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      Untitled #264

      The Constructed Persona

      A woman lies on her back, her form partially revealed from the waist down. A crown rests upon her head, while a mask obscures her facial features. This 1992 work utilizes the artist's own body to explore the boundaries of identity and the performance of the self.

      The composition relies on the tension between what is hidden and what is exposed. By masking the face, the figure becomes an archetype rather than a specific individual. The presence of the crown introduces a layer of artifice, suggesting a staged or theatrical reality.

      Context and Materiality

      Created during a period when the artist was deeply engaged with deconstructing societal roles, this piece functions through the manipulation of visual cues. It belongs to a broader investigation into how media and expectation shape the perception of gender and personhood.

      The work is held at The Feminist Institute in New York, United States. Through the use of costume and physical positioning, it challenges the viewer to look past the surface of the image to find the mechanisms of its own creation.

      Questions & Answers

      Does "Untitled #264" show strong light-dark contrasts?

      The contrast level of "Untitled #264" by Cindy Sherman is gentle.

      What stage of Cindy Sherman's career does "Untitled #264" (1992) belong to?

      Given its 1992 date, "Untitled #264" falls in Cindy Sherman's Mature Period.

      What emotion does "Untitled #264" by Cindy Sherman convey?

      "Untitled #264" by Cindy Sherman conveys a mysterious emotional tone.

      Cindy Sherman (1954 –)

      Explore the transformative self-portraits of Cindy Sherman, a pivotal American photographer. Deconstructing identity & gender through iconic series like 'Untitled Film Stills,' she challenges representation in art and media.

      The Feminist Institute (New York City, United States of America)

      Discover The Feminist Institute in NYC: a vital archive preserving feminist art & history through digitization and exhibitions. Explore works by Judy Chicago, Miriam Schapiro, letters from Gloria Steinem & Sylvia Sleigh, and champion gender equity.

      About this artwork

      Quick Facts

      • Artist: Cindy Sherman
      • Year: 1992
      • Location: The Feminist Institute, New York
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