Από όλα τα έργα του Στέφεν Γουίκαμ, το Homage to Ralph Balson # 105 Diptych (2012) είναι το πιο διάσημο· εκτίθεται στο Penrith Regional Gallery - Home of the Lewers Bequest, Emu Plains. Ακολουθούν στενά οι Homage to Ivan Kljun. # 39 (1989) και Homage to Ivan Kljun (1989). Ανάμεσα στα 10 έργα του Στέφεν Γουίκαμ στον κατάλογό μας, αυτά τα 10 είναι τα πιο διάσημα, με το καθένα να συνοδεύεται από την ημερομηνία, το μουσείο και την ιστορία του.
Καταταγίζονται με βάση το σκορ δημοφιλίας μας, το οποίο συνδυάζει τις αναζητήσεις, τις επισκέψεις και τις παραγγελίες για κάθε έργο. Ενημερώθηκε Νοέμβριος 2026.
The presence of Homage to Ralph Balson # 105 Diptych commands the space, a work that exists as a dual entity. Created in 2012 by the Australian artist Stephen Wickham, this piece unfolds across two separate panels. This diptych format invites a specific kind of looking, where the eye moves between the two connected surfaces to find a singular, unified vision. It is a deliberate arrangement that breaks the traditional…
In the vast landscape of contemporary abstraction, few works manage to capture the silent tension between form and void as effectively as Stephen Wickham’s Homage to Ivan Kljun. # 39. Created in 1989, this piece serves as a profound meditation on the legacy of geometric modernism, stripping away the unnecessary to reveal the raw, rhythmic power of shape. The composition is anchored by a striking triad of primary and deep…
Stephen Wickham's "Po-Mo-Madra e figlio.CRUX ANSATA.#3," created in 2016, is a powerfully unsettling work that immediately confronts the viewer with a fractured representation of human experience. This piece, rendered through a meticulous collage technique utilizing precisely arranged colored squares, speaks to a core theme prevalent throughout Wickham’s oeuvre: the isolation and psychological distress inherent within modern existence. The artwork's genesis lies in a deep engagement with the legacy of Francis…
Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτές τις καμβάδες, το καθένα με το αγαπημένο του παράδειγμα.
Το μουσείο με τη μεγαλύτερη συγκέντρωση έργων σε αυτήν τη σελίδα.
| Μουσείο | Πόλη | Έργα του Στέφεν Γουίκαμ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Penrith Regional Gallery - Home of the Lewers Bequest |
Emu Plains | 10 | Homage to Ralph Balson # 105 Diptych, Homage to Ivan Kljun. # 39, Homage to Ivan Kljun |
Μια μακροχρόνια καριέρα στο χρώμα: 28 χρόνια, από το 1989 έως το 2016, και τα πιο εμβληματικά καμβάς του Στέφεν Γουίκαμ από κάθε χρονιά.
In the vast landscape of contemporary abstraction, few works manage to capture the silent tension between form and void as effectively as Stephen Wickham’s Homage to Ivan Kljun.…
The presence of Homage to Ralph Balson # 105 Diptych commands the space, a work that exists as a dual entity. Created in 2012 by the Australian artist…
Stephen Wickham's "Po-Mo-Madra e figlio.CRUX ANSATA.#3," created in 2016, is a powerfully unsettling work that immediately confronts the viewer with a fractured representation of human experience. This piece,…
Homage to Ralph Balson # 105 Diptych (2012), Penrith Regional Gallery - Home of the Lewers Bequest, Emu Plains. Ακολουθούν το Homage to Ivan Kljun. # 39 (1989) και το Homage to Ivan Kljun (1989).
Ο/Η Στέφεν Γουίκαμ, γεννημένος/η το 1950, ήταν 62 ετών: το έργο Homage to Ralph Balson # 105 Diptych χρονολογείται από το 2012.
Homage to Ralph Balson # 105 Diptych, Homage to Ivan Kljun. # 39, Homage to Ivan Kljun, Homage to Ivan Kljun, Homage to Ivan Kljun, Homage to Ivan Kljun, Homage to Ivan Kljun. #17, For the love of Mr Balson. #1, Love + Fear + Death Triptych και Po-Mo-Madra e figlio.CRUX ANSATA.#3. Κάθε καμβάς στον παραπάνω κατάραχο συνοδεύεται από το έτος και το μουσείο του.
Στον κατάλογό μας υπάρχουν 10 έργα του Στέφεν Γουίκαμ, με ημερομηνίες από 1989 έως 2016.
Κυρίως στα Penrith Regional Gallery - Home of the Lewers Bequest (Emu Plains); η παραπάνω λίστα αναφέρει κάθε μουσείο και τα έργα του.
Στην 1989, η οποία περιλαμβάνει 6 από τα 10 έργα σε αυτήν τη σελίδα, με Homage to Ivan Kljun. # 39 ανάμεσα σε αυτά.
Το παλαιότερο καμβάς εδώ είναι του Homage to Ivan Kljun. # 39 (1989), ενώ ο νεότερος είναι του Po-Mo-Madra e figlio.CRUX ANSATA.#3 (2016).
Το Penrith Regional Gallery - Home of the Lewers Bequest, Emu Plains διαθέτει 10 από τα έργα σε αυτήν τη σελίδα, μεταξύ των οποίων τα Homage to Ralph Balson # 105 Diptych, Homage to Ivan Kljun. # 39 και Homage to Ivan Kljun.
Born in Melbourne, Australia, Stephen Wickham has established himself as a versatile force within the Australian contemporary art scene. As a photographer, painter, and printmaker, his practice is characterized by a profound engagement with both the structural precision of geometric abstraction and the raw, emotional depths of human experience. His academic journey began at the Prahran College of Advanced Education in 1972, followed by a Diploma of Art from the National Gallery Art School of Victoria in 1974. This rigorous foundation was furthered through a Graduate Diploma of Education at Melbourne University and eventually culminated in a Masters of Arts (Visual Arts) from Monash University (Gippsland) in 1986.
Wickham’s artistic evolution is marked by a remarkable ability to traverse different modes of expression, moving between the silent tension of geometric forms and the unsettling fragments of psychological portraiture. In his more abstract works, such as his homages to figures like Ivan Kljun, he explores the rhythmic power of shape and the interplay between color and void. These pieces often function as meditations on modernism, utilizing a controlled palette to reveal the structural clarity of the composition. Conversely, his more recent explorations, such as Po-Mo-Madra e figlio.CRUX ANSATA.#3, demonstrate a much darker, more visceral side of his talent. In these works, he employs a meticulous collage technique of colored squares to evoke themes of existential angst and the fragmentation of modern existence.
The technical mastery of Wickham lies in his capacity to use formal elements as emotional ciphers. Whether through the precise arrangement of pigment or the deliberate disjunction of color, his work seeks to translate internal landscapes into visual realities. His approach often draws inspiration from the legacies of great masters; for instance, his deconstruction of form and exploration of human vulnerability echo the unsettling methods of Francis Bacon. By utilizing intense hues and jarring juxtapositions, he creates a sense of psychological tension that confronts the viewer directly.
His contributions to the Australian art landscape are evidenced by both his solo exhibitions and significant public commissions. His career highlights include:
Through this blend of academic rigor, technical precision, and deep emotional inquiry, Wickham continues to contribute a significant voice to the dialogue of contemporary Australian abstraction and figurative exploration.
