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Student Artwork Guide

A red bust

Name Class Date

Amedeo Clemente Modigliani, A red bust (1913). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Amedeo Clemente Modigliani topimpressionists.com/en/artists/amedeo-clemente-modigliani/
Artist’s dates
1884 – 1920
Painted
1913
Medium
Oil On Panel
Original size
81 x 46 cm
Period
Modern
Artistic style
Stylized portraiture
Influences
Nietzsche, Baudelaire
Notable elements or techniques
Bold colors; elongated forms
Subject or theme
Female figure

In context

A red bust — Amedeo Clemente Modigliani

How big is it?

The original measures 81 × 46 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 36 at death.

Painted when the artist was 29. The artist lived to 36. 37 of the 342 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Amedeo Clemente Modigliani (1884–1920) ▲ this work, 1913 every dated painting, decade by decade

First works: up to 1915 Main working years: 1915–1918 Late works: from 1918

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/amedeo-clemente-modigliani-a-red-bust-8XXN5W-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2a2424

    Catalogued palette

    • #2A2424
    • #97533E
    • #C5674D
    • #55382F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Amedeo Clemente Modigliani over the last twelve months — 72 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 33.0%50,000 visits
    2. 2 United States of America 9.5%14,400 visits
    3. 3 Hong Kong 6.5%9,900 visits
    4. 4 France 6.3%9,500 visits
    5. 5 Singapore 5.7%8,600 visits
    6. 6 Ukraine 4.8%7,300 visits
    7. 7 Russia 4.7%7,100 visits
    8. 8 Spain 3.2%4,900 visits
    9. 9 Italy 2.4%3,600 visits
    10. 10 Netherlands 2.3%3,500 visits
    11. · 62 other countries 21.6%32,600 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Amedeo Clemente Modigliani

    1. 1 Nude Sitting on a Divan, 1917 14.6%33,500 visits
    2. 2 Portrait of Jeanne Hebuterne, 1918 7.7%17,700 visits
    3. 3 Reclining Nude with Blue Cushion 5.6%12,900 visits
    4. 4 La Chevelure noire, also said 2.9%6,700 visits
    5. 5 Head of Red-Haired Woman, 1915 2.2%5,100 visits
    6. 6 Marios Varvoglis, 1920 1.5%3,400 visits
    7. 7 Adrienne (Woman with Bangs) -, 1917 1.5%3,400 visits
    8. 8 Young Woman in a Shirt, 1918, 1918 1.4%3,300 visits
    9. 9 Jeanne Hebuterne with Hat and Necklace, 1917 1.4%3,200 visits
    10. 10 The Little Peasant, 1918 1.4%3,200 visits
    11. 11 Reclining Nude 1.2%2,800 visits
    12. 12 Self Portrait, 1919 1.2%2,700 visits
    13. 13 Girl with Pigtails, 1918 1.1%2,600 visits
    14. 14 Beatris Hastings 1.1%2,500 visits
    15. 15 Jeanne Hébuterne, 1919 1.0%2,400 visits
    16. 16 Seated Nude on Divan 1.0%2,300 visits
    17. 17 Woman with Blue Eyes, 1918 0.8%1,800 visits
    18. 18 untitled (2323) 0.7%1,700 visits
    19. 19 Red Nude 0.7%1,600 visits
    20. — A red bust, 1913 this painting 0.0%0 visits

    Together these works take 49.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 616 works by this artist, of which 395 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    A red bust — Amedeo Clemente Modigliani

    A Meditation on Beauty and Fragility: Exploring Modigliani’s “The Red Bust”

    Amedeo Clemente Modigliani's "The Red Bust," painted in 1913, transcends mere representation; it embodies a profound exploration of human vulnerability and an unwavering pursuit of aesthetic elegance. This striking portrait captures the essence of femininity through a masterful blend of stylistic innovation and technical precision—a testament to Modigliani’s enduring legacy as one of the foremost figures of Expressionism. The painting depicts a woman's face, rendered in shades of black against a stark backdrop, immediately drawing the viewer’s gaze inward, fostering contemplation on themes of beauty, sorrow, and timelessness.

    Subject Matter: Modigliani’s focus is singular—the human visage—yet he elevates it to an almost spiritual level. The woman depicted possesses a prominent nose, a characteristic stylistic choice that distinguishes his work from prevailing artistic conventions of the period.

    Style and Technique: The painting exemplifies Expressionist principles through its deliberate distortion of form and color. Modigliani employs elongated proportions—a hallmark of his oeuvre—creating an impression of ethereal grace while simultaneously conveying a sense of melancholy. The use of oil paint on panel contributes to the artwork’s textural richness, allowing for subtle nuances in shading that heighten emotional impact.

    Historical Context: Echoes of Nietzsche and Baudelaire

    Painted during Modigliani's formative years, “The Red Bust” resonates deeply with the intellectual currents of its time. Influenced by philosophers like Friedrich Nietzsche and poets such as Charles Baudelaire and Stéphane Mallarmé—artists who championed subjectivity and explored the darker recesses of human experience—Modigliani rejected academic realism in favor of a visual language that prioritized emotion over factual accuracy. This stylistic rebellion aligns perfectly with the broader Expressionist movement’s desire to confront societal anxieties and capture the psychological complexities of the individual.

    Symbolism: The red hair—a deliberate exaggeration—symbolizes passion, vitality, and perhaps even a hint of defiance. Simultaneously, it serves as a visual counterpoint to the black background, emphasizing the woman’s face as the focal point of artistic consideration.

    Emotional Impact: Viewing “The Red Bust” evokes feelings of quiet contemplation and poignant beauty. Modigliani's masterful manipulation of form and color achieves an uncanny ability to convey sorrow without resorting to overt sentimentality—a characteristic that continues to captivate audiences today.

    A Legacy Enduring Through Reproduction: Bringing Modigliani’s Vision Home

    WahooArt.com offers exceptional reproductions of “The Red Bust,” meticulously crafted to preserve the artwork's original vibrancy and textural depth. Whether adorning a gallery wall or enriching your interior décor, a high-quality reproduction allows you to experience firsthand the profound artistic merit of Modigliani’s masterpiece—a timeless symbol of beauty born from fragility.

    Artist and museum

    Artist

    Amedeo Clemente Modigliani

    Born in Livorno, Italy

    A Life Etched in Longing: The World of Amedeo Modigliani

    Amedeo Clemente Modigliani, a name synonymous with haunting beauty and melancholic grace, remains one of the most beloved and tragically romantic figures of early 20th-century art. Born in Livorno, Italy, in 1884 into a family steeped in Sephardic Jewish heritage, his life was marked by both profound artistic vision and persistent hardship. Frequent illness shadowed his youth – pleurisy and typhoid fever became unwelcome companions – perhaps instilling within him a sensitivity to fragility that would permeate his work. Though born into relative comfort, the family’s financial fortunes waned, adding another layer of complexity to the young Modigliani's formative years. It was a childhood punctuated by intellectual stimulation, thanks to his mother and grandfather who introduced him to the works of Nietzsche, Baudelaire, and Lautréamont, laying the groundwork for an artistic sensibility that would reject conventional norms.

    The pull of Paris proved irresistible, and in 1906, Modigliani embarked on a journey that would define his career. The city was then a crucible of artistic innovation, teeming with revolutionary ideas and challenging conventions. He immersed himself in the vibrant art scene, encountering giants like Pablo Picasso and Constantin Brâncuși, figures who profoundly shaped his aesthetic trajectory. Initially drawn to the burgeoning Cubist movement, Modigliani quickly found its rigid geometry too constricting for his expressive needs. His artistic spirit yearned for something more lyrical, more deeply rooted in human emotion. He began a period of intense experimentation, absorbing influences from African sculpture – particularly its elongated forms and simplified features – and the archaic grace of Italian Renaissance art.

    The Sculpted Soul: Style and Innovation

    Modigliani’s signature style emerged as a unique synthesis of these diverse inspirations. His portraits, arguably his most celebrated works, are instantly recognizable for their elongated faces and necks, almond-shaped eyes devoid of pupils, and an overall sense of serene melancholy. These were not merely likenesses; they were explorations of the inner life, capturing a profound psychological depth in each subject. He stripped away extraneous detail, focusing on essential forms to convey emotion with remarkable economy. His nudes, often controversial during his lifetime, possess a similar quality – a quiet dignity and vulnerability that transcends mere physical representation. The figures are not overtly sensual but rather imbued with a sense of timeless beauty and existential longing.

    Beyond painting, Modigliani also dedicated himself to sculpture, creating a series of highly stylized heads and torsos. These sculptures, influenced by African art and Brâncuși’s reductive forms, further demonstrate his commitment to simplifying form and emphasizing essential qualities. Though he exhibited these works briefly with the Section d'Or group in 1912, they were met with harsh criticism and largely withdrawn from public view. This rejection deeply affected Modigliani, contributing to a period of artistic self-doubt and financial hardship.

    A Life Marked by Shadows

    Modigliani’s personal life was as turbulent as his artistic journey. He struggled with poverty and addiction throughout much of his career, often relying on the generosity of friends and patrons. His relationship with Jeanne Hébuterne, a young artist herself, became the central emotional anchor in his life. They shared a deep love and mutual artistic understanding, but their happiness was tragically short-lived. The pressures of poverty, Modigliani’s declining health, and Jeanne's pregnancy created an unbearable strain. In 1920, devastated by the birth of their daughter and overwhelmed by despair, Jeanne took her own life. Just days later, Modigliani succumbed to tubercular meningitis at the age of only 35.

    Legacy of a Lost Generation

    Despite facing little recognition during his lifetime, Amedeo Modigliani’s work experienced a dramatic surge in popularity after his death. His paintings and sculptures began to command increasingly high prices, and his distinctive style exerted a profound influence on subsequent generations of artists. He became an icon of the bohemian spirit, embodying the struggles and triumphs of a lost generation grappling with modernity and existential questions.

    Today, Modigliani’s works are held in prestigious museums around the world, including the Osaka City Museum of Modern Art, the Musée d'Art Moderne de la Ville de Paris, and numerous private collections. His portraits continue to captivate viewers with their haunting beauty and emotional resonance, serving as a poignant reminder of a life lived on the edge – a life etched in longing, passion, and an unwavering commitment to artistic truth.

    Notable Works

    Nude Bust (35 x 26 cm): A quintessential example of Modigliani’s elongated forms and expressive style, showcasing his mastery of the human figure.

    Reclining Nude with Loose Hair: Demonstrates his ability to capture the essence of femininity with a delicate balance of sensuality and vulnerability.

    Seated Female Nude (92 x 60 cm): A powerful depiction of the female form, characterized by its simplified shapes and serene composure.

    Portrait of Jeanne Hebuterne: Numerous portraits capturing his lover and muse, revealing a poignant emotional depth and intimate connection.

    Where to read more

    Find this online

    QR code linking to the download page for A red bust

    topimpressionists.com/en/art/download/amedeo-clemente-modigliani-a-red-bust-8XXN5W-en/

    Cite this artwork

    MLA
    Modigliani, Amedeo Clemente. A red bust. 1913, https://topimpressionists.com/en/art/amedeo-clemente-modigliani-a-red-bust-8XXN5W-en/
    APA
    Modigliani, Amedeo Clemente (1913). A red bust [Painting]. https://topimpressionists.com/en/art/amedeo-clemente-modigliani-a-red-bust-8XXN5W-en/
    Chicago
    Amedeo Clemente Modigliani. A red bust. 1913. https://topimpressionists.com/en/art/amedeo-clemente-modigliani-a-red-bust-8XXN5W-en/
    Harvard
    Modigliani, Amedeo Clemente (1913) A red bust. Available at: https://topimpressionists.com/en/art/amedeo-clemente-modigliani-a-red-bust-8XXN5W-en/

    Look closely

    A red bust — Amedeo Clemente Modigliani

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: womans face, nostalgia, red hair. Do you agree? What would you add, or take away?
    4. Look back at Nude Sitting on a Divan (1917), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Amedeo Clemente Modigliani was about 29 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    A red bust — Amedeo Clemente Modigliani

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is ‘A Red Bust’ considered to be?

      • A Impressionism
      • B Cubism
      • C Expressionism
    2. 2. The painting utilizes a bold color palette. What is the dominant color in ‘A Red Bust’?

      • A Blue
      • B Green
      • C Red
    3. 3. In what year was ‘A Red Bust’ created?

      • A 1905
      • B 1913
      • C 1920
    4. 4. What is notable about the depiction of the woman's face in ‘A Red Bust’?

      • A It’s highly detailed and realistic.
      • B It features a prominent nose.
      • C It employs geometric shapes.
    5. 5. What is the medium used for ‘A Red Bust’?

      • A Watercolor
      • B Acrylic
      • C Oil on Panel

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2C · 3C · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Who is the artist behind "A red bust"?

    "A red bust" is attributed to Amedeo Clemente Modigliani.

    In which movement and which era is "A red bust" by Amedeo Clemente Modigliani placed?

    "A red bust" by Amedeo Clemente Modigliani is placed in the Expressionist Portraiture movement, within the Modern era of its creator.

    How strong is the contrast in "A red bust" by Amedeo Clemente Modigliani?

    "A red bust" by Amedeo Clemente Modigliani shows a balanced contrast between its light and dark areas.