Of all Χάρλς Έντουαρδος Κόντερ's paintings, Colombo (1890) is the most famous; it hangs in the Εθνική Πινακοθήκη της Βικτώριας, Μελβούρνη. Close behind come Περιοχή Ρίκεντς (1890) and A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887). Among the 100 works by Χάρλς Έντουαρδος Κόντερ in our catalogue, these 100 are the most celebrated, each shown with its date, its museum and its story.
Καταταγίζονται με βάση το σκορ δημοφιλίας μας, το οποίο συνδυάζει τις αναζητήσεις, τις επισκέψεις και τις παραγγελίες για κάθε έργο. Ενημερώθηκε Οκτώβριος 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape with unprecedented sensitivity and immediacy. This movement challenged academic conventions and championed plein air painting—working outdoors directly from nature—a radical departure from studio practice at the time.
Ένα Μάτι στην Αυστραλία του Έντεργκρεντ Η σκηνή που απεικονίζει ο Κάρλος Έντεργκρεντ στο έργο του «Ρίκετς Πόιντ» είναι μια εκθαμβωτική αναπαράσταση της ακτήρας Αυστραλίας, όπου η χαρά της ζωής συναντά την ομορφιά της φύσης. Η ιστορική στιγμή που καταγράφηκε το 1890 δεν ήταν απλά μια σκηνή παραμονής στην άμμο και τον ήλιο του Ωκεανού αλλά μια προσπάθεια να αποτυπωθεί η ουσία της αυστραλιακής εμπειρίας μέσω της τέχνης. Η εικόνα…
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility. This evocative landscape, also known as Pugh's Lagoon, captures more than just a geographical location; it captures a feeling of suspended time. The scene unfolds along a sun-drenched shoreline where the gentle rhythm of the water meets the soft textures of the…
In the gentle light of 1890, Charles Edward Conder captured a moment of profound tranquility in his masterpiece, On the River Yarra near Heidelberg, Victoria. This evocative oil on canvas serves as more than just a landscape; it is a window into the soul of the Australian countryside during a pivotal era of artistic discovery. The scene unfolds along the banks of the Yarra River, where the water rests in…
In the heart of late Victorian Paris, amidst the bohemian pulse of the Pigalle district, Charles Edward Conder captured a fleeting moment of pure, unadulterated joy. The Moulin Rouge is not merely a painting of a cabaret; it is an immersive descent into the vibrant energy of the Belle Époque. Through his masterful lens, the canvas breathes with the spirit of a society indulging in its most exuberant pleasures. The…
Night in the Garden in Spain is an oil on canvas painted by Charles Conder. The work emerged in 1895, capturing a specific moment of evening light and shadow. It remains part of the permanent collection at the Art Gallery of Western Australia in Perth, Australia.
Charles Edward Conder’s “Dieppe,” painted in 1895, isn't merely a depiction of a coastal scene; it’s an immersion into a fleeting moment of tranquility and observation. The canvas breathes with the muted palette of a late afternoon – a symphony of blues deepening towards the horizon, punctuated by the warm ochres and yellows of the sand and distant buildings. The composition immediately draws the eye along a gentle diagonal path…
To gaze upon Charles Edward Conder's "The Farm, Richmond, New South Wales" is to step through a veil of time directly into the sun-drenched heart of colonial Australian life. Painted in 1888, this oil on canvas is far more than a mere depiction of rural scenery; it is an evocative meditation on peace, community, and the enduring rhythm of agricultural existence. Conder masterfully captures a moment suspended in amber—a tableau…
The painting The Shore at Dornoch is a beautiful depiction of a woman sitting on the beach with her dog, created by the talented artist Charles Edward Conder…
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In the delicate dance between light and shadow, Charles Edward Conder’s Sketch Portrait emerges as a captivating study of elegance and poise. Painted in 1889, this evocative work…
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Charles Edward Conder's "Going Home (The Gray and Gold)," painted in 1888, is more than a simple depiction of a Sydney street at dusk; it’s a poignant meditation…
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The air in the studio feels heavy with the scent of oil and the weight of a silent gaze. A man sits before us, his dark hair framing…
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In the gentle embrace of the Australian countryside, Charles Edward Conder captures a moment of profound stillness in his 1888 masterpiece, A Taste for Literature. This evocative oil…
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In the luminous masterpiece Ricketts Point, Beaumaris, Charles Edward Conder invites us to step into a world of pure, unadulterated joy. Painted in 1890, this sweeping composition captures…
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There is a profound, almost palpable warmth that radiates from Charles Edward Conder’s 1906 masterpiece, The Sands, Newquay. As one gazes upon this exquisite oil on canvas, the…
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Charles Edward Conder's "Mirage," painted in 1889, isn’t merely a depiction of a landscape; it’s an invitation into a realm where reality subtly bends, inviting contemplation on the…
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Charles Edward Conder's "Springime," painted in 1892, isn’t merely a depiction of springtime; it’s an immersion into the very essence of renewal. This oil on canvas, currently residing…
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In his 1892 masterpiece, Fruit Trees in Blossom, Algiers, Charles Edward Conder invites the viewer into a sun-drenched sanctuary where the boundaries between reality and impression dissolve. This…
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“Swnage,” painted by Charles Edward Conder in approximately 1901, isn't merely a depiction of a beach scene; it’s an immersive experience of the Australian coastline captured with Impressionistic…
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Ένα Μικρό Ταξίδι στην Αυστραλιακή Ιδανική Προσκυνητική Τέχνη του Κάρλος Εντ Βάρδος Η σκηνή που απεικονίζει ο Κάρλος Εντ Βάρδος, το έργο «Τελετή Κατάβασης από την Ανατολή» (Departure…
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Charles Conder captured the quietude of the French countryside in his 1894 oil on canvas, Hayfield, France. The work presents a serene landscape of rural France, where the…
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Charles Edward Conder’s “Newquay (Town Beach)” isn't merely a depiction of a seaside scene; it’s a vibrant distillation of a summer day, captured with the bold confidence and…
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Charles Edward Conder's "Springtime," painted in 1888, isn’t merely a depiction of a rural scene; it’s a vibrant distillation of the Heidelberg School’s artistic philosophy – a celebration…
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Ανατολή του Χάντελ και η Ονειρική Προσγεύση της Μουσικής Η σκηνή που απεικονίζει ο Κάρλος Έντουαρδος Κόντερ μας μεταφέρει σε μια ατμόσφαιρα βαθιάς συγκίνησης και μελαγχολίας. Το έργο…
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The painting Watching the Fireworks, St. Cloud by Charles Edward Conder is a beautiful depiction of two people sitting on a stone wall at night, watching the fireworks…
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In the shimmering heat of 1891, Charles Edward Conder captured a moment that transcends the simple boundaries of a beach scene, inviting the viewer into a world where…
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Η Απογευματινή Παραλία του Κάρλος Εντόρ Η σκηνή που απεικονίζει ο Κάρλος Εντόρ στην καμβά “Απογευματινή Παραλία” είναι μια εκθαμβωτική αναπαράσταση της ελληνικής παράκτιας ζωής στα τέλη του…
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“Windy Day at Brighton” by Charles Edward Conder stands as a testament to the burgeoning Impressionist movement in Britain during the early 20th century. Created in 1905 and…
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Ένα Κύκλος Φύσης και Αισθητικής: Η Συcamore και τα Λουλούδια του Σκίαστρου του Τσάρλς Έντουαρ্ড Κόντερ Η σκίαση και τα λουλούδια της συκόμου είναι ένα έργο τέχνης που…
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The Departure of the Orient - Circular Quay is a stunning oil on canvas painting created by Charles Edward Conder in 1888. This beautiful artwork is currently housed…
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Charles Edward Conder’s “While Daylight Lingers” – A Dreamscape of Rural Tranquility “While Daylight Lingers,” painted in 1890 by Charles Edward Conder, stands as a quintessential example of…
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The Low Tide, Hawkesbury River is a stunning oil on canvas painting created by Charles Edward Conder in 1887. This beautiful piece of art is currently housed at…
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The Orchard at Box Hill is a beautiful oil on canvas painting created by the renowned artist Charles Edward Conder in 1888. This stunning piece of art is…
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The painting The Yarra, Heidelberg by Charles Edward Conder is a beautiful representation of the Yarra River in Heidelberg, Australia. Created in 1890, this oil on canvas painting…
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Ένα Προσκύνημα στην Ακτή του Λιχαπτόν: Έργο του Καρλ Εδουάρδου Κοντέρ Η σκηνή που απεικονίζει ο Καρλ Εδουάρδου Κοντέρ είναι μια συγκλονιστική αναπαράσταση της ακτής του Λιχαπτόν, ένα…
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The painting In the Domain, Sydney by Charles Edward Conder is a masterpiece that embodies the essence of rural life in the late 19th century. Created in 1888,…
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Charles Conder was one of a celebrated group of artists who painted landscapes outdoors around Sydney and Melbourne during the 1880s. Together with Tom Roberts and Arthur Streeton…
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'A Holiday at Mentone' is a captivating beach scene painting created by Charles Edward Conder in 1888. This stunning oil on canvas masterpiece is currently housed in the…
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Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσεία | Πόλη | Έργα του Χάρλς Έντουαρδος Κόντερ | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Εθνική Πινακοθήκη της Βικτώριας |
Μελβούρνη | 11 | Colombo, Περιοχή Ρίκεντς, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) |
 Εθνική Πινακοθήκη Αυστραλίας |
Κάνμπερα | 9 | Going home (The Gray and Gold), Ricketts Point, Beaumaris, Riddell's Creek |
 Art Gallery of South Australia |
Αδελαΐδη | 7 | All on a summer's day, How We Lost Poor Flossie, Τσάι Τσιμ |
 Art Gallery of New South Wales |
Σίδνεϊ | 6 | On the River Yarra near Heidelberg, Victoria, An Impressionist (Tom Roberts), Sunset, Sydney Harbour |
 Μάντσεστερ Άρτ Γκάλερι |
Μάντσεστερ | 3 | The Moulin Rouge, Dieppe, Καπνός και Χρυσάνθεμα Λουλουδιών |
 Tate Gallery |
Λονδίνο | 3 | Springime, Swnage, Windy Day at Brighton |
 Εθνική Πινακοθήκη του Καναδά |
Οττάβα | 2 | Portrait of Mrs. Aikins, Beach Scene, Newquay |
 Birmingham Museum and Art Gallery |
Μπέρμινγκχαμ | 1 | Beauvais - The Inconstant, The Silenus, The Charlatan |
In the delicate brushstrokes of Charles Edward Conder’s 1887 masterpiece, A Shady Hollow by a Dusty Road, we are invited to step into a moment of profound tranquility.…
The Heidelberg School emerged during a period of significant artistic experimentation in Australia. Influenced by Impressionism originating in France, artists like Conder sought to depict the Australian landscape…
Colombo (1890), Εθνική Πινακοθήκη της Βικτώριας, Μελβούρνη. Περιοχή Ρίκεντς (1890) and A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury) (1887) follow.
Χάρλς Έντουαρδος Κόντερ, born in 1868, was 22 years old: Colombo dates from 1890.
Colombo, Περιοχή Ρίκεντς, A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury), On the River Yarra near Heidelberg, Victoria, The Moulin Rouge, Sandringham, Night in the Garden in Spain, Dieppe, The Farm, Richmond, New South Wales και All on a summer's day. Each canvas in the ranking above comes with its year and its museum.
100 works by Χάρλς Έντουαρδος Κόντερ are in our catalogue, dated 1886 to 1907.
Mostly in Εθνική Πινακοθήκη της Βικτώριας (Μελβούρνη), Εθνική Πινακοθήκη Αυστραλίας (Κάνμπερα) και Art Gallery of South Australia (Αδελαΐδη); the list above names each museum and its canvases.
In 1890s, which gave 40 of the 100 works on this page, Colombo among them.
The earliest canvas here is Landscape with Two Small Figures Richmond, New South Wales (1886); the latest is Beach Scene, Newquay (1907).
Landscape (19), Beach (9) και Australian landscape (7), across the 100 works on this page.
Oil On Canvas, used in 17 of the 100 works on this page.
Impressionism και Heidelberg school, as the canvases on this page show.
The Εθνική Πινακοθήκη της Βικτώριας, Μελβούρνη holds 11 of the works on this page, among them Colombo, Περιοχή Ρίκεντς και A Shady Hollow by a Dusty Road (also known as Pugh's Lagoon or A Cove on the Hawkesbury).
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Charles Edward Conder (1868 – 1909) was an English-born painter, lithographer and designer who emigrated to Australia and became a pivotal figure in the Heidelberg School*, arguably marking the genesis of a distinctive Australian tradition within Western art. Born in Tottenham, Middlesex, the second son of six children, James Conder, civil engineer and Mary Ann Ayres, possessed a lineage steeped in artistic heritage – his father was Louis-François Roubiliac, renowned sculptor.
From a young age, Conder experienced profound influence from India, where he resided until his mother’s untimely passing in May 1873 at the tender age of 31. Subsequently, he returned to England and attended several schools including Eastbourne School, fostering an early inclination towards formal education.
Despite his father's preference for a career in engineering—a path antithetical to Conder’s innate artistic sensibilities—he pursued his passion relentlessly, recognizing it as a fundamental aspect of his identity.
In 1884, at the age of 16, Conder embarked on a transformative journey to Sydney, Australia, where he joined his uncle’s firm as a land surveyor. However, this profession proved unfulfilling compared to his burgeoning fascination with landscape painting—a pursuit that swiftly superseded his surveyor's duties.
By 1886, Conder secured employment at *Illustrated Sydney News*, collaborating alongside fellow artists such as Albert Henry Fullwood and Frank Mahony. He enrolled in painting classes under Alfred James Daplyn and quickly established connections with Julian Ashton, immersing himself in the vibrant artistic milieu of Melbourne.
Crucially, Conder’s association with G. P. Nerli—an itinerant Italian painter—significantly broadened his artistic horizons, introducing him to European stylistic innovations. This encounter profoundly shaped his creative trajectory.
Together with Tom Roberts and Arthur Streeton, Conder participated in the Heidelberg School exhibition of 1888, cementing his position as a cornerstone of this groundbreaking movement. The exhibition showcased a bold departure from academic conventions, prioritizing spontaneity and capturing the ephemeral beauty of the Australian bush.
Conder’s magnum opus, *Departure of the Orient – Circular Quay* (1888), exemplifies his mastery of form and brushwork. This evocative depiction of Sydney Harbour at dusk—the moment when the *has cast off for her voyage to England*—immediately garnered acclaim from the Art Gallery of New South Wales, securing its place as Conder’s inaugural work within a public collection.
Alongside Roberts, Conder captured the idyllic charm of Mentone (1888), portraying a serene seaside scene replete with leisurely figures enjoying the warmth of the Australian sun. The painting's composition—borrowed from Whistler’s celebrated bridge motif—underscores Conder’s sensitivity to artistic precedent.
Conder’s oeuvre encompasses a diverse range of subjects, including portraits and lithographs, reflecting his versatility as an artist. His paintings are characterized by luminous color palettes, textured brushstrokes, and a masterful rendering of light—elements that imbue his artworks with palpable emotion and immediacy.
Despite facing debilitating health challenges—including paralysis and delirium tremens—Conder persevered in his artistic endeavors until his untimely demise in 1909. His art gained considerable recognition upon returning to England, surpassing the acclaim he received during his Australian years.
Henri de Toulouse-Lautrec immortalized Conder’s likeness in a portrait completed in 1892—a testament to Conder's enduring presence within the artistic landscape of his time.
