Student Artwork Guide
Copyright This work is in the public domain. Albert Samuel Anker died in 1910; copyright lasts 70 years after the artist’s death, so it ended in 1980.
In context
Der Schaffner — Albert Samuel Anker
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.
Painted when the artist was 68. The artist lived to 79. 7 of the 11 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Albert Samuel Anker (1831–1910) ▲ this work, 1899 every dated painting, decade by decade
First works: up to 1870 Main working years: 1870–1903 Late works: from 1903
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: topimpressionists.com/en/art/similar/albert-samuel-anker-der-schaffner-8XX94E-en/
Measured from the image
Main colour
Phthalo Green #2e251b
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 21 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Ens, Switzerland
Albert Samuel Anker, a name synonymous with idyllic Swiss scenes and heartwarming portrayals of rural life, was born on April 1st, 1831, in the small town of Ens, Switzerland. His father, Samuel Anker, was a respected veterinarian who also served within the political arena as a member of the Canton of Bern’s constituent assembly. This blend of scientific practicality and civic duty would subtly influence young Albert's own path. The family relocated to Neuchâtel in 1836, providing a new landscape for his developing sensibilities. It was here that Anker first demonstrated an aptitude for art, receiving initial guidance from Frédéric-Wilhelm Moritz, sparking a passion that would define his life’s work. He continued his formal training alongside Auguste Bachelin under the tutelage of Louis Wallinger from 1845 to 1848, laying a solid foundation in draftsmanship and observation. However, Anker's early ambitions weren’t solely artistic; he pursued theological studies at the Universities of Bern and Halle in Germany after completing his Matura in 1851. It was during these academic years, surrounded by rich art collections, that his dedication to painting solidified, ultimately gaining his father’s blessing in 1854 to pursue a career as an artist.
The decision to dedicate himself to art led Anker to Paris, the epicenter of artistic innovation during the mid-19th century. He enrolled at the prestigious École nationale supérieure des Beaux-Arts, studying under Charles Gleyre. This period proved pivotal in his development, exposing him to contemporary French trends and solidifying his technical skills. While absorbing influences from the Realist movement—a reaction against Romanticism that emphasized depicting life as it truly was—Anker didn’t simply mimic its tenets. He forged a distinctive style characterized by meticulous detail, subtle emotional expression, and an unwavering focus on everyday scenes of Swiss rural existence. He wasn't interested in grand historical narratives or dramatic allegories; his canvas became a window into the quiet dignity of peasant life. Anker’s work reflects a deep appreciation for simplicity and authenticity, portraying children, farmers, and domestic interiors with remarkable realism and tenderness. The influence of Dutch Masters like Johannes Vermeer is palpable in his attention to light, composition, and the intimate portrayal of interior spaces—a quality that lends a timeless serenity to his paintings.
Albert Anker became celebrated for capturing the essence of 19th-century Swiss rural life, earning him the affectionate title of “the national painter” of Switzerland. His canvases are populated with scenes that resonate with a sense of nostalgia and genuine affection for his subjects. Among his most beloved works is "The Little Musician," a charming depiction of a young boy engrossed in playing the violin—a testament to Anker’s ability to capture youthful innocence and concentration. “Portrait of a Young Girl,” similarly, showcases his skill in portraying delicate features and conveying inner emotion. “A Farmer's Wife, Sewing” is a poignant study of domestic tranquility, revealing beauty in the mundane tasks of daily life. Beyond these iconic images, Anker’s dedication to documenting Swiss cultural heritage is evident in works like “Unterwalden (traditional costumes after Josef Reinhart),” a series of watercolor studies meticulously preserving traditional dress. His artistic output extended beyond paintings to include portraits, still lifes, and genre scenes that reflected the values and aesthetics of his time. Even his charcoal study "Old Farmer at the Table (22 April 1907)” demonstrates his mastery of line and form, conveying a wealth of character with minimal means. Recurring themes in Anker’s oeuvre—childhood, family life, rural traditions, and the beauty of the Swiss landscape—are interwoven to create a cohesive vision of a harmonious world.
Throughout his lifetime, Albert Samuel Anker enjoyed considerable recognition, exhibiting his work in numerous national and international exhibitions and earning critical acclaim. He was appointed a knight of the Légion d'honneur in 1878, solidifying his reputation within the European art world. His paintings played a crucial role in shaping the image of 19th-century Switzerland, offering both a romanticized yet realistic view of rural life that resonated deeply with audiences. Anker’s contribution to Swiss Realism was significant, influencing subsequent generations of artists who sought to depict their own national identities and cultural landscapes. He served on the Swiss Federal Art Commission from 1889-1893 and again from 1895-1898, further demonstrating his commitment to fostering artistic growth within his country. He received an honorary doctorate from the University of Bern in 1900. Though a stroke limited his ability to paint in later years, his legacy remained secure. Albert Samuel Anker passed away on July 16th, 1910, in Ins, Switzerland, leaving behind a body of work that continues to be admired for its technical skill, emotional depth, and enduring historical significance—a testament to the power of art to capture the spirit of a nation and the beauty of everyday life.
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Look closely
Der Schaffner — Albert Samuel Anker
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The colors of "Der Schaffner" by Albert Samuel Anker show a unified palette harmony. Harmony describes how the colors relate to each other.
"Der Schaffner" by Albert Samuel Anker is a landscape composition. The proportions are worth checking before choosing a print size.
"Der Schaffner" is attributed to Albert Samuel Anker.