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      Constantino Brumidi, 1805 – 1880

      The 5 Most Famous Constantino Brumidi Paintings, Ranked

      The best-loved painting by Constantino Brumidi is Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862), which hangs in the Smithsonian American Art Museum, Washington, D.C.. Susan Pickering Bemis (1852) and William Pitt Fessenden (1860) come next among the canvases readers know best. Our catalogue holds 5 works by Constantino Brumidi: here are the 5 most famous, each with its year, its museum and what makes it memorable.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Constantino Brumidi
      Constantino Brumidi · 1805 – 1880
      Born · died
      1805 – 1880, Rome
      Works in our catalogue
      5
      Most famous
      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862)
      Most works at
      Smithsonian American Art Museum

      Top 10 Constantino Brumidi paintings: the canvases everyone knows

      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862) by Constantino Brumidi
      1

      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building

      1862 · Fresco · Smithsonian American Art Museum, Washington, D.C.

      The Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building is a painting created in 1862. This composition serves as a preparatory vision for the monumental fresco located in the U.S. Capitol. The artwork portrays George Washington ascending to divine status, a celestial transition that elevates the American icon to the level of the eternal.

      Where Constantino Brumidi's canvases hang

      The 3 museums that hold the most of the paintings on this page.

      Museum City Works by Constantino Brumidi Paintings from this list
      Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 3 Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building, Susan Pickering Bemis, Emery Bemis
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 William Pitt Fessenden
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 George Washington (1732-1799), after Rembrandt Peale (1778-1860)

      Constantino Brumidi's best-loved canvases, year by year

      Some ten years of painting, 1852 to 1862, hold the dated canvases of Constantino Brumidi on this page: walk through them year by year.

      1. 1852
      2. 1852
        Emery Bemis (1852) by Constantino Brumidi
        Canvas 5 of 5

        Emery Bemis

        Age 47 · Smithsonian American Art Museum
      3. 1860
      4. 1860
      5. 1862

      About Constantino Brumidi's canvases: your questions answered

      What is the best-known painting by Constantino Brumidi?Read the answer

      Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862), Smithsonian American Art Museum, Washington, D.C.. Susan Pickering Bemis (1852) and William Pitt Fessenden (1860) follow.

      What age was Constantino Brumidi when Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building was painted?Read the answer

      Constantino Brumidi, born in 1805, was 57 years old: Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building dates from 1862.

      How many works did Constantino Brumidi paint in all?Read the answer

      5 works by Constantino Brumidi are in our catalogue, dated 1852 to 1862.

      Where can I see Constantino Brumidi's most famous canvases?Read the answer

      Mostly in Smithsonian American Art Museum (Washington, D.C.), National Portrait Gallery (Washington, D.C.) and Harvard Art Museums (Cambridge); the list above names each museum and its canvases.

      When did Constantino Brumidi paint the best-loved canvases?Read the answer

      In 1852, which gave 2 of the 5 works on this page, Susan Pickering Bemis among them.

      Which are Constantino Brumidi's earliest and latest famous canvases?Read the answer

      The earliest canvas here is Susan Pickering Bemis (1852); the latest is Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building (1862).

      Which Constantino Brumidi canvases hang at the Smithsonian American Art Museum?Read the answer

      The Smithsonian American Art Museum, Washington, D.C. holds 3 of the works on this page, among them Study for the Apotheosis of Washington in the Rotunda of the United States Capitol Building, Susan Pickering Bemis and Emery Bemis.

      Can I buy a reproduction of a Constantino Brumidi canvas?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Constantino Brumidi: a life in paint

      The Painter of Washington’s Glory

      Constantino Brumidi stands as a singular figure in American art history—a Greek-Italian immigrant who irrevocably shaped the visual landscape of Washington, D.C., and cemented his legacy as one of the foremost fresco painters of his era. Born in Rome in 1805 to a Greek father from Messenia and an Italian mother, Brumidi’s early artistic inclinations were nurtured within the prestigious Roman artistic tradition. His formative years were defined by a profound appreciation for neoclassical aesthetics and meticulous craftsmanship, qualities that would later define his distinctive style throughout a prolific career that bridged the Old World and the New.

      Brumidi’s formal training was as diverse as his heritage, encompassing both sculpture and painting. This dual education afforded him invaluable insight into anatomical precision and sculptural form, allowing him to approach a flat canvas with a three-dimensional sensibility. He honed his skills at the Academy in Rome, absorbing the techniques of legendary masters such as Bertel Thorvaldsen, Antonio Canova, and Baron Vincenzo Camuccini. Perhaps most significantly, his early career was marked by prestigious commissions within the Vatican walls under the patronage of Pope Gregory XVI. These experiences exposed him to the grandeur of papal splendor and solidified his mastery of monumental fresco painting, a technique requiring immense physical stamina and technical precision.

      From Roman Palaces to American Democracy

      Before his arrival in the United States, Brumidi had already established himself as a respected artist within the European aristocracy, decorating various Roman palaces, including those of Prince Torlonia. However, it was his migration to America that would allow him to translate the classical grandeur of Rome into the burgeoning visual language of a young republic. Upon arriving in the United States, Brumidi brought with him a repertoire of techniques that were virtually unknown in the American landscape at the time, specifically the difficult and prestigious art of true fresco.

      His early American works demonstrated a remarkable versatility. In Maryland, he undertook the ambitious task of decorating St. Stephen’s Church in Baltimore, where his monumental fresco depicting the martyrdom of Saint Stephen became a cornerstone of American religious art. His ability to blend poignant narrative with classical beauty was further evidenced in his work at Taylor's Chapel. These early commissions served as a prelude to his most enduring contribution: the transformation of the United States Capitol Building into a sanctuary of historical and allegorical storytelling.

      The Apotheosis of an American Icon

      The pinnacle of Brumidi’s career—and indeed, his greatest gift to the American people—is found within the Rotunda of the U.S. Capitol. It was here that he executed his most famous masterpiece, the Apotheosis of Washington. This breathtaking fresco portrays George Washington ascending to divine status, surrounded by a celestial assembly of allegorical figures representing Liberty, Victory, and various aspects of American progress. Through this work, Brumidi did more than merely decorate a ceiling; he created a visual mythology for a nation, using the language of Neoclassicism to elevate American ideals to the level of the eternal.

      Beyond the Rotunda, his influence permeates the very corridors of power through what are now known as the Brumidi Corridors. These vaulted, ornately decorated passages on the first floor of the Senate wing serve as a testament to his vision and tireless labor. His work in these corridors, characterized by intricate designs and historical motifs, continues to inspire awe in visitors today. Through his brush, the marble and stone of the Capitol were imbued with life, history, and a sense of destiny, ensuring that Constantino Brumidi would forever be remembered as the architect of American grandeur.