Terezin: People waiting for the soup (1943) ist das Gemälde, für das Norbert Troller am bekanntesten ist; es befindet sich im Leo Baeck Institut, New York City. Terezin, Latrinen (1942) und Terezin: Yard (1943) vervollständigen das Trio der beliebtesten Gemälde. Unser Katalog umfasst 17 Werke von Norbert Troller. Hier sind die 17 bekanntesten, inklusive Jahr, Museum und der Geschichte hinter jeder Leinwand.
Die Rangfolge basiert auf unserem Popularitäts-Score, der Suchanfragen, Besuche und Bestellungen für jedes Werk kombiniert. Aktualisiert am November 2026.
In the hauntingly delicate lines of "Terezin: People waiting for the soup," we encounter more than just a drawing; we enter a profound moment of human endurance captured by the hand of Norbert Troller. Created in 1943, amidst the unimaginable darkness of the Theresienstadt concentration camp, this work serves as a poignant window into a period of immense suffering and quiet resilience. The piece captures a scene that, on the…
In den eindringlich kargen Linien von "Terezin, Latrinen" begegnen wir weit mehr als nur einer Zeichnung; wir betreten einen viszeralen Moment des Überlebens, festgehalten durch die Hand von Norbert Troller. Geschaffen im Jahr 1942, während der erschütternden Zeit seiner Internierung im Konzentrationslager Theresienstadt, dient dieses Werk als ein tiefgreifendes visuelles Zeugnis. Die Szene entfaltet sich in einem unterirdischen oder kellerartigen Raum, in dem sich eine Gruppe von Menschen auf einem…
In the hauntingly delicate lines of "Terezin: Yard," we encounter more than just a sketch; we enter a window into a profound moment of human endurance. Created in 1943 by the Czech-American artist Norbert Troller, this black and white drawing serves as a poignant fragment of a much larger, darker narrative. The scene depicts a streetscape that, at first glance, might resemble any old European town, yet it is imbued…
In the quiet, shadowed corners of art history, few works possess the profound emotional weight found in Terezin: Still-life. Painted in 1942 by the Czech-American artist Norbert Troller, this intimate composition serves as much more than a mere study of objects; it is a hauntingly beautiful testament to the human spirit amidst the darkness of the Theresienstadt concentration camp. At first glance, the viewer is met with a collection of…
In the delicate, monochromatic lines of Street Scene, Paris, we are transported to a moment frozen in time, captured by the masterful hand of Norbert Troller in 1948. This etching serves as more than just a topographical record of a French boulevard; it is a soulful meditation on the enduring rhythm of urban life. Through the intricate interplay of light and shadow, Troller invites the viewer to wander through a…
In the quietude of 1940, amidst a world teetering on the brink of profound historical shifts, Norbert Troller captured a fragment of timeless peace in his etching, Waterside, Maine. This exquisite black and white work invites the viewer into a coastal sanctuary, where the rhythmic pulse of the Atlantic meets the stillness of a summer afternoon. The composition centers upon a weathered pier, a structural anchor that extends into the…
In the hauntingly quiet lines of "Terezin: Yard," we are transported back to 1943, a period defined by profound darkness and the indomitable strength of the human spirit. Created by the Czech-American artist Norbert Troller during his harrowing imprisonment in the Theresienstadt concentration camp, this drawing serves as much more than a mere visual record; it is a poignant window into a stolen moment of communal existence. The scene captures…
In the hauntingly quiet depths of Norbert Troller’s 1943 drawing, Junk Furniture, Terezin, we are invited into a space that transcends mere clutter to become a profound meditation on loss and survival. Created during one of the darkest chapters of the twentieth century, this work serves as a visceral window into the Theresienstadt concentration camp. The scene, rendered with a stark, monochromatic precision, depicts a courtyard or room overwhelmed by…
In the hauntingly quiet corners of history, certain artworks emerge not merely as aesthetic objects, but as profound testimonies to the human spirit. "Terezin: On a supervised outing," a delicate watercolor created in 1942 by the Czech-American artist Norbert Troller, serves as one such window into a world of unimaginable hardship. At first glance, the painting captures a scene of deceptive simplicity: a group of children gathered around a small…
In the delicate, monochromatic strokes of Norbert Troller’s 1940 etching, Ile St. Louis, we are transported to a bygone era of Parisian elegance. This masterful work captures the…
Die vier Motive, die auf diesen Leinwänden am häufigsten vorkommen, jeweils mit ihrem beliebtesten Beispiel.
Das Museum, in dem sich die meisten der auf dieser Seite aufgeführten Gemälde befinden.
| Museum | Stadt | Werke von Norbert Troller | Gemälde aus dieser Liste |
|---|---|---|---|
 Leo Baeck Institut |
New York City | 17 | Terezin: People waiting for the soup, Terezin, Latrinen, Terezin: Yard |
Etwa ein Jahrzehnt an der Staffelei, von 1940 bis 1950: die datierten Leinwände von Norbert Troller, Jahr für Jahr.
In the quietude of 1940, amidst a world teetering on the brink of profound historical shifts, Norbert Troller captured a fragment of timeless peace in his etching, Waterside,…
In the delicate, monochromatic strokes of Norbert Troller’s 1940 etching, Ile St. Louis, we are transported to a bygone era of Parisian elegance. This masterful work captures the…
In den eindringlich kargen Linien von "Terezin, Latrinen" begegnen wir weit mehr als nur einer Zeichnung; wir betreten einen viszeralen Moment des Überlebens, festgehalten durch die Hand von…
In the quiet, shadowed corners of art history, few works possess the profound emotional weight found in Terezin: Still-life. Painted in 1942 by the Czech-American artist Norbert Troller,…
In the hauntingly quiet corners of history, certain artworks emerge not merely as aesthetic objects, but as profound testimonies to the human spirit. "Terezin: On a supervised outing,"…
In the hauntingly delicate lines of "Terezin: People waiting for the soup," we encounter more than just a drawing; we enter a profound moment of human endurance captured…
In the hauntingly delicate lines of "Terezin: Yard," we encounter more than just a sketch; we enter a window into a profound moment of human endurance. Created in…
In the hauntingly quiet lines of "Terezin: Yard," we are transported back to 1943, a period defined by profound darkness and the indomitable strength of the human spirit.…
In the hauntingly quiet depths of Norbert Troller’s 1943 drawing, Junk Furniture, Terezin, we are invited into a space that transcends mere clutter to become a profound meditation…
In the delicate, monochromatic lines of Street Scene, Paris, we are transported to a moment frozen in time, captured by the masterful hand of Norbert Troller in 1948.…
Terezin: People waiting for the soup (1943), Leo Baeck Institut, New York City. Terezin, Latrinen (1942) und Terezin: Yard (1943) folgen.
Norbert Troller, geboren in 1896, war 47 Jahre alt: Terezin: People waiting for the soup stammt aus dem Jahr 1943.
Terezin: People waiting for the soup, Terezin, Latrinen, Terezin: Yard, Terezin: Still-life., Street Scene, Paris, Waterside, Maine, Terezin: Yard, Junk Furniture, Terezin, Terezin: On a supervised outing und Piazza, Italy. Jede Leinwand in der obigen Rangliste wird mit ihrem Entstehungsjahr und dem jeweiligen Museum aufgeführt.
17 Werke von Norbert Troller sind in unserem Katalog enthalten, datiert von 1940 bis 1950.
Meistens in Leo Baeck Institut (New York City); die obige Liste führt jedes Museum und seine Leinwände auf.
In 1940, die 8 der 17 Werke auf dieser Seite ausmachen, darunter Waterside, Maine.
Die früheste Leinwand hier ist Waterside, Maine (1940); die jüngste ist New York City (1950).
Black and white (6), Theresienstadt (4) und Concentration camp (4), verteilt auf die 17 Werke auf dieser Seite.
Drawing, verwendet in 4 von 17 Werken auf dieser Seite.
Contemporary realism, wie die Leinwände auf dieser Seite zeigen.
Das Leo Baeck Institut, New York City beherbergt 17 der Werke auf dieser Seite, darunter Terezin: People waiting for the soup, Terezin, Latrinen und Terezin: Yard.
