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Student Artwork Guide

Self Portrait

Name Class Date

Andrew Young, Self Portrait (1922). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Andrew Young topimpressionists.com/en/artists/andrew-young/
Painted
1922
Original size
32 x 24 cm

In context

Self Portrait — Andrew Young

How big is it?

The original measures 32 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920

▲ this work, 1922 every dated painting, decade by decade

Compare with

  • A Select Tea Party topimpressionists.com/en/art/andrew-young-a-select-tea-party-AR262U-en/
  • Cat on a Chair topimpressionists.com/en/art/andrew-young-cat-on-a-chair-AR262Y-en/
  • Portrait of a Girl topimpressionists.com/en/art/andrew-young-portrait-of-a-girl-AR262S-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/andrew-young-self-portrait-AR262J-en/

Colours

Measured from the image

    Main colour

    Espresso #65573f

    Catalogued palette

    • #65573F
    • #252528
    • #423E34
    • #968573

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Andrew Young over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Andrew Young

    1. 1 Girl and Flowers 33.3%
    2. 2 Portrait of a Girl 33.3%
    3. 3 Mary Barclay 33.3%
    4. Self Portrait, 1922 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Andrew Young

    A Tapestry of Tradition and Observation

    The artistic essence of Andrew Young is a profound dialogue between the meticulous observation of the natural world and a deep-seated reverence for the storytelling traditions of his heritage. A Taiwanese-Indonesian-American artist and educator currently based in Minneapolis, Young possesses a unique perspective shaped by a multicultural upbringing. This rich tapestry of influences—spanning from the vibrant landscapes of Southeast Asia to the quiet, rugged terrains of New England—informs a practice that is as much about memory and identity as it is about light and color. His journey into the visual arts was deeply intertwined with his training in puppetry, a discipline that taught him the delicate balance of movement, character, and narrative, elements that he now translates onto the canvas through expressive brushwork and evocative compositions.

    Young’s creative development reached a pivotal moment during his formative years at the University of Minnesota, where his fascination with the nuances of the American landscape began to coalesce into a distinct painterly voice. He found himself drawn to the quietude of rural life, seeking to capture the subtle emotional resonances found in moments of solitude. His work is heavily indebted to the masters of American realism and regionalism; one can discern the haunting, solitary atmospheres of Edward Hopper and the grounded, tactile storytelling of Andrew Wyeth within his landscapes. By synthesizing these influences, Young has developed a style that bridges the gap between stark realism and a more poetic, impressionistic interpretation of the world around him.

    The Luminous Language of Landscape

    At the heart of Young’s technical mastery is a commitment to capturing the ephemeral qualities of light and atmosphere. His practice frequently centers on the landscapes of Maine, a region whose rugged topography and rich visual heritage provide an endless source of inspiration. To convey the shifting moods of the natural world—from the soft, pearlescent glow of a winter dawn to the deep, melancholic shadows of dusk—Young employs a sophisticated technique of layered glazing. By applying thin, translucent washes of color over successive layers, he builds a depth of tone that allows light to appear as if it is emanating from within the painting itself.

    This meticulous approach enables him to render the textures of the earth—the frost on a snowscape, the roughness of bark, or the stillness of a forest floor—with remarkable clarity. Yet, his work transcends mere topographical accuracy. Through his use of color and light, Young explores profound themes of connection and isolation. His paintings often serve as meditations on the passage of time and the enduring presence of the natural world, inviting the viewer into a space of quiet contemplation. In his hands, a simple landscape becomes a vessel for intangible feelings, capturing the very essence of stillness and the weight of memory.

    Legacy of Regionalism and Innovation

    Young’s artistic vision is defined by a beautiful tension between honoring historical movements and embracing contemporary innovation. He draws significant inspiration from the American Regionalist movement, an era characterized by artists who sought to find beauty and significance in the everyday lives and landscapes of the American heartland. By situating his work within this tradition, Young contributes to a continuing legacy of art that celebrates the local, the rural, and the authentic.

    Beyond his contributions to landscape painting, his role as an educator and puppeteer underscores a holistic approach to art as a tool for community engagement and storytelling. His career is marked by several notable achievements, including:

    Collaborative Artistry: His work with organizations such as Mayday and Barebones, where he integrates performance and visual art.

    Cultural Synthesis: The successful integration of his Taiwanese-Indonesian roots into the context of American Regionalist painting.

    Technical Mastery: The refinement of glazing techniques to achieve a unique luminosity in New England subject matter.

    Ultimately, Andrew Young stands as a contemporary voice that reminds us of the power of observation. His work does not merely depict a place; it evokes a feeling, ensuring that the quiet beauty of the natural world remains a central subject in the modern artistic consciousness.

    Where to read more

    • The artist Andrew Young topimpressionists.com/en/artists/andrew-young/
    • Similar works More works to compare topimpressionists.com/en/art/similar/andrew-young-self-portrait-AR262J-en/

    Find this online

    QR code linking to the download page for Self Portrait

    topimpressionists.com/en/art/download/andrew-young-self-portrait-AR262J-en/

    Cite this artwork

    MLA
    Young, Andrew. Self Portrait. 1922, https://topimpressionists.com/en/art/andrew-young-self-portrait-AR262J-en/
    APA
    Young, Andrew (1922). Self Portrait [Painting]. https://topimpressionists.com/en/art/andrew-young-self-portrait-AR262J-en/
    Chicago
    Andrew Young. Self Portrait. 1922. https://topimpressionists.com/en/art/andrew-young-self-portrait-AR262J-en/
    Harvard
    Young, Andrew (1922) Self Portrait. Available at: https://topimpressionists.com/en/art/andrew-young-self-portrait-AR262J-en/

    Look closely

    Self Portrait — Andrew Young

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at A Select Tea Party, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Are the colors of "Self Portrait" by Andrew Young vivid or muted?

    "Self Portrait" by Andrew Young is recorded with a muted saturation and a monochromatic intensity.

    How strong is the contrast in "Self Portrait" by Andrew Young?

    "Self Portrait" by Andrew Young shows a serene contrast between its light and dark areas.

    Which palette and lead color define "Self Portrait"?

    "Self Portrait" by Andrew Young uses an earthy palette, with espresso (#65573f) as the dominant color.