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Student Artwork Guide

Two Mandarin Ducks

Name Class Date

Ando Hiroshige, Two Mandarin Ducks (1838). Public domain.

The facts

Artist
Ando Hiroshige topimpressionists.com/en/artists/ando-hiroshige/
Artist’s dates
1797 – 1858
Painted
1838
Movement
Ukiyo E Japanese woodblock prints of actors, city pleasures and landscapes, printed cheaply for ordinary buyers.

In context

Two Mandarin Ducks — Ando Hiroshige

When was this painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850

Shaded: the lifetime of Ando Hiroshige (1797–1858) ▲ this work, 1838

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/ando-hiroshige-two-mandarin-ducks-D3GS48-en/

Colours

Measured from the image

    Main colour

    Gray #6f736c

    Catalogued palette

    • #6F736C
    • #303436
    • #F4F5EE
    • #ADA897
    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Ando Hiroshige

    Born in Tokyo, Japan

    A Poetic Vision of Edo Japan: The Life and Art of Ando Hiroshige

    Ando Hiroshige, born Andō Tokutarō in 1797 within the bustling heart of Edo (modern Tokyo), wasn’t initially destined for a life steeped in artistic expression. His lineage traced back to samurai origins, yet fate took an unexpected turn with the untimely loss of his parents during his youth. This pivotal moment led to an apprenticeship under Utagawa Toyohiro, a respected figure within the ukiyo-e tradition – a world of woodblock prints capturing the ephemeral beauty of everyday life. While early works didn’t immediately garner acclaim, Hiroshige diligently honed his skills, patiently refining his technique and gradually forging a path toward artistic recognition. He even briefly fulfilled familial obligations as a fire warden, a stark contrast to the delicate landscapes that would ultimately define his legacy. This blend of duty and burgeoning artistry shaped a unique perspective, one deeply attuned to both the grandeur and the quiet moments of Edo society.

    Landscapes That Breathe: Hiroshige’s Artistic Development

    Hiroshige's true breakthrough came with his dedication to landscape prints, a genre considered somewhat minor at the time. He transcended mere representation, imbuing his scenes with an emotional resonance that resonated deeply with audiences. His work wasn’t simply about places; it was about the feeling of being in those places – the gentle mist clinging to Mount Fuji, the bustling energy of the Tokaido Road, the serene beauty of a plum orchard in bloom. His series became windows into the soul of Japan. The iconic “Thirty-six Views of Mount Fuji” stands as a testament to this mastery, presenting the sacred mountain from countless perspectives, each revealing a different facet of its symbolic power. Equally celebrated is "Fifty-three Stations of the Tōkaidō," a meticulously detailed chronicle of the vital trade route connecting Edo and Kyoto. These weren’t just maps; they were vibrant snapshots of life in motion, capturing the travelers, merchants, and landscapes that defined this crucial artery of Japanese commerce. One Hundred Famous Views of Edo, his most ambitious undertaking, offered a panoramic vision of the capital city, showcasing its diverse neighborhoods, scenic vistas, and cultural landmarks with unparalleled detail and sensitivity.

    The Influence of Japonisme: A Bridge to the West

    By the late 19th century, Hiroshige’s art had embarked on an extraordinary journey westward, becoming a cornerstone of the Japonisme movement that swept through Europe. European artists, captivated by the unique aesthetic sensibilities of Japanese prints, eagerly absorbed Hiroshige's innovative techniques and compositional approaches. The impact was profound. Vincent van Gogh, deeply moved by Hiroshige’s use of color and perspective, created his own interpretations of several prints, demonstrating a clear admiration for the Japanese master. Claude Monet, another leading figure in Impressionism, also drew inspiration from Hiroshige's atmospheric effects and emphasis on capturing fleeting moments. The influence extended beyond painting; elements of Hiroshige’s designs can be seen in the flowing lines and natural motifs of Art Nouveau. His work wasn’t merely copied but served as a catalyst for artistic innovation, prompting Western artists to re-evaluate their own approaches to color, composition, and subject matter.

    A Lasting Legacy: Hiroshige's Historical Significance

    Ando Hiroshige passed away in 1858, leaving behind a body of work that continues to captivate and inspire. He is often regarded as the last great master of ukiyo-e, marking a turning point in Japanese art history. His emphasis on landscape, his poetic sensibility, and his innovative use of color and composition set him apart from his contemporaries and paved the way for future generations of artists.

    His prints offer invaluable insights into life in Edo-period Japan.

    He elevated landscape painting to new heights within the ukiyo-e tradition.

    His work played a crucial role in introducing Japanese art and aesthetics to the West.

    Today, Hiroshige’s prints are treasured possessions of museums and private collectors worldwide. His legacy endures not only through his stunning artwork but also through the enduring influence he exerted on artists across cultures and generations – a testament to the power of a poetic vision that continues to resonate with audiences centuries later.

    Where to read more

    • The artist Ando Hiroshige topimpressionists.com/en/artists/ando-hiroshige/
    • Similar works More works to compare topimpressionists.com/en/art/similar/ando-hiroshige-two-mandarin-ducks-D3GS48-en/

    Find this online

    QR code linking to the download page for Two Mandarin Ducks

    topimpressionists.com/en/art/download/ando-hiroshige-two-mandarin-ducks-D3GS48-en/

    Cite this artwork

    MLA
    Hiroshige, Ando. Two Mandarin Ducks. 1838, https://topimpressionists.com/en/art/ando-hiroshige-two-mandarin-ducks-D3GS48-en/
    APA
    Hiroshige, Ando (1838). Two Mandarin Ducks [Painting]. https://topimpressionists.com/en/art/ando-hiroshige-two-mandarin-ducks-D3GS48-en/
    Chicago
    Ando Hiroshige. Two Mandarin Ducks. 1838. https://topimpressionists.com/en/art/ando-hiroshige-two-mandarin-ducks-D3GS48-en/
    Harvard
    Hiroshige, Ando (1838) Two Mandarin Ducks. Available at: https://topimpressionists.com/en/art/ando-hiroshige-two-mandarin-ducks-D3GS48-en/

    Look closely

    Two Mandarin Ducks — Ando Hiroshige

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Night View of Saruwakacho, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Ukiyo E: Japanese woodblock prints of actors, city pleasures and landscapes, printed cheaply for ordinary buyers. Where can you see that in this work?
    5. Ando Hiroshige was about 41 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.