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Student Artwork Guide

Tears

Name Class Date

arnold schoenberg, Tears (1910), Arnold Schönberg Center. Public domain.

The facts

Artist
arnold schoenberg topimpressionists.com/en/artists/arnold-schoenberg/
Artist’s dates
1874 – 1951
Painted
1910
Medium
Acrylic On Canvas
Original size
23 x 29 cm
Movement
Expressionist Modernism
Period
19th Century
Held at
Arnold Schönberg Center topimpressionists.com/en/museums/arnold-schonberg-center-vienna/
Artistic style
Atonality, Expressionism
Influences
Brahms, Wagner
Notable elements
Red pupils, intense sorrow
Subject or theme
Inner grief, yearning

In context

Tears — arnold schoenberg

How big is it?

The original measures 23 × 29 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Shaded: the lifetime of arnold schoenberg (1874–1951) ▲ this work, 1910

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/arnold-schoenberg-tears-D793AX-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #846254

    Catalogued palette

    • #846254
    • #907B74
    • #7A6C69
    • #595252
    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Tears — arnold schoenberg

    A Portrait of Inner Turmoil: Arnold Schönberg’s “Tears”

    Arnold Schönberg's "Tears," painted in 1910, is not merely a depiction of a man weeping; it’s a profound and unsettling exploration of the artist’s internal landscape. Created during a period of radical experimentation within his music – a time when he was forging new paths toward atonality – the painting reflects the anxieties and intensities that fueled his groundbreaking compositions. As Karl Linke's insightful introduction suggests, this image transcends simple representation, becoming a visceral embodiment of the “inner weeping” that Schönberg sought to capture in his scores.

    Subject Matter: The central figure is a man’s face, rendered with stark realism and imbued with an almost unbearable sorrow.

    Color Palette: The deliberate misuse of color – hues occupying spaces they shouldn't – speaks to Schönberg’s rejection of conventional artistic norms and his embrace of instinctual expression.

    Technical Detail: Notice the meticulous rendering of the facial features, particularly the intense red pupils that draw the viewer into the man’s tormented gaze.

    The Symbolism of Despair

    "Tears" operates on multiple symbolic levels. The weeping figure isn't a portrait of grief in the traditional sense; it represents the artist’s struggle to translate profound emotional experiences – specifically, the dissonance and anguish he was pioneering in his music – onto canvas. The veiled face suggests a deliberate obscuring of the source of this sorrow, perhaps reflecting Schönberg’s own attempts to grapple with the unsettling nature of his artistic vision. The image embodies the feeling of being “led” by an unseen force, mirroring the composer's experience of musical intuition.

    The painting’s brown background further amplifies the sense of isolation and introspection. It acts as a neutral stage upon which this intensely personal drama unfolds, emphasizing the figure’s vulnerability and the overwhelming nature of his emotional state.

    Historical Context & Artistic Innovation

    Painted in 1910, “Tears” sits squarely within Schönberg's pivotal period of artistic development. This was a time when he was dismantling traditional harmonic structures and exploring new sonic territories – a process that would ultimately revolutionize the course of 20th-century music. The painting’s raw emotional intensity anticipates the radicalism of his later works, such as “Pierrot Lunaire,” which explored themes of psychological distress and alienation.

    Schönberg's decision to depict himself in this way – a figure consumed by inner turmoil – reflects the broader artistic climate of the early 20th century, where artists were increasingly interested in exploring subjective experience and challenging established conventions. This work is a testament to Schönberg’s willingness to push boundaries, both musically and visually.

    A Captivating Reproduction

    This hand-painted reproduction captures the essence of “Tears” with remarkable fidelity. The meticulous attention to detail – from the texture of the man's beard to the unsettling intensity of his gaze – ensures that this powerful image will resonate deeply with viewers. The 23 x 29 cm size makes it ideal for a variety of settings, while the rich colors and textured surface create a truly immersive experience. A striking addition to any art collection or interior design scheme, “Tears” offers a poignant glimpse into the mind of one of music’s most influential figures.

    Artist and museum

    Artist

    arnold schoenberg

    Born in Vienna, Austria

    early life and musical beginnings

    arnold schoenberg, an austrian-american composer, was born on september 13, 1874, in vienna, austria. his early life was marked by a humble beginning, with his father being a shoe-shopkeeper. despite this, schoenberg's innate passion for music led him to largely self-educate himself in the field. schoenberg's early works, such as verklärte nacht (1899), showcased a brahmsian–wagnerian synthesis. as he progressed, he became the central figure of the second viennese school, alongside anton webern and alban berg. his compositions, including string quartet no. 2 (1907–1908), erwartung (1909), and pierrot lunaire (1912), exemplified his innovative approach to atonality. schoenberg resigned from the prussian academy of arts in 1933 due to the nazi's rise to power, labeling his music as "degenerate." he then taught in the us, including at the university of california, los angeles (1936–1944), where facilities are named in his honor. [https://AllPaintingsStore.com/@/arnold-schoenberg](discover more about schoenberg's life and works on AllPaintingsStore).

    schoenberg explored film music and wrote more tonal music, completing his chamber symphony no. 2 in 1939.

    he satirized fascist tyrants in ode to napoleon (1942), after byron.

    post-war vienna offered him honorary citizenship, but he was ill, as depicted in his string trio (1946).

    as the world learned of the holocaust, schoenberg memorialized its victims in a survivor from warsaw (1947). the israel conservatory and academy of music elected him honorary president in 1951. [https://AllPaintingsStore.com/@@/a@d3bqc7-the-museum-destroyed-by-fire-(united-states)](learn more about the impact of his work on AllPaintingsStore). key points: schoenberg's innovative music was among the most influential and polemicized of 20th-century classical music. at least three generations of composers extended its somewhat formal principles. * his aesthetic and music-historical views influenced musicologists theodor w. adorno and carl dahlhaus. [https://AllPaintingsStore.com/@@/a@d3cl2x--a-journey-through-art-history-with-AllPaintingsStore-s-extensive-collection-](explore the vast collection of art on AllPaintingsStore, spanning from the 12th to the 20th century).

    Museum

    Arnold Schönberg Center

    On show in Vienna, Austria

    A Sanctuary of Sound and Vision: The Arnold Schönberg Center

    In the heart of Vienna, a city where the echoes of musical genius resonate through every cobblestone street, lies a sanctuary dedicated to one of the most transformative figures of the twentieth century. The

    Arnold Schönberg Center

    is far more than a mere repository for historical documents; it is a living, breathing testament to the revolutionary spirit of Viennese Modernism. Established in 1998, this institution serves as a profound cultural hub where the legacy of Arnold Schönberg—the pioneer of atonality and the architect of the twelve-tone technique—is not only preserved but actively celebrated. To step within its walls is to enter an intellectual atmosphere charged with the same creative ferment that once redefined the boundaries of musical expression, offering a rare glimpse into an era that irrevocably altered the course of Western art.

    The collection held within this prestigious center is a treasure trove for scholars and art enthusiasts alike, blending the auditory with the visual in a seamless tapestry of history. The archives house over 20,000 pages of musical scores, personal diaries, and concert programs that trace the evolution of modern composition. Yet, what truly captivates the visitor is the intimate connection to the composer’s daily life. Through meticulously preserved replicas of Schönberg’s study, complete with original furniture and tools, the Center allows for a palpable encounter with his creative process. Furthermore, the collection unveils a lesser-known dimension of the maestro: his engagement with visual arts. A

    catalogue raisonné

    of his paintings and drawings reveals an abstract aesthetic that mirrors the structural complexities of his music, providing a multidimensional view of a man whose genius transcended a single medium.

    The history of the Center is a poignant narrative of displacement and eventual homecoming. Following Schönberg’s death in 1951, the stewardship of his estate fell to his widow, Gertrud, but the quest for a permanent intellectual home was a long and spirited journey. After a period where much of his legacy resided at the University of Southern California, a dedicated effort by the City of Vienna and the Internationale Schönberg-Gesellschaft ensured that his work returned to its rightful birthplace. This homecoming culminated in the founding of the Arnold Schönberg Center Privatstiftung in 1997, a milestone that anchored his revolutionary ideas back into the Viennese soil from which they grew. This sense of resilience is further extended to the Schönberg House in Mödling, a living monument where visitors can wander through the very rooms where his creative milestones were achieved.

    For the discerning collector or lover of fine arts, the Center offers an unparalleled window into the interconnectedness of modern disciplines. Through regular exhibitions, scholarly publications like the

    Journal of the Arnold Schönberg Center

    , and international accolades such as the annual Arnold Schönberg Prize, the institution fosters a deep appreciation for the cultural forces that shaped the twentieth century. It stands as a vital crossroads where musicology meets art history, inviting all who enter to explore the profound dialogue between sound, sight, and the enduring power of human innovation.

    Where to read more

    Find this online

    QR code linking to the download page for Tears

    topimpressionists.com/en/art/download/arnold-schoenberg-tears-D793AX-en/

    Cite this artwork

    MLA
    schoenberg, arnold. Tears. 1910, Arnold Schönberg Center. https://topimpressionists.com/en/art/arnold-schoenberg-tears-D793AX-en/
    APA
    schoenberg, arnold (1910). Tears [Painting]. Arnold Schönberg Center. https://topimpressionists.com/en/art/arnold-schoenberg-tears-D793AX-en/
    Chicago
    arnold schoenberg. Tears. 1910. Arnold Schönberg Center. https://topimpressionists.com/en/art/arnold-schoenberg-tears-D793AX-en/
    Harvard
    schoenberg, arnold (1910) Tears. Arnold Schönberg Center. Available at: https://topimpressionists.com/en/art/arnold-schoenberg-tears-D793AX-en/

    Look closely

    Tears — arnold schoenberg

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sorrowful face, arnold schönberg, musical influence. Do you agree? What would you add, or take away?
    4. Look back at Walking Self-Portrait (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. arnold schoenberg was about 36 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.