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      • Works on this site: 1
      • Nationality: Italy
      • Also known as:
        • Vittori Romano
        • H.
        • H. Vittori Romano
      • Top 3 works: The Orsini Assassination Attempt in Front of the Façade of the Opéra on January 14, 1858

      The Brush and the Moment

      H. Vittori worked from Rome, a city that likely shaped the precision found in his oil paintings. His hand moved across the canvas to capture specific, heavy moments in history rather than abstract ideas. In 1862, he completed a work that fixed a chaotic scene in time, focusing on the tension of a single afternoon in Paris. The painting depicts the Orsini assassination attempt in front of the façade of the Opéra on January 14, 1858. It is a record of a day when the air was thick with the aftermath of an explosion intended for Napoleon III.

      The canvas measures 110 cm in height and 171.5 cm in width. It carries a signature in the bottom right corner: "H. Vittori Romano 1862". This detail places the artist firmly in his Roman context even when his subject matter turned toward the streets of France. He did not paint from a distance; he painted the weight of the event.

      A Record of Conflict

      The work held in the Musée Carnavalet, Paris, shows a specific interest in the intersection of political violence and urban architecture. The scene captures the immediate fallout of Felice Orsini's attempt on the life of the Emperor. While the Emperor survived, the painting preserves the chaos of the twelve deaths and the many injuries that followed. The brushwork handles the scale of the Opéra façade and the human figures caught in the struggle.

      The technical details of his primary known work include:

      • Medium: Oil on canvas
      • Inventory number: P302
      • Subject: The assassination attempt on Napoleon III by Felice Orsini
      • Dimensions: 110 x 171 cm

      The Legacy of the Canvas

      Vittori’s presence in the historical record is tied to this singular, intense depiction of mid-19th-century upheaval. His work serves as a visual document of the Republican era and the tensions surrounding the Papacy and the French Empire. By choosing to paint the Orsini attempt, he moved away from quiet landscapes to focus on the friction of the public square. The painting remains part of the Carnavalet Museum collection, a piece of Paris's own history preserved through his eyes.

      Ένα μικρό κουίζ

      Για κάθε ερώτηση υπάρχει μόνο μία σωστή απάντηση.

      Ερώτηση 1:
      In which city was the artist H. Vittori born?
      Ερώτηση 2:
      What is the medium used in the work 'The Orsini Assassination Attempt'?
      Ερώτηση 3:
      In what year was the painting 'The Orsini Assassination Attempt' produced?
      Ερώτηση 4:
      Which museum holds the work 'The Orsini Assassination Attempt'?
      Ερώτηση 5:
      Who was the target of the assassination attempt depicted in the painting?

      Ερωτήσεις και Απαντήσεις

      Who was the target of the assassination attempt depicted in the painting?

      Napoleon III

      Από πού προέρχεται ο/η H. Vittori;

      Italy

      Which museum holds the work 'The Orsini Assassination Attempt'?

      Musée Carnavalet

      Με ποιά άλλα ονόματα είναι γνωστός/η H. Vittori;

      Vittori Romano, H., H. Vittori Romano

      What is the medium used in the work 'The Orsini Assassination Attempt'?

      Oil on canvas

      Είναι τα έργα του H. Vittori ακόμα υπό την προστασία των πνευματικών δικαιωμάτων;

      Ναι, τα έργα αυτού του καλλιτέχνη προστατεύονται ακόμη από πνευματικά δικαιώματα.

      In which city was the artist H. Vittori born?

      Rome

      In what year was the painting 'The Orsini Assassination Attempt' produced?

      1862

      Πότε και πού γεννήθηκε ο/η H. Vittori;

      Rome, Italy

      Ποιος είναι ο H. Vittori;

      The Brush and the Moment H. Vittori worked from Rome, a city that likely shaped the precision found in his oil paintings. His hand moved across the canvas to capture specific, heavy moments in history rather than abstract ideas. In 1862, he completed a work that fixed a chaotic scene in time, focusing on the tension of a single afternoon in Paris. The painting depicts the Orsini assassination attempt in front of the façade of the Opéra on January 14, 1858. It is a record of a day when the air wa