Paper

Student Artwork Guide

Jerusalem

Name Class Date

Anselm Kiefer, Jerusalem. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Anselm Kiefer topimpressionists.com/en/artists/anselm-kiefer/
Artist’s dates
1945 –

In context

Jerusalem — Anselm Kiefer

When might this have been painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

First works: up to 1974 Main working years: 1974–1995 Late works: from 1995

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/anselm-kiefer-jerusalem-A2629Q-en/

Colours

Measured from the image

    Main colour

    Espresso #342d20

    Catalogued palette

    • #342D20
    • #AFAC90
    • #5B5840
    • #808064

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Anselm Kiefer over the last twelve months — 13 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Denmark 25.9%
    2. 2 Italy 17.2%
    3. 3 China 12.1%
    4. 4 Germany 12.1%
    5. 5 Netherlands 10.3%
    6. 6 United States of America 10.3%
    7. 7 Argentina 1.7%
    8. 8 Brazil 1.7%
    9. 9 United Kingdom 1.7%
    10. 10 Israel 1.7%
    11. · 3 other countries 5.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Anselm Kiefer

    1. 1 Athanor, 1984 33.7%
    2. 2 Böhmen liegt am Meer (Bohemia Lies by the Sea), 1996 21.4%
    3. 3 Die meistersinger, (290 Kb)_ Oil, emulsion, a (1982) 6.1%
    4. 4 Seraphim, 1984 4.1%
    5. 5 Morgenthau Plan, 2012 4.1%
    6. 6 Nigredo, (290 Kb)_ Oil, acrylic, emulsion, shell (1984) 4.1%
    7. 7 Only with Wind, Time, and Sound, 1997 3.1%
    8. 8 Gilgamesh and Enkidu in the Cedar Forest II, 1981 3.1%
    9. 9 The Fertile Crescent, 2009 2.0%
    10. 10 Jerusalem this painting 2.0%
    11. 11 Les Reines De France, 1995 2.0%
    12. 12 Your Golden Hair, Margarete, 1980 2.0%
    13. 13 Nuremberg, (320 Kb)_ Acrylic, emulsion, and stra (1982) 2.0%
    14. 14 Nero paints, (290 Kb)_ Oil on canvas, 220 x (1974) - (300) 2.0%
    15. 15 March heath, (260 Kb)_ Oil, acrylic, and shellac (1974) 2.0%
    16. 16 Untitled (210) 2.0%
    17. 17 A Ship Will Come, 1974 1.0%
    18. 18 Margarete, (290 Kb)_ Oil and straw on canvas, (1981) - (28) 1.0%
    19. 19 March sand 1.0%
    20. 20 Reservoir, 1971 1.0%

    Together these works take 99.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 38 works by this artist, of which 20 were looked at at least once. This painting ranks 10 of them, with 2.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Anselm Kiefer

    Born in Donaueschingen, Germany

    The Weight of Memory: The Art of Anselm Kiefer

    Anselm Kiefer stands as one of the most profound and distinctive voices within Neo-Expressionism, an artistic movement that emerged in the late 1970s and early 1980s as a powerful reaction against the austerity of Minimalism and Conceptual Art. Born in Donaueschingen, Germany, in 1945, Kiefer’s very existence is inextricably linked to the aftermath of World War II. His oeuvre transcends mere representation; it is an immersive, visceral exploration of German history—particularly its profound trauma—expressed through monumental canvases and sculptures that demand a physical confrontation from the viewer. His artistic journey began with rigorous studies under Peter Dreher and Horst Antes at the Hochschule für Gestaltung Weinheim-Basel, where he established a foundation for his famously experimental approach to artmaking.

    The soul of Kiefer’s work is deeply rooted in the literary shadows of the past, most notably through the haunting poetry of Paul Celan. The fragmented language and preoccupation with loss found in Celan's verse profoundly impacted Kiefer’s thematic concerns, specifically regarding the Holocaust and its lingering, often silent, effects on German collective memory. Through his art, Kiefer seeks to give form to this silence, exploring themes of absence, destruction, and the heavy burden of historical legacy. His work does not merely depict history; it attempts to excavate it from the layers of time and debris.

    Materiality and the Alchemy of Destruction

    What truly distinguishes Kiefer from his contemporaries is his deliberate and masterful use of materials that carry immense symbolic weight. He treats the canvas not as a flat surface, but as a site of geological and historical transformation. By incorporating unconventional elements such as ash, straw, clay, lead, and shellac, he creates works that feel less like paintings and much more like artifacts recovered from a scorched earth. Each material serves a narrative purpose:

    Ash: Derived from burned forests, ash acts as a poignant reminder of ecological devastation and the literal and metaphorical destruction wrought by war.

    Straw: This element introduces a sense of fragility, representing the vulnerability of human life against the overwhelming forces of nature and history.

    Lead: A heavy, somber medium that provides a sense of permanence and the crushing weight of the past.

    Kiefer’s technique is characterized by an intense, thick impasto layering. He applies paint in multiple, dense coats to create textured surfaces that resemble scorched earth or ancient geological formations. This tactile approach is not merely decorative; it actively engages the viewer, forcing them to confront the sheer physicality of his process. The scale of his canvases often mirrors the monumental scale of the historical events he addresses, creating an environment where the viewer is swallowed by the texture and gravity of the work.

    Legacy and Historical Significance

    As his career progressed, Kiefer’s international recognition grew through works that challenged the boundaries between painting, sculpture, and installation. His ability to weave together myth, alchemy, and historical catastrophe has secured his place as a titan of contemporary art. Whether he is depicting the brooding shadows of Roman emperors or the desolate landscapes of post-war Europe, his work remains a continuous dialogue with the concept of time itself. Through his mastery of texture and symbolism, Anselm Kiefer has created a visual language capable of articulating the most difficult aspects of human history, ensuring that the scars of the past are never truly erased, but rather transformed into profound works of enduring significance.

    Where to read more

    • The artist Anselm Kiefer topimpressionists.com/en/artists/anselm-kiefer/
    • Similar works More works to compare topimpressionists.com/en/art/similar/anselm-kiefer-jerusalem-A2629Q-en/

    Find this online

    QR code linking to the download page for Jerusalem

    topimpressionists.com/en/art/download/anselm-kiefer-jerusalem-A2629Q-en/

    Cite this artwork

    MLA
    Kiefer, Anselm. Jerusalem. n.d., https://topimpressionists.com/en/art/anselm-kiefer-jerusalem-A2629Q-en/
    APA
    Kiefer, Anselm (n.d.). Jerusalem [Painting]. https://topimpressionists.com/en/art/anselm-kiefer-jerusalem-A2629Q-en/
    Chicago
    Anselm Kiefer. Jerusalem. n.d. https://topimpressionists.com/en/art/anselm-kiefer-jerusalem-A2629Q-en/
    Harvard
    Kiefer, Anselm (n.d.) Jerusalem. Available at: https://topimpressionists.com/en/art/anselm-kiefer-jerusalem-A2629Q-en/

    Look closely

    Jerusalem — Anselm Kiefer

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Athanor (1984), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is a high-resolution download of "Jerusalem" available?

    "Jerusalem" is available as a high-resolution digital image download, purchased directly on its Digital Image page.

    Can I examine "Jerusalem" in more detail?

    The X-Ray page of "Jerusalem" by Anselm Kiefer is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    How saturated is the palette of "Jerusalem"?

    The colors of "Jerusalem" by Anselm Kiefer have a subtle color saturation. Saturation describes how vivid or muted the colors are.