Το πιο αγαπημένο έργο του Τόμας Λόρενς είναι το Satan Summoning His Legions (1797). Οι John Philip Kemble (1757–1823), as Coriolanus (1798) και Lord Granville Leveson Gower, later 1st Earl Granville (1809) ακολουθούν ανάμεσα στα έργα που γνωρίζουν καλύτερα οι αναγνώστες. Ο κατάλογός μας περιλαμβάνει 466 έργα του Τόμας Λόρενς: ακολουθούν τα 100 πιο διάσημα, το καθένα με την χρονολογία του, το μουσείο του και το τι το κάνει αξιοσημείωτο.
Καταταγίζονται με βάση το σκορ δημοφιλίας μας, το οποίο συνδυάζει τις αναζητήσεις, τις επισκέψεις και τις παραγγελίες για κάθε έργο. Ενημερώθηκε Οκτώβριος 2026. Κάθε έργο σε αυτήν τη σελίδα μπορεί να παραγγελθεί ως χειροποίητη αναπαραγωγή σε λάδι πάνω σε καμβά από λινό, ή ως μια εκτύπωση fine art, σε οποιοδήποτε μέγεθος επιλέξετε.
In the vast, dramatic expanse of Sir Thomas Lawrence’s 1797 masterpiece, Satan Summoning His Legions, viewers are transported into the heart of a cosmic rebellion. This monumental oil on canvas, measuring an imposing 432 x 274 cm, serves as a breathtaking window into the depths of Miltonic epic. The painting captures the precise moment of transition described in John Milton’s Paradise Lost—the chilling command to "Awake, arise, or be for…
To stand before this portrait of John Philip Kemble as Coriolanus is to step directly into the tempestuous heart of the late eighteenth century. Sir Thomas Lawrence has captured not merely a likeness, but an overwhelming emotional state—a moment suspended between public grandeur and private turmoil. The composition immediately draws the viewer into its dramatic embrace, dominated by the figure shrouded in shadow. It is a masterclass in Romantic sensibility,…
In the sweeping annals of British portraiture, few eras capture the intoxicating blend of aristocratic poise and romantic idealism quite like the Regency period. Sir Thomas Lawrence’s portrait of Lord Granville Levan Gower, completed between 1804 and 1809, serves as a breathtaking window into this gilded age. As a quintessential emblem of high society, the painting transcends a mere physical likeness; it is a meticulously crafted tableau that speaks to…
William van Mildhert (1765–1836), Bishop of Durham (1826–1836): A Portrait of Dignified Austerity Η εικόνα απεικονίζει τον Ουίλιαμ Βαν Μίλντερτ, Αρχιεπίσκοπο του Ντουρχαμ το 1829 από τον Τσαρλς Λόρεnsen και αποτελεί ένα εντυπωσιακό παράδειγμα της νεοκλασικής ζωγραφικής του πρώτου τρίτου του δευτερολογίου. Η σύνθεση είναι ιδιαίτερα προσεκτική και εστιάζει στην άνω στήλη του επισκόπου μαζί με τα κοσμητικά του ενδύματα δημιουργώντας μια ατμόσφαιρα συγκίνησης και σοβαρότητας που τονίζει την αξιοπρέπεια…
In the sweeping landscape of early 19th-century portraiture, few works capture the intersection of political gravity and aristocratic grace as masterfully as Sir Thomas Lawrence’s 'John, Count Capo d'Istria (1776-18ABS)'. Painted in 1819, this exquisite oil on canvas serves as a profound window into an era defined by shifting borders and the rise of influential statesmen. The subject, John, Count Capo d'Istria, emerges from the frame not merely as a…
To stand before this portrait of The 3rd Marquess of Hertford is to step directly into the polished drawing rooms and sophisticated salons of early nineteenth-century England. Painted in 1823, this work captures not merely a likeness, but an entire epoch—the height of Regency elegance and aristocratic confidence. Sir Thomas Lawrence, master chronicler of the British elite, has rendered the Marquess with a masterful blend of formality and undeniable vitality.…
In this portrait, we encounter the Comtesse d'Inchiquin, captured in a moment of quiet composure. The sitter is presented in a three-quarter view, her presence defined by an air of dignity and refinement that speaks to her social standing. There is a certain stillness here; she sits facing us slightly, her hands resting upon the soft folds of a draped garment or perhaps the arm of a chair. The composition…
In the grand tapestry of British portraiture, few works capture the intersection of political gravity and artistic elegance as profoundly as Sir Thomas Lawrence’s 1803 masterpiece, William Windham. This portrait is far more than a mere recording of a statesman's features; it is a compelling visual narrative of power, intellect, and the pervasive influence of aristocratic patronage during the Napoleonic era. As the viewer encounters Windham, they are met with…
In the grand tapestry of British history, few eras capture the imagination quite like the Regency period—a time of profound political tension, military upheaval, and an unapologetic pursuit…
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To stand before Sir Thomas Lawrence’s “George IV” is to be transported directly into the opulent drawing rooms of early nineteenth-century England, where every brushstroke whispers of a…
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In the grand tapestry of British portraiture, few works capture the delicate balance between sovereign authority and human vulnerability as exquisitely as Sir Thomas Lawrence’s 1789 masterpiece, Queen…
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Ένα Πορτρέτο της Αναγέννησης του Λόρενς και η Κληρονομία του Σουθέι Η αναγνώριση του έργου του Τζον Λόρενς ως κορωνίου της αγγλικής ζωγραφικής είναι μια ιστορία επιμονής και…
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Sir Thomas Lawrence's “Portrait of David Lyon,” completed in 1825, stands as a quintessential emblem of the English Romantic era’s preoccupation with aristocratic grandeur and psychological nuance. Currently…
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The light catches the edge of a gold epaulette, a sharp glint against the heavy darkness of a woolen cloak. Mikhail Semyonovich Vorontsov sits in a three-quarter pose,…
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The canvas captures Emily Harriet Wellesley-Pole in a moment of quietude. She is positioned from the waist up, her gaze drifting away from the viewer toward an unseen…
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Portrait of the Honorable George Canning, M.P. by Sir Thomas Lawrence. This work dates from 1817–1827.
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In this bust-length portrait, we encounter Count Semyon Vorontsov at a moment of quiet, dignified introspection. He is positioned slightly off-center, his gaze directed upward and toward the…
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In 1794, Thomas Lawrence painted A Gypsy Girl. This work belongs to the Romanticism movement of the 19th Century. The canvas captures a portrait of a woman with…
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Sir Thomas Lawrence’s depiction of George Dance the Younger captures a moment of quiet contemplation amidst the grandeur of Regency London. The painting, completed in 1798, isn't merely…
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Ercole Consalvi sits in a moment of quietude, his presence defined by the heavy, scarlet robes of his office. Seated in a high-backed chair, he holds a book…
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The Countess of Darnley is an oil on canvas painting by Thomas Lawrence. This work was created between 1825 and 1830. The physical dimensions of the piece are…
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This oil on canvas portrait, executed around 1793, depicts Admiral John Markham in a bust-length composition. The subject is positioned slightly off-center, facing the viewer with a steady,…
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This oil on canvas portrait presents Sir Alexander Mackenzie, a figure of significant historical weight. Painted by Thomas Lawrence in 1800, the work captures the likeness of a…
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Sir Thomas Lawrence’s “John Bradburne,” painted in 1800, is more than just a likeness; it's a carefully constructed embodiment of Regency-era dignity and restrained power. This portrait, measuring…
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Sir Thomas Lawrence's "Mrs. Isaac Cuthbert" is more than just a portrait; it’s a meticulously crafted window into the opulent world of Regency England. Painted around 1795, this…
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The gaze of Ewan Law, M.P., meets the viewer from within a frame that captures a specific moment of political and social standing. This portrait, titled Ewan Law,…
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The oil on canvas painting titled Portrait of the Children of Lord George Cavendish was executed by the artist Thomas Lawrence in 1790. This group portrait was commissioned…
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In this bust-length portrait of Sir Samuel Romilly, Thomas Lawrence presents an elderly gentleman with a quiet, commanding presence. The subject is positioned slightly off-center, his body turned…
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The air in the portrait feels heavy with the weight of command. Henry William Paget, the 1st Marquess of Anglesey, meets the viewer's gaze with a piercing, resolute…
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In this exquisite portrait of Maria Woodley, known as Mrs. Walter Riddell, we are transported back to the dawn of the nineteenth century, an era defined by the…
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Sir Thomas Lawrence’s “The Marchioness of Sutherland,” painted in 1816, is more than just a portrait; it's a meticulously crafted window into the opulent world of early 19th-century…
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In this formal portrait, Sir Thomas Lawrence captures the essence of George IV through a lens of neoclassical majesty. The composition is centered on the figure of the…
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Portrait of a Lady is an oil on canvas painting by the artist Thomas Lawrence. The work is dated 1790. This portrait depicts a single female subject, presented…
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Explore the life & art of Thomas Sully (1783-1872), a British-American portrait painter famed for his Romantic style. Discover portraits of Jefferson, Adams, Lafayette & 'Passage of the…
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The work before us is the Portrait of the Honorable Mrs. Seymour Bathurst, a significant example of the portraiture produced by Thomas Lawrence. Painted in 1828, this oil…
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Τα τέσσερα θέματα που εμφανίζονται πιο συχνά σε αυτές τις καμβάδες, το καθένα με το αγαπημένο του παράδειγμα.
Τα 8 μουσεία που φιλοξενούν το μεγαλύτερο μέρος των έργων σε αυτήν τη σελίδα.
| Μουσεία | Πόλη | Έργα του Τόμας Λόρενς | Πάτρια από αυτή τη λίστα |
|---|---|---|---|
 Royal Collection |
Λονδίνο | 43 | John, Count Capo d'Istria (1776-1831), Ercole, Cardinal Consalvi (1757 1824), Princess Amelia (1783-1810) |
 Μουσείο Τέχνης Βοστώνης |
Μπόσττον | 5 | Portrait of a Man in a Blue Coat, William Lock of Norbury (1732–1810), William Eden (1744–1814), Baron Auckland |
 Wallace Collection |
Λονδίνο | 6 | The 3rd Marquess of Hertford, George IV, Portrait of a Lady |
 Ερμιτάζ |
Σουζ ή Αγία Πετρούπολη | 4 | Portrait of Klemens Wenzel von Metternich, Portrait of Count Mikhail S. Vorontsov (1782-1856), Portrait of Emily Harriet Wellesley-Pole (Lady Raglan) (1792-1881) |
 Μουσείο του Λούβρου |
Παρίσι | 10 | LA COMTESSE D'INCHIQUIN, Portrait of the Children of John Angerstein, MRS ISAAC CUTHBERT |
 Yale Center for British Art |
New Haven | 5 | Lord Granville Leveson Gower, later 1st Earl Granville, Admiral John Markham, Samuel Lyson |
 Bavarian State Painting Collections |
Μόναχο | 3 | Henry Phipps, 1st Earl of Mulgrave, Portrait of George Canning, Lady Orde with her Daughter Anne |
 Guildhall Art Gallery |
Λονδίνο | 5 | John Philip Kemble (1757–1823), as Coriolanus, George Dance the Younger (1741–1825), Architect and Surveyor |
In the grand tapestry of British portraiture, few works capture the delicate balance between sovereign authority and human vulnerability as exquisitely as Sir Thomas Lawrence’s 1789 masterpiece, Queen…
In the vast, dramatic expanse of Sir Thomas Lawrence’s 1797 masterpiece, Satan Summoning His Legions, viewers are transported into the heart of a cosmic rebellion. This monumental oil…
In the sweeping annals of British portraiture, few eras capture the intoxicating blend of aristocratic poise and romantic idealism quite like the Regency period. Sir Thomas Lawrence’s portrait…
In the sweeping landscape of early 19th-century portraiture, few works capture the intersection of political gravity and aristocratic grace as masterfully as Sir Thomas Lawrence’s 'John, Count Capo…
William van Mildhert (1765–1836), Bishop of Durham (1826–1836): A Portrait of Dignified Austerity Η εικόνα απεικονίζει τον Ουίλιαμ Βαν Μίλντερτ, Αρχιεπίσκοπο του Ντουρχαμ το 1829 από τον Τσαρλς…
In this formal portrait, Sir Thomas Lawrence captures the essence of George IV through a lens of neoclassical majesty. The composition is centered on the figure of the…
Satan Summoning His Legions (1797), ακολουθούμενο από το John Philip Kemble (1757–1823), as Coriolanus (1798) και το Lord Granville Leveson Gower, later 1st Earl Granville (1809).
Ο/Η Τόμας Λόρενς, γεννημένος/η το 1769, ήταν 28 ετών: το έργο Satan Summoning His Legions χρονολογείται από το 1797.
Satan Summoning His Legions, John Philip Kemble (1757–1823), as Coriolanus, Lord Granville Leveson Gower, later 1st Earl Granville, Βίργινιος Βαν Μίλχερτ, John, Count Capo d'Istria (1776-1831), The 3rd Marquess of Hertford, LA COMTESSE D'INCHIQUIN, William Windham (1750–1810), MP, Lord Lieutenant of Ireland (1783), Secretary for War (1792–1801), Secretary for War and the Colonies (1806), The Two Sons of the 1st Earl of Talbot και Portrait of the Children of John Angerstein. Κάθε καμβάς στον παραπάνω κατάραχο συνοδεύεται από το έτος και το μουσείο του.
Στον κατάλογό μας υπάρχουν 466 έργα του Τόμας Λόρενς, με ημερομηνίες από 1780 έως 1830.
Κυρίως στα Royal Collection (Λονδίνο), Μουσείο Τέχνης Βοστώνης (Μπόσττον) και Wallace Collection (Λονδίνο); η παραπάνω λίστα αναφέρει κάθε μουσείο και τα έργα του.
Στην 1800s, η οποία περιλαμβάνει 32 από τα 100 έργα σε αυτήν τη σελίδα, με Lord Granville Leveson Gower, later 1st Earl Granville ανάμεσα σε αυτά.
Το παλαιότερο καμβάς εδώ είναι του Portrait of Georgina Lennox, later Countess Bathurst (1780), ενώ ο νεότερος είναι του George IV (1762–1830) (1830).
Portraiture (13), Regency era (13) και Portrait (13), σε συνολικά 100 έργα σε αυτήν τη σελίδα.
Oil On Canvas, που χρησιμοποιείται σε 31 από τα 100 έργα σε αυτήν τη σελίδα.
Romanticism και Neoclassicism, όπως τα καμβάδες σε αυτήν τη σελίδα δείχνουν.
Το Royal Collection, Λονδίνο διαθέτει 8 από τα έργα σε αυτήν τη σελίδα, μεταξύ των οποίων τα John, Count Capo d'Istria (1776-1831), Ercole, Cardinal Consalvi (1757 1824) και Princess Amelia (1783-1810).
Ναι. Κάθε έργο σε αυτήν τη σελίδα μπορεί να παραγγελθεί από τη δική του σελίδα ως χειροποίητη αναπαραγωγή σε λάδι ή ως εκτύπωση fine art, στο μέγεθος που επιλέξετε.
