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Student Artwork Guide

Chrysanthemums

Name Class Date

Alma Gogin, Chrysanthemums (1927). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Alma Gogin topimpressionists.com/en/artists/alma-gogin/
Painted
1927
Original size
34 x 51 cm
Movement
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

Chrysanthemums — Alma Gogin

How big is it?

The original measures 34 × 51 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

▲ this work, 1927 every dated painting, decade by decade

Compare with

  • Regrets topimpressionists.com/en/art/alma-gogin-regrets-ARAFZ2-en/
  • Anemones topimpressionists.com/en/art/alma-gogin-anemones-ARAFYY-en/
  • Ballys Old Shipyard, 1889 topimpressionists.com/en/art/alma-gogin-ballys-old-shipyard-ARAFYU-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/alma-gogin-chrysanthemums-ARAFYW-en/

Colours

Measured from the image

    Main colour

    Espresso #554032

    Catalogued palette

    • #554032
    • #7C5E49
    • #AE8B6B
    • #D5BEA1

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Alma Gogin over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Alma Gogin

    1. 1 Our Studio at Shoreham, 1900 50.0%
    2. 2 Regrets 50.0%
    3. — Chrysanthemums, 1927 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Alma Gogin

    Alma Gogin (1854–1948): A Pioneer of Victorian Coastal Art

    Alma Susan Broadbridge Gogin, born October 1st, 1854, in Brighton, Sussex, was a British artist who achieved considerable renown during the Victorian era. Her life’s journey intertwined with that of her husband, Charles Gogin (1844–1931), a fellow painter and furniture maker, shaping both their artistic careers and establishing them as prominent figures within the burgeoning Pre-Raphaelite movement. Despite facing personal tragedies – including the untimely death of her son in infancy – Alma persevered, producing a prolific body of work that continues to captivate audiences today.

    Early Life & Education: Alma’s formative years were spent amidst the intellectual vibrancy of Brighton’s artistic circles. Her father, Edward Broadbridge, was a professor of music and furniture dealer, fostering an appreciation for both craftsmanship and creative expression from a young age. She attended Hove High School for Girls alongside her sister Kate, honing her artistic skills and preparing for a life dedicated to art.

    Marriage & Artistic Partnership: Alma married Charles Gogin in 1894, forging a collaborative relationship that proved instrumental to their artistic success. Together they established Warwick Studios in Hampstead, London, attracting students from across Europe who sought guidance under their tutelage. This studio became a hub for Pre-Raphaelite experimentation and innovation.

    Notable Works & Artistic Style: Alma Gogin’s oeuvre encompasses landscapes, portraits, and genre scenes—primarily focused on coastal vistas and intimate domestic interiors. Her distinctive style is characterized by meticulous observation of nature, combined with a masterful command of color and texture. Influenced heavily by Sir Lawrence Alma-Tadema and Jules Bastien Lepage, she skillfully employed techniques reminiscent of classical antiquity to convey emotion and atmosphere.

    The Influence of Pre-Raphaelitism & Artistic Techniques

    Alma Gogin’s artistic vision firmly rooted itself within the tenets of Pre-Raphaelite aesthetics—a reaction against the perceived artificiality of academic art. Rejecting idealized representations and prioritizing emotional sincerity, Pre-Raphaelites sought inspiration from medieval art and literature, emphasizing detailed realism and symbolic imagery. Alma Gogin embraced this ethos wholeheartedly, meticulously studying anatomy and incorporating elements of Byzantine iconography into her paintings. Her brushstrokes were deliberate and expressive, layering pigments to achieve luminous effects and capturing the subtle nuances of light and shadow—a hallmark of Victorian landscape painting. She was particularly adept at portraying the moods of the sea and shore, conveying both beauty and melancholy with remarkable sensitivity.

    Key Inspirations: Alma Gogin’s artistic sensibilities were profoundly shaped by artists such as Sir Lawrence Alma-Tadema and Jules Bastien Lepage, who championed classical ideals alongside meticulous observation of nature.

    Painting Techniques: She skillfully utilized glazing techniques—applying thin layers of translucent pigment over underlying colors—to create depth and luminosity, mirroring the stylistic innovations prevalent during her time.

    Major Achievements & Legacy

    Alma Gogin’s artistic accomplishments spanned several decades, culminating in a distinguished career marked by exhibitions at prestigious institutions including the Royal Academy, the Royal Society of British Artists (RBA), and the Society of Women Artists. Her landscapes—particularly those depicting Brighton's coastline—became celebrated for their evocative beauty and technical precision. Notably, her painting “So for good or ill in leaves of tea / Do maidens find their fortune told” garnered acclaim for its masterful depiction of light and color, solidifying her reputation as a leading Victorian artist. Furthermore, Alma Gogin’s legacy extends beyond her individual artworks; she established Warwick Studios, nurturing the talents of aspiring artists and fostering a vibrant artistic community. Her influence can be discerned in subsequent generations of British painters who embraced Pre-Raphaelite principles and championed realism alongside expressive artistry—a testament to her enduring contribution to art history.

    Further Exploration

    For more information about Alma Gogin’s life and work, consult resources such as:

    Alma Gogin (1854–1948): Find a Grave

    Alma Gogin - Art UK

    Where to read more

    Find this online

    QR code linking to the download page for Chrysanthemums

    topimpressionists.com/en/art/download/alma-gogin-chrysanthemums-ARAFYW-en/

    Cite this artwork

    MLA
    Gogin, Alma. Chrysanthemums. 1927, https://topimpressionists.com/en/art/alma-gogin-chrysanthemums-ARAFYW-en/
    APA
    Gogin, Alma (1927). Chrysanthemums [Painting]. https://topimpressionists.com/en/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Chicago
    Alma Gogin. Chrysanthemums. 1927. https://topimpressionists.com/en/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Harvard
    Gogin, Alma (1927) Chrysanthemums. Available at: https://topimpressionists.com/en/art/alma-gogin-chrysanthemums-ARAFYW-en/

    Look closely

    Chrysanthemums — Alma Gogin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: floral art, still life, vintage painting. Do you agree? What would you add, or take away?
    4. Look back at Regrets, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I see a preview of "Chrysanthemums"?

    The Preview page of "Chrysanthemums" lets you preview the artwork before ordering.

    When was "Chrysanthemums" created, and to which movement does it belong?

    "Chrysanthemums" was made in 1927, within the Impressionism movement.

    What does "Chrysanthemums" share with the rest of Alma Gogin's output?

    "Chrysanthemums" belongs to Alma Gogin's Impressionism work, whose recorded themes include coastal impressionism, british floral tradition, romantic still life, nature's fragility", gogin's botanical focus, domestic tranquility", early 20th century calm", reflecting victorian taste".