Self portrait (1924) is the painting Antonio Dattilo Rubbo is best remembered for; it belongs to the Art Gallery of New South Wales, Sydney. Our catalogue counts 2 works by Antonio Dattilo Rubbo. Here are the 2 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The museum that holds the most of the paintings on this page.
| Museum | City | Works by Antonio Dattilo Rubbo | Paintings from this list |
|---|---|---|---|
| Sydney | 2 | Self portrait, Mlle Alice |
Between 1924 and 1937, 14 years of Antonio Dattilo Rubbo's painting, shown year after year through its most famous canvases.
Self portrait (1924).
Antonio Dattilo Rubbo, born in 1870, was 54 years old: Self portrait dates from 1924.
2 works by Antonio Dattilo Rubbo are in our catalogue, dated 1924 to 1937.
Mostly in Art Gallery of New South Wales (Sydney); the list above names each museum and its canvases.
The earliest canvas here is Self portrait (1924); the latest is Mlle Alice (1937).
The Art Gallery of New South Wales, Sydney holds 2 of the works on this page, among them Self portrait and Mlle Alice.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Naples provides the first scene. The Royal Academy of Fine Arts serves as the training ground where Antonio Dattilo-Rubbo refines his technical foundation. His early years are shaped by the classical rigor of Italian instruction, yet a restlessness begins to take hold. This is not a story of static tradition, but of movement across oceans.
The transition occurs in the early 20th century. Dattilo-Rubbo migrates to Australia, carrying with him the weight of European modernist ideas. He arrives in a landscape where the visual arts are on the cusp of a significant shift. The arrival of his perspective brings a direct connection to the post-impressionist currents flowing through Europe.
The classroom becomes his most influential stage. Dattilo-Rubbo does not merely paint; he instructs, shaping the very direction of Australian art through various institutions. He teaches at the Royal Art Society and the Sydney Art School, but it is through his own schools that his influence spreads most deeply.
He acts as a catalyst for change. By embracing bold, progressive ideas, he pushes his students away from established norms. The impact of his teaching philosophy is visible in the work of a new generation:
His presence in Sydney marks a period where European modernism begins to take root in Australian soil. He provides the bridge between the old academy and the new, avant-garde spirit.