Zeitraum

Bewegung

1. Untitled (771) — Robert Bateman
2. Champignons (nature morte) — Thurner Gabriel
3. Stonechat — Richard John Spare, 2013
4. World Within Worlds — Joseph M. Raphael, 1978
5. Wood for fire — Tessa Barlin, 2021
6. Untitled — alessandra parrachini willy, 2014
7. The Source 1 — Gustave Courbet
8. Zoma Contemporary Art Center (exterior view) — Elias Sime
9. Ontologischer Sprung 1,2,3 (Aus dem geometrischen Skizzenbuch der Natur) — Valie Export, 1974

Stimmung

Themen

Schlagworte

Tonwert

Hauptfarbe

1. The Source 1 — Gustave Courbet
2. Still Life with Lobster on a White Tablecloth (Nature Morte Au Homard Sur un Nappe Blanche) — Eugène Louis Boudin
3. World Within Worlds — Joseph M. Raphael, 1978
4. Natural gum made from the Gulabere — Fidel Ugarte, 2013
5. Ontologischer Sprung 1,2,3 (Aus dem geometrischen Skizzenbuch der Natur) — Valie Export, 1974
6. Champignons (nature morte) — Thurner Gabriel
7. Untitled — alessandra parrachini willy, 2014
8. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
9. Nature morte bécasse — lesage pierre alexis
10. Zoma Contemporary Art Center (exterior view) — Elias Sime
11. Still life with roses and strawberries on a silver salver (also known as Natures Rewards) — Otto Didrik Ottesen
12. Nature morte à la soupière et à la cruche de faïence — denis pierre bergeret
13. Die natürlichen Anmut — René Magritte, 1964
14. NATURE MORTE AUX PIGEONS — Thurner Gabriel

andere

1. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
2. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
3. Contexture of nature III — Gayatri Halder
4. ENGINEERED NATURE EN_LS2 — Emmanuel Wolfs Und Boyoung Jung, 2018
5. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984
6. Nature morte avec un vase — Fernand Léger, 1925
7. Untitled (After Malevich and Schiele), from the 1917 exhibition, Nature Morte Gallery, New York — Sherrie Levine, 1984