias Sime
12. Da-bin Lee, age 18, July 31, 2007 — Oh, Hein-Kuhn, 2008
13. Down for the Count — Martin Wong
14. A room with a View ($3000/Night) — Ahmed Mater Eid Al-Bassam, 2012
15. Zoma Contemporary Art Center (exterior view) — Elias Sime

Stimmung

Themen

Schlagworte

Tonwert

Hauptfarbe

1. Female Contemporaries — Albert Lynch
2. Benefits Supervisor Sleeping (auch bekannt als Big Sue) — Lucian Freud, 1995
3. Urban Indian 4 — terrance houle, 2007
4. Der Trellis — Gustave Courbet, 1862
5. University of São Paulo’s Museum of Contemporary Art. — Tomie Ohtake, 1999
6. Unbetitelt (7324) — Egon Schiele
7. Zoma Contemporary Art Center (interior studio lounge space) — Elias Sime
8. Down for the Count — Martin Wong
9. Welcome — paul schofield, 2006
10. Zoma Contemporary Art Center (door detail) — Elias Sime, 2015
11. Bloodline: Big Family — Zhang Xiaogang, 2006
12. The Wrench — Kristian George Fletcher, 2013
13. Untitled (809) — Paul Cadmus
14. The Divorce, Number 3 — Mark Greenwold, 1983
15. Untitled — Mustapha A. Haidar
16. Zoma Contemporary Art Center (exterior view) — Elias Sime
17. A room with a View ($3000/Night) — Ahmed Mater Eid Al-Bassam, 2012
18. The yellow font — Juan Antonio Zamora Zambudio
19. Moderate Enlightenment — Imran Qureshi, 2006
20. Guržžot ja guovssat / Spell on you! — Outi Pieski, 2020
21. Contemporary influence on Kilim products — A.P.J. Abdul Kalam, 2017
22. Untitled — Mohammad El Rawas, 2010

andere

1. Untitled Anthropometry (ANT, 123) — Yves Klein, 1961