Portrait of the Art Critic and Writer Raimon Casellas (1894) is the painting Lluís Graner is best remembered for; it belongs to the Museu Nacional d'Art de Catalunya, Barcelona. A Girl with Flowers and The Forge (1894) complete the trio of best-loved canvases. Our catalogue counts 18 works by Lluís Graner. Here are the 16 most famous, with the year, the museum and the story of each canvas.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated October 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.
The artwork is titled Portrait of the Art Critic and Writer Raimon Casellas. It was executed by the artist Lluís Graner i Arrufí. This oil on canvas work dates to 1894. The subject of the painting is the art critic and writer Raimon Casellas.
The 4 museums that hold the most of the paintings on this page.
| Museum | City | Works by Lluís Graner | Paintings from this list |
|---|---|---|---|
 Hispanic Society Museum - Library |
New York | 3 | The Two Sisters, The Card Players, Peñíscola |
 Museu Nacional d'Art de Catalunya |
Barcelona | 2 | Portrait of the Art Critic and Writer Raimon Casellas, Tavern Interior |
 Biblioteca Museu Víctor Balaguer |
Viladecans | 1 | The Forge |
 Museu Histórico Nacional |
Rio de Janeiro | 1 | Por de sol |
The artwork is titled Portrait of the Art Critic and Writer Raimon Casellas. It was executed by the artist Lluís Graner i Arrufí. This oil on canvas work…
Portrait of the Art Critic and Writer Raimon Casellas (1894), Museu Nacional d'Art de Catalunya, Barcelona. A Girl with Flowers and The Forge (1894) follow.
Lluís Graner, born in 1863, was 31 years old: Portrait of the Art Critic and Writer Raimon Casellas dates from 1894.
Portrait of the Art Critic and Writer Raimon Casellas, A Girl with Flowers, The Forge, The Two Sisters, The Card Players, Tavern Interior, Charakterkopfe, Por de sol, Peñíscola and The Blue Pond. Each canvas in the ranking above comes with its year and its museum.
18 works by Lluís Graner are in our catalogue, dated 1894 to 1914.
Mostly in Hispanic Society Museum - Library (New York), Museu Nacional d'Art de Catalunya (Barcelona) and Biblioteca Museu Víctor Balaguer (Viladecans); the list above names each museum and its canvases.
In 1900s, which gave 4 of the 16 works on this page, The Two Sisters among them.
The earliest canvas here is Portrait of the Art Critic and Writer Raimon Casellas (1894); the latest is Tavern Interior (1914).
The Hispanic Society Museum - Library, New York holds 3 of the works on this page, among them The Two Sisters, The Card Players and Peñíscola.
Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.
Lluís Graner y Arrufi stands as a luminous figure in the tapestry of Catalan art, a man whose creative spirit bridged the gap between the academic traditions of the nineteenth century and the burgeoning modernism of the twentieth. Born in Barcelona in 1863, Graner emerged from a city undergoing a profound cultural metamorphosis. His early artistic foundations were laid at the prestigious Escuela Superior de Bellas Artes de San Fernando in Madrid and the Escola de la Llotja in his native Barcelona, where he studied under masters such as Antoni Caba and Benet Mercadé. These formative years instilled in him a rigorous command of anatomy and composition, yet Graner was never content to remain within the confines of rigid formalism. Instead, he sought a more expressive language, one that could capture the fleeting nuances of light, emotion, and the very essence of life.
His journey was marked by an extraordinary versatility that extended far beyond the easel. A true Renaissance man of the Belle Époque, Graner was not only a painter but also a visionary artistic director and a daring theater entrepreneur. In Barcelona, he became a central architect of the city's cultural landscape, famously collaborating with the legendary Antoni Gaudí to develop the Sala Mercè. This venue served as a pioneering space for "musical visions," a genre of lyrical theater that blended music, visual arts, and early cinematographic magic. His entrepreneurial ventures, while occasionally fraught with financial hardship, demonstrated a restless intellect dedicated to pushing the boundaries of sensory experience and bringing the wonders of modern spectacle to the public.
The technical brilliance of Graner’s oeuvre lies in his ability to marry meticulous realism with an almost impressionistic sensitivity to atmosphere. His canvases are celebrated for their profound psychological depth, particularly in his portraiture, where he possessed a rare gift for capturing the silent dialogues held within a subject's gaze. Through a sophisticated technique involving the deliberate layering of glazes, Graner achieved a luminous quality that allowed light to seem as though it were emanating from within the paint itself. This mastery of texture and tone is evident in his diverse range of subjects, from the dramatic, candlelit intensity of his Baroque-inspired scenes to the soft, pastel-hued tranquility of his garden landscapes.
As his career progressed, Graner’s palette and subject matter underwent a fascinating evolution, influenced by his travels across the globe. His time in Paris during the late 1880s allowed him to absorb the vibrant energy of the French art scene, which undoubtedly refined his approach to color and brushwork. However, it was perhaps his period in the Americas that revealed a different facet of his genius. Arriving in the United States around 1910, Graner found a new muse in the landscapes of Louisiana. During his years in New Orleans between 191 and 1922, he produced some of his most cherished works—simple, dignified landscapes characterized by an impressionistic mastery of broken brushstrokes and heightened, emotive color. These American scenes offered a poignant contrast to his European urbanity, showcasing a profound ability to find beauty in the quiet, rural rhythms of the New World.
The historical significance of Lluís Graner y Arrufi resides in his role as a cultural conduit between continents and disciplines. He was an artist who refused to be categorized, moving seamlessly between the disciplined world of academic portraiture and the experimental frontiers of theatrical lighting and cinema. His life reflected the broader movement of the era—a period defined by mobility, technological advancement, and the breaking of traditional boundaries. Whether he was painting a contemplative elderly gentleman in Spain or capturing the sun-drenched vistas of the American South, Graner remained committed to an authentic portrayal of the human experience.
Today, his legacy is preserved through works that continue to captivate audiences with their technical virtuosity and emotional resonance. His ability to adapt his style to new environments—from the sophisticated salons of Europe to the rustic landscapes of Louisiana—ensures his place in the annals of art history as a truly international figure. Graner’s life remains a testament to the power of artistic curiosity, reminding us that the true essence of a creator lies in their ability to see the extraordinary within the ordinary and to illuminate the world through a lens of both precision and passion.
