Paper

Student Artwork Guide

Seraphim

Name Class Date

Anselm Kiefer, Seraphim (1984), Solomon R. Guggenheim Museum. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Anselm Kiefer topimpressionists.com/en/artists/anselm-kiefer/
Artist’s dates
1945 –
Painted
1984
Held at
Solomon R. Guggenheim Museum topimpressionists.com/en/museums/solomon-r-guggenheim-museum-new-york/

In context

Seraphim — Anselm Kiefer

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 39. 12 of the 22 dated works by this artist in our catalogue came earlier.

▲ this work, 1984 every dated painting, decade by decade

First works: up to 1974 Main working years: 1974–1995 Late works: from 1995

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/anselm-kiefer-seraphim-D5KHTG-en/

Colours

Measured from the image

    Main colour

    Espresso #4e3f39

    Catalogued palette

    • #4E3F39
    • #837168
    • #A6A2A1
    • #221B1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Anselm Kiefer over the last twelve months — 13 countries in all. Where these figures come from

    The ten leading countries

    1. 1 Denmark 25.9%
    2. 2 Italy 17.2%
    3. 3 China 12.1%
    4. 4 Germany 12.1%
    5. 5 Netherlands 10.3%
    6. 6 United States of America 10.3%
    7. 7 Argentina 1.7%
    8. 8 Brazil 1.7%
    9. 9 United Kingdom 1.7%
    10. 10 Israel 1.7%
    11. · 3 other countries 5.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Anselm Kiefer

    1. 1 Athanor, 1984 34.4%
    2. 2 Böhmen liegt am Meer (Bohemia Lies by the Sea), 1996 22.6%
    3. 3 Die meistersinger, (290 Kb)_ Oil, emulsion, a (1982) 6.5%
    4. 4 Morgenthau Plan, 2012 4.3%
    5. 5 Nigredo, (290 Kb)_ Oil, acrylic, emulsion, shell (1984) 4.3%
    6. 6 Gilgamesh and Enkidu in the Cedar Forest II, 1981 3.2%
    7. 7 The Fertile Crescent, 2009 2.2%
    8. 8 Only with Wind, Time, and Sound, 1997 2.2%
    9. 9 Jerusalem 2.2%
    10. 10 Les Reines De France, 1995 2.2%
    11. 11 Your Golden Hair, Margarete, 1980 2.2%
    12. 12 Nuremberg, (320 Kb)_ Acrylic, emulsion, and stra (1982) 2.2%
    13. 13 Nero paints, (290 Kb)_ Oil on canvas, 220 x (1974) - (300) 2.2%
    14. 14 March heath, (260 Kb)_ Oil, acrylic, and shellac (1974) 2.2%
    15. 15 Untitled (210) 2.2%
    16. 16 Seraphim, 1984 this painting 1.1%
    17. 17 A Ship Will Come, 1974 1.1%
    18. 18 Margarete, (290 Kb)_ Oil and straw on canvas, (1981) - (28) 1.1%
    19. 19 March sand 1.1%
    20. 20 Reservoir, 1971 1.1%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 38 works by this artist, of which 20 were looked at at least once. This painting ranks 16 of them, with 1.1% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Anselm Kiefer

    Born in Donaueschingen, Germany

    The Weight of Memory: The Art of Anselm Kiefer

    Anselm Kiefer stands as one of the most profound and distinctive voices within Neo-Expressionism, an artistic movement that emerged in the late 1970s and early 1980s as a powerful reaction against the austerity of Minimalism and Conceptual Art. Born in Donaueschingen, Germany, in 1945, Kiefer’s very existence is inextricably linked to the aftermath of World War II. His oeuvre transcends mere representation; it is an immersive, visceral exploration of German history—particularly its profound trauma—expressed through monumental canvases and sculptures that demand a physical confrontation from the viewer. His artistic journey began with rigorous studies under Peter Dreher and Horst Antes at the Hochschule für Gestaltung Weinheim-Basel, where he established a foundation for his famously experimental approach to artmaking.

    The soul of Kiefer’s work is deeply rooted in the literary shadows of the past, most notably through the haunting poetry of Paul Celan. The fragmented language and preoccupation with loss found in Celan's verse profoundly impacted Kiefer’s thematic concerns, specifically regarding the Holocaust and its lingering, often silent, effects on German collective memory. Through his art, Kiefer seeks to give form to this silence, exploring themes of absence, destruction, and the heavy burden of historical legacy. His work does not merely depict history; it attempts to excavate it from the layers of time and debris.

    Materiality and the Alchemy of Destruction

    What truly distinguishes Kiefer from his contemporaries is his deliberate and masterful use of materials that carry immense symbolic weight. He treats the canvas not as a flat surface, but as a site of geological and historical transformation. By incorporating unconventional elements such as ash, straw, clay, lead, and shellac, he creates works that feel less like paintings and much more like artifacts recovered from a scorched earth. Each material serves a narrative purpose:

    Ash: Derived from burned forests, ash acts as a poignant reminder of ecological devastation and the literal and metaphorical destruction wrought by war.

    Straw: This element introduces a sense of fragility, representing the vulnerability of human life against the overwhelming forces of nature and history.

    Lead: A heavy, somber medium that provides a sense of permanence and the crushing weight of the past.

    Kiefer’s technique is characterized by an intense, thick impasto layering. He applies paint in multiple, dense coats to create textured surfaces that resemble scorched earth or ancient geological formations. This tactile approach is not merely decorative; it actively engages the viewer, forcing them to confront the sheer physicality of his process. The scale of his canvases often mirrors the monumental scale of the historical events he addresses, creating an environment where the viewer is swallowed by the texture and gravity of the work.

    Legacy and Historical Significance

    As his career progressed, Kiefer’s international recognition grew through works that challenged the boundaries between painting, sculpture, and installation. His ability to weave together myth, alchemy, and historical catastrophe has secured his place as a titan of contemporary art. Whether he is depicting the brooding shadows of Roman emperors or the desolate landscapes of post-war Europe, his work remains a continuous dialogue with the concept of time itself. Through his mastery of texture and symbolism, Anselm Kiefer has created a visual language capable of articulating the most difficult aspects of human history, ensuring that the scars of the past are never truly erased, but rather transformed into profound works of enduring significance.

    Museum

    Solomon R. Guggenheim Museum

    On show in New York, United States of America

    A Symphony of Light and Form: The Guggenheim Experience

    To enter the

    Solomon R. Guggenheim Museum

    is to step inside a living sculpture, a place where the boundaries between architectural innovation and artistic expression dissolve into a singular, breathtaking experience. Located in the heart of

    New York City

    , this iconic landmark serves as much more than a repository for masterpieces; it is an immersive journey through space and light. Designed by the visionary

    Frank Lloyd Wright

    , the museum’s structure embodies the principles of organic architecture, creating a seamless dialogue between the built environment and the creative spirit. As visitors ascend the continuous, spiraling ramp, they are guided through a rhythmic progression of galleries that reject the traditional, compartmentalized museum layout in favor of an unfolding visual narrative, where every turn reveals a new perspective on the evolution of modern art.

    The architectural brilliance of the building is anchored by its monumental oculus, a skylight that bathes the interior in a soft, natural glow, transforming the central atrium into a cathedral of light. Wright’s use of concrete and limestone—materials echoing the rugged geological formations of the American West—provides a grounded, tactile contrast to the ethereal quality of the light filtering from above. This deliberate design choice ensures that the art is never viewed in isolation; rather, each painting and sculpture becomes an integral part of the building's flowing geometry. For the art lover or interior designer, the museum offers a profound lesson in how space can elevate subject matter, turning the act of observation into a meditative encounter with form and movement.

    A Legacy of Abstract Vision

    At the heart of the Guggenheim’s soul lies its extraordinary collection, a legacy shaped by the pioneering spirit of

    Hilla von Rebay

    . Her dedication to non-objective and abstract art laid the foundation for a collection that celebrates the spiritual and emotional power of pure form. The museum’s halls are graced by the groundbreaking compositions of

    Wassily Kandinsky

    , whose vibrant hues and geometric precision continue to resonate with contemporary sensibilities. Alongside these abstract pioneers, the collection boasts the monumental presence of

    Pablo Picasso

    , whose diverse contributions range from intricate prints to sculptural marvels.

    This rich tapestry of art—stretching from Impressionism and Post-Impressionism into the heights of early Modernism and contemporary movements—creates a dialogue across eras. The museum remains a vibrant epicenter of cultural discourse, constantly reinventing itself through temporary exhibitions that challenge and provoke. By hosting shows that grapple with pressing social, political, and technological themes, the institution ensures that its historical collection remains in constant conversation with the present day. It is this unique ability to bridge the gap between the masters of the past—such as

    Marc Chagall

    and

    Joan Miró

    —and the emerging voices of today that makes the Guggenheim a living institution, an enduring emblem of New York’s cultural dynamism where architectural grandeur and artistic innovation converge to inspire awe.

    Where to read more

    Find this online

    QR code linking to the download page for Seraphim

    topimpressionists.com/en/art/download/anselm-kiefer-seraphim-D5KHTG-en/

    Cite this artwork

    MLA
    Kiefer, Anselm. Seraphim. 1984, Solomon R. Guggenheim Museum. https://topimpressionists.com/en/art/anselm-kiefer-seraphim-D5KHTG-en/
    APA
    Kiefer, Anselm (1984). Seraphim [Painting]. Solomon R. Guggenheim Museum. https://topimpressionists.com/en/art/anselm-kiefer-seraphim-D5KHTG-en/
    Chicago
    Anselm Kiefer. Seraphim. 1984. Solomon R. Guggenheim Museum. https://topimpressionists.com/en/art/anselm-kiefer-seraphim-D5KHTG-en/
    Harvard
    Kiefer, Anselm (1984) Seraphim. Solomon R. Guggenheim Museum. Available at: https://topimpressionists.com/en/art/anselm-kiefer-seraphim-D5KHTG-en/

    Look closely

    Seraphim — Anselm Kiefer

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Athanor (1984), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Anselm Kiefer was about 39 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What color palette is used in "Seraphim" by Anselm Kiefer?

    "Seraphim" by Anselm Kiefer uses an earthy color palette. The palette summarizes the work's overall color character.

    Where can I buy a hand-painted reproduction of "Seraphim" by Anselm Kiefer?

    Hand-painted copies of "Seraphim" by Anselm Kiefer are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    What is the format of "Seraphim"?

    "Seraphim" by Anselm Kiefer is a square composition. The proportions are worth checking before choosing a print size.