Paper
Name Class Date

Alexander Ignatius Roche, Thomas Littlejohn Galbraith. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alexander Ignatius Roche topimpressionists.com/en/artists/alexander-ignatius-roche/
Artist’s dates
1863 – 1921
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Thomas Littlejohn Galbraith — Alexander Ignatius Roche

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.

Shaded: the lifetime of Alexander Ignatius Roche (1863–1921) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Girl In Red Hat topimpressionists.com/en/art/alexander-ignatius-roche-girl-in-red-hat-9DG4DH-en/
  • Flora Clift Stevenson topimpressionists.com/en/art/alexander-ignatius-roche-flora-clift-stevenson-9DG4DE-en/
  • Sir Robert Cranston topimpressionists.com/en/art/alexander-ignatius-roche-sir-robert-cranston-9DG4FG-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/alexander-ignatius-roche-thomas-littlejohn-galbraith-9DG4GS-en/

Colours

Measured from the image

    Main colour

    Espresso #42301a

    Catalogued palette

    • #42301A
    • #FDFDFD
    • #201A0F
    • #9D6A38

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alexander Ignatius Roche over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 66.7%
    2. 2 United States of America 33.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 6 most looked-at works by Alexander Ignatius Roche

    1. 1 Pittenweem, Fife 33.3%
    2. 2 St Monans Kirk 16.7%
    3. 3 On The River Ouse 16.7%
    4. 4 Mrs Roberts 16.7%
    5. 5 William Elphinstone Malcolm Of Burnfoot 16.7%
    6. — Thomas Littlejohn Galbraith this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 42 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Alexander Ignatius Roche

    Born in United Kingdom

    Alexander Ignatius Roche: A Life in Art

    Early Life and Education

    Born: 1863, Gallowgate, Glasgow, United Kingdom.

    Roche was the son of Alexander Roche, a milliner. He attended St Mungo's Academy in Bridgeton, Glasgow.

    Initially pursuing architecture, he transitioned to art, studying at the Glasgow School of Art.

    From 1881, he furthered his artistic education at l’École des Beaux-Arts in Paris under Gustave Boulanger and Jean-Léon Gérôme.

    Parisian Influences and the Grez Colony

    In Paris, Roche befriended fellow Scottish artists including William Kennedy, John Lavery, Thomas Millie Dow, and William Stott.

    He joined a colony of Scots artists in Grez-sur-Loing, south of Fontainebleau, in the early 1880s – a significant hub for plein air painting and artistic experimentation.

    This period was crucial in shaping his impressionistic tendencies and landscape style.

    The Glasgow Boys and Early Career

    Upon returning to Scotland in 1885, Roche became involved with the Glasgow Boys, a group of artists who sought to create a distinctly Scottish artistic identity.

    He contributed to murals for the 1888 International Exhibition in Glasgow.

    A trip to Capri in 1888 led to friendships with Fabio Fabbi and Harold Speed.

    Subsequent travels through Venice and Florence culminated in a brief marriage to an Italian woman, which later ended in separation.

    Transition to Edinburgh and Shifting Focus

    In 1896, Roche moved from Glasgow to Edinburgh, marking a turning point in his career.

    He began to distance himself from the Glasgow Boys and shifted his artistic focus towards portraiture, alongside continuing landscape work.

    His style evolved during this period, demonstrating a growing maturity and refinement.

    Later Life and Artistic Resilience

    Roche remarried in 1906 to Jean Alexander, daughter of Robert Alexander. Their social circle included Joseph Crawhall.

    From 1907 to 1914, they resided at 8 Royal Terrace on Calton Hill, a prestigious address.

    Around 1910, a cerebral haemorrhage resulted in the loss of use of his right hand. Demonstrating remarkable resilience, he retrained himself to paint with his left hand.

    Death: Roche died in 1921 at Hailes Cottage near the Water of Leith in Slateford, Edinburgh and is buried in Dean Cemetery.

    Exhibitions and Legacy

    Roche exhibited regularly at the Royal Scottish Academy from 1887 and the Royal Academy from 1890-1919.

    He is remembered as a significant figure in late 19th and early 20th century Scottish art, bridging the gap between the Glasgow Boys’ initial rebellion and more individualistic artistic expression.

    His work reflects both his Parisian training and his deep connection to the Scottish landscape and people.

    Where to read more

    Find this online

    QR code linking to the download page for Thomas Littlejohn Galbraith

    topimpressionists.com/en/art/download/alexander-ignatius-roche-thomas-littlejohn-galbraith-9DG4GS-en/

    Cite this artwork

    MLA
    Roche, Alexander Ignatius. Thomas Littlejohn Galbraith. n.d., https://topimpressionists.com/en/art/alexander-ignatius-roche-thomas-littlejohn-galbraith-9DG4GS-en/
    APA
    Roche, Alexander Ignatius (n.d.). Thomas Littlejohn Galbraith [Painting]. https://topimpressionists.com/en/art/alexander-ignatius-roche-thomas-littlejohn-galbraith-9DG4GS-en/
    Chicago
    Alexander Ignatius Roche. Thomas Littlejohn Galbraith. n.d. https://topimpressionists.com/en/art/alexander-ignatius-roche-thomas-littlejohn-galbraith-9DG4GS-en/
    Harvard
    Roche, Alexander Ignatius (n.d.) Thomas Littlejohn Galbraith. Available at: https://topimpressionists.com/en/art/alexander-ignatius-roche-thomas-littlejohn-galbraith-9DG4GS-en/

    Look closely

    Thomas Littlejohn Galbraith — Alexander Ignatius Roche

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Our catalogue files this work under: portrait, elderly man, dignity. Do you agree? What would you add, or take away?
    5. Look back at Girl In Red Hat, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What style does "Thomas Littlejohn Galbraith" belong to?

    "Thomas Littlejohn Galbraith" by Alexander Ignatius Roche belongs to the Contemporary Realism movement. This movement provides the stylistic context of the work.

    Which artist is "Thomas Littlejohn Galbraith" attributed to?

    "Thomas Littlejohn Galbraith" is attributed to Alexander Ignatius Roche.

    How harmonious are the colors of "Thomas Littlejohn Galbraith" by Alexander Ignatius Roche?

    The colors of "Thomas Littlejohn Galbraith" by Alexander Ignatius Roche show a strong color unity harmony. Harmony describes how the colors relate to each other.