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Gertrude Käsebier Most Popular Paintings

The 17 artworks by Gertrude Käsebier our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 17 artworks Each artwork painted to order
Linen canvas · Certificate of authenticity · Delivered worldwide Gertrude Käsebier · 1852 – 1934

Untitled

1906 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 1 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17837 × 27 cm Commission this artwork

Untitled

1910 · Payne Gallery, Bethlehem, Pennsylvania

Admire Gertrude Kasebier’s "Untitled" (1910) – a haunting black & white portrait showcasing dramatic lighting & classical style. A poignant glimpse into early photography.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 2 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17828 × 36 cm Commission this artwork

Willie-Spotted-Horse

1901 · Payne Gallery, Bethlehem, Pennsylvania

Explore 'Willie-Spotted-Horse' by Gertrude Käsebier – a striking 1901 black & white portrait of a Native American boy. Admire its dramatic lighting & Pictorialist style.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 3 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17827 × 37 cm Commission this artwork

The Pope Family on Lawn of Hill-Stead

1913 · Hill-Stead Museum, Farmington

Admire Gertrude Käsebier's poignant photograph capturing the Pope family on their lawn at Hill-Stead Museum, showcasing a serene moment amidst lush greenery and timeless elegance.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 4 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17834 × 30 cm Commission this artwork

Delve into the contemplative world of Gertrude Käsebier's "Portrait of Martine McCulloch," a stunning black and white photograph capturing a moment of literary immersion. Explore Denver Art Museum’s collection.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 5 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17827 × 37 cm Commission this artwork

Portrait (Miss N.) [Evelyn Nesbit], from Camera Work No. 1

1903 · Amon Carter Museum of American Art, Fort Worth · original 19 x 14 cm

A captivating portrait of Evelyn Nesbit by Gertrude Käsebier, captured in 1903. This hand-pulled photogravure reveals a complex subject amidst societal tensions and artistic innovation.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 6 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17827 × 36 cm Commission this artwork

Blessed Art Thou Among Women

1899 · J. Paul Getty Museum, Los Angeles · original 23 x 14 cm

Discover Gertrude Käsebier’s "Blessed Art Thou Among Women" – a poignant 1899 black & white photo capturing motherhood's beauty. Explore its historical context & artistic style.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 7 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$20324 × 41 cm Commission this artwork

La Creche (The Manger)

1903 · Boca Raton Museum of Art, Boca Raton

Gertrude Käsebier (born Stanton; May 18, 1852 – October 12, 1934) was an American photographer. She was known for her images of motherhood, her portraits of Native Americans, and her promotion of photography as a career for women. == Biography == === Early life (1852–1873) === Käsebier was born Gertrude Stanton on May 18, 1852, in Fort Des Moines (now Des Moines), Iowa. Her mother was Muncy Boon

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 8 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17827 × 38 cm Commission this artwork

Baron De Meyer in Shirt Sleeves

1903 · Rhode Island School of Design Museum of Art, Providence · original 26 x 14 cm

A captivating black and white portrait of Baron De Meyer in shirt sleeves by Gertrude Käsebier captures the timeless elegance of 1903 fashion, inviting you to explore this historic piece of photographic mastery.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 9 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17824 × 41 cm Commission this artwork

Portrait of Mrs Tyson

1910 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 10 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17827 × 36 cm Commission this artwork

Untitled

1910 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 11 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17825 × 40 cm Commission this artwork

Blessed Art Thou among Women

1899 · Los Angeles County Museum of Art, Los Angeles · original 24 x 16 cm

Experience 'Blessed Art Thou Among Women' by Gertrude Käsebier (1899). A poignant portrait of motherhood, capturing intimacy & Victorian ideals through masterful photography.

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 12 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17826 × 39 cm Commission this artwork

Untitled

1915 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 13 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$20326 × 38 cm Commission this artwork

Untitled

1905 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 14 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17826 × 39 cm Commission this artwork

Baron Adolf de Meyer

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 15 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17827 × 36 cm Commission this artwork

Untitled

1910 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 16 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17828 × 35 cm Commission this artwork

Florentine Boy (a.k.a. Flora)

1900 · Payne Gallery, Bethlehem, Pennsylvania

Technique: Hand-painted oil on linen canvas
Made: To order, by a trained painter
Popularity: No. 17 of 21 artworks by Gertrude Käsebier
Delivery: Worldwide, about 5 weeks

from$17825 × 40 cm Commission this artwork

The artist

Gertrude Käsebier

1852 – 1934

Quick facts

Lifespan82 years
Museums on APSLos Angeles County Museum of Art, Amon Carter Museum of American Art, J. Paul Getty Museum, Hill-Stead Museum, Rhode Island School of Design Museum of Art
Typical colorsphthalo green
Room fitliving room
Died1934
Art period19th Century
Mediumsacrylic on canvas
Also known asGertrude Stanton, Gertrude Stanton Kasebier

Biography

A Pioneer of Pictorialism: The Life and Legacy of Gertrude Käsebier

Gertrude Käsebier, born Gertrude Stanton in 1852 in Fort Des Moines (now Des Moines), Iowa, emerged as a pivotal figure in the early history of American photography. Her journey to artistic recognition was remarkable, particularly for a woman navigating the societal constraints of the late 19th and early 20th centuries. The echoes of her father’s entrepreneurial spirit – he transported a sawmill to Colorado during the Gold Rush and served as the first mayor of Golden – resonated in Käsebier's own determination to forge a new path, though initially not within the realm of art. A difficult childhood marked by her father’s sudden death and her family’s subsequent relocation to Brooklyn, New York, instilled in her a resilience that would later define her artistic pursuits. Her mother bravely supported the family by establishing a boarding house, demonstrating a strength that undoubtedly influenced Käsebier's own independent spirit. Marriage at 22 brought three children, but also a profound unhappiness that subtly permeated some of her most poignant work. It wasn’t until relatively late in life, after her children were grown, that Käsebier turned seriously to art, enrolling at the Pratt Institute of Art and Design in Brooklyn at the age of 37.

From Painting to Photography: Finding Her Vision

Initially intending to study painting, Käsebier’s artistic trajectory shifted decisively when she encountered photography. The influence of Arthur Wesley Dow, a prominent artist and educator at Pratt, proved transformative. Dow championed the theories of Friedrich Fröbel, emphasizing the interconnectedness of art, education, and motherhood – themes that would become central to Käsebier's photographic vision. She absorbed these ideas alongside principles from the Arts and Crafts movement, fostering an aesthetic sensibility focused on craftsmanship and emotional resonance. Further studies in Europe followed, including delving into the chemical processes of photography in Germany and painting with Frank DuMond in France. Upon her return to Brooklyn in 1895, she honed her skills as an assistant to portrait photographer Samuel H. Lifshey, gaining invaluable experience in studio management and printing techniques. This practical training laid the foundation for her own successful studio, established shortly thereafter. Her early exhibitions, notably the display of 150 photographs at the Boston Camera Club in 1897, signaled the arrival of a significant new voice in the photographic world.

Motherhood, Native Americans, and Pictorialist Ideals

Käsebier’s artistic output was remarkably diverse, yet consistently characterized by a deep sensitivity to human emotion and social issues. She is perhaps best known for her evocative depictions of motherhood, images that transcended mere portraiture to explore the profound bond between mother and child. Works like “Blessed Art Thou Among Women” (1899) exemplify this focus, capturing moments of tenderness and spiritual grace. Simultaneously, she embarked on a groundbreaking project documenting the lives and culture of Native Americans, inspired by her childhood memories of Colorado and facilitated by her connection to William "Buffalo Bill" Cody. Photographs such as “Chief Iron Tail” and “Chief Flying Hawk,” now preserved at the Smithsonian Institution, offer dignified portraits that challenged prevailing stereotypes and celebrated Indigenous identity. These images were not simply ethnographic records; they were artistic statements imbued with respect and empathy. Käsebier was a key figure in the Pictorialist movement, which sought to elevate photography to the status of fine art by emphasizing artistic vision and manipulation of the photographic process. She embraced techniques like soft focus, textured printing, and hand-painting to create images that resembled paintings or etchings, prioritizing aesthetic expression over strict realism.

A Lasting Influence

Käsebier’s influence extended beyond her own artistic achievements. As a founding member of the Photo-Secession, alongside Alfred Stieglitz and others, she played a crucial role in shaping the direction of American photography. Her work was prominently featured in *Camera Work*, Stieglitz's influential journal, further solidifying her reputation within the art world. She also actively promoted photography as a viable career path for women, challenging gender norms and paving the way for future generations of female photographers. Though she eventually distanced herself from Stieglitz’s increasingly modernist aesthetic preferences, preferring to remain committed to Pictorialism, her legacy endures. Her photographs continue to resonate with viewers today, offering glimpses into a bygone era while simultaneously exploring universal themes of love, loss, and cultural identity. Yoked and Muzzled – Marriage (c1915), a deeply personal work reflecting the constraints of her own marriage, stands as a testament to her courage in addressing difficult subjects through her art. Gertrude Käsebier’s pioneering spirit and artistic vision cemented her place as one of America's most important early photographers, leaving an indelible mark on the history of visual culture.

Exploring Her Work Today

The enduring appeal of Gertrude Käsebier’s photographs lies in their ability to connect with viewers on a deeply emotional level. Her masterful use of light and shadow, combined with her sensitive portrayal of human subjects, creates images that are both visually stunning and profoundly moving. Discover more of Käsebier's works at https://TopImpressionists.com/@/gertrudekasebier and explore the Metropolitan Museum of Art’s extensive collection featuring her iconic photographs. Her work serves as a powerful reminder of the transformative power of art and the importance of preserving cultural heritage. Influential photographers like Gertrude Käsebier continue to inspire new generations. Order your favorite photograph as a museum-quality oil reproduction today at TopImpressionists.com.

Questions & Answers

Can I browse Gertrude Käsebier's works by color palette?

Gertrude Käsebier's works can be browsed by color palette on the artist's By Palettes page.

In which movements did Gertrude Käsebier work?

The movements Gertrude Käsebier worked in can be seen on the artist's All Movements page, which groups the artworks by movement.

Can I explore Gertrude Käsebier's works by subject?

Gertrude Käsebier's works can be explored by subject on the artist's Subject Atlas page.

By the TopImpressionists.com Editorial Team Updated Aug. 31, 2026

Collector's quiz

What was Gertrude Käsebier's initial artistic pursuit before dedicating herself to photography?
Which influential art educator at Pratt Institute significantly impacted Käsebier's artistic development and theories?
Käsebier's photograph 'Yoked and Muzzled – Marriage (c1915)' is believed to reflect what aspect of her personal life?
What subject matter, besides motherhood, did Käsebier famously photograph, resulting in iconic images like 'Chief Iron Tail'?
Before becoming a photographer, what did Käsebier’s mother do to support the family after her father's death?

one You choose the size

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two We paint and send a preview

A photo of the finished canvas for your approval before it is shipped.

three Delivered, certified

Rolled, stretched or framed, insured, with a certificate of authenticity.

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