Von allen Gemälden von Halfdan Strøm ist Portrait of Mathea Strøm, the Artist's Mother (1885) das bekannteste; es hängt im National Museum of Art, Architecture and Design, Oslo. Dicht darauf folgen Dolce far niente. Interior with the Artist's Parents (1883) und Girl Friends (1888). Von den 21 Werken von Halfdan Strøm in unserem Katalog sind dies die 21 bekanntesten, jeweils mit Datum, Museum und ihrer Geschichte präsentiert.
Die Rangfolge basiert auf unserem Popularitäts-Score, der Suchanfragen, Besuche und Bestellungen für jedes Werk kombiniert. Aktualisiert am November 2026. Jedes Gemälde auf dieser Seite kann entweder als handgemaltes Ölgemälde auf Leinen oder als hochwertiger Kunstdruck in der von Ihnen gewählten Größe bestellt werden.
Die 2 Museen, in denen sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.
| Museum | Stadt | Werke von Halfdan Strøm | Gemälde aus dieser Liste |
|---|---|---|---|
| Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends | |
| Oslo | 5 | Portrait, Portrait, Self-portrait |
Portrait of Mathea Strøm, the Artist's Mother (1885), National Museum of Art, Architecture and Design, Oslo. Dolce far niente. Interior with the Artist's Parents (1883) und Girl Friends (1888) folgen.
Halfdan Strøm, geboren in 1863, war 22 Jahre alt: Portrait of Mathea Strøm, the Artist's Mother stammt aus dem Jahr 1885.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover und Scene from the Vegetable Market. Jede Leinwand in der obigen Rangliste wird mit ihrem Entstehungsjahr und dem jeweiligen Museum aufgeführt.
21 Werke von Halfdan Strøm sind in unserem Katalog enthalten, datiert von 1883 bis 1920.
Meistens in National Museum of Art, Architecture and Design (Oslo) und Oslo Museum (Oslo); die obige Liste führt jedes Museum und seine Leinwände auf.
In 1880s, die 6 der 21 Werke auf dieser Seite ausmachen, darunter Portrait of Mathea Strøm, the Artist's Mother.
Die früheste Leinwand hier ist Dolce far niente. Interior with the Artist's Parents (1883); die jüngste ist Self-portrait (1920).
Das National Museum of Art, Architecture and Design, Oslo beherbergt 16 der Werke auf dieser Seite, darunter Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents und Girl Friends.
Ja. Jedes Gemälde auf dieser Seite kann über seine jeweilige Detailseite bestellt werden – entweder als handgemalte Ölkopie oder als hochwertiger Kunstdruck in der von Ihnen gewählten Größe.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.