Ruskin was perennially interested in the appearance and action of clouds, recording in drawings unusual effects both at home and abroad. Part VII of Modern Painters, volume V (1860) is titled ‘Of Cloud Beauty,’ and in 1885 he reprinted these observations (as Cœli Enarrant) with the intention, never fulfilled, of a continuation. This is one of several studies of the often dramatic clouds over the Old Man at Coniston, directly opposite Brantwood across the lake. The effects of fading through exposure to light are most noticeable in the small touches of yellow, green and pink (probably rose madder, a very fugitive pigment) in the centre.
Questions & Answers
What saturation and intensity does "Cloud effect over Coniston Old Man." by John Ruskin show?
The colors of "Cloud effect over Coniston Old Man." by John Ruskin show a subtle color saturation with a balanced intensity.
How do I preview a reproduction of "Cloud effect over Coniston Old Man." by John Ruskin?
A preview of "Cloud effect over Coniston Old Man." by John Ruskin is available on the artwork's Preview page.
What shape and dimensions is "Cloud effect over Coniston Old Man." by John Ruskin?
"Cloud effect over Coniston Old Man." by John Ruskin is a landscape composition measuring 24 x 39 cm in the original.
Is "Cloud effect over Coniston Old Man." by John Ruskin a light or a dark artwork?
"Cloud effect over Coniston Old Man." is brilliant overall, and its luminance is luminous.
What was John Ruskin's age when "Cloud effect over Coniston Old Man." was created?
When "Cloud effect over Coniston Old Man." was created in 1880, John Ruskin - born in 1819 - was 61 years old.
What is the creation date of "Cloud effect over Coniston Old Man." by John Ruskin?
"Cloud effect over Coniston Old Man." by John Ruskin was created in 1880.
Who is the artist behind "Cloud effect over Coniston Old Man."?
The artist behind "Cloud effect over Coniston Old Man." is John Ruskin. The work is catalogued under John Ruskin's name.