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Student Artwork Guide

A Heavy Burden

Name Class Date

Arthur Hacker, A Heavy Burden. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Arthur Hacker topimpressionists.com/en/artists/arthur-hacker/
Artist’s dates
1858 – 1919
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

A Heavy Burden — Arthur Hacker

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 61 at death.

Shaded: the lifetime of Arthur Hacker (1858–1919) every dated painting, decade by decade

First works: up to 1890 Main working years: 1890–1909 Late works: from 1909

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/arthur-hacker-a-heavy-burden-8XXFQ2-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #aca67e

    Catalogued palette

    • #ACA67E
    • #272428
    • #514932
    • #797348

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Arthur Hacker over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 36.0%
    2. 2 Italy 16.0%
    3. 3 United States of America 12.0%
    4. 4 Hong Kong 8.0%
    5. 5 Singapore 8.0%
    6. 6 Belgium 4.0%
    7. 7 Canada 4.0%
    8. 8 United Kingdom 4.0%
    9. 9 Ireland 4.0%
    10. 10 Netherlands 4.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Arthur Hacker

    1. 1 A Morning Walk, 1902 12.8%
    2. 2 Fisherman's Wife, 1885 12.8%
    3. 3 Figure walking on the shore, Lake Como, Italy 7.7%
    4. 4 John Kitson, Last Chairman of the Torquay Local Board 7.7%
    5. 5 A Heavy Burden this painting 7.7%
    6. 6 King Charles' Day 5.1%
    7. 7 Flare and Flutter: Piccadilly Circus at Night, 1912 2.6%
    8. 8 The Temptation of Sir Percival, 1894 2.6%
    9. 9 Musicienne du Silence, 1900 2.6%
    10. 10 Portrait Of Artist's Sister­-in­-Law, 1882 2.6%
    11. 11 The Drone, 1899 2.6%
    12. 12 A Quiet Cove, Girl Canoeing, 1900 2.6%
    13. 13 In Jeopardy, 1902 2.6%
    14. 14 The Children's Prayer, 1888 2.6%
    15. 15 Pelagia and Philammon, 1887 2.6%
    16. 16 The Cloister of the Bell 2.6%
    17. 17 A skyphos, a kylix, a wine jug, and an Egyptian necklace before a Greek frieze, on marble tiles 2.6%
    18. 18 Sir John Martin-Harvey as 'Hamlet', 1916 2.6%
    19. 19 St Paul's Cathedral, 1912 2.6%
    20. 20 Right Honourable Charles Seale-Hayne, 1877 2.6%

    Together these works take 90.2% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 85 works by this artist, of which 24 were looked at at least once. This painting ranks 5 of them, with 7.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Arthur Hacker

    Born in London, United Kingdom

    Early Life and Academic Foundations

    Arthur Hacker, born in St Pancras, London, on September 25th, 1858, emerged from a family steeped in artistic tradition. His father, Edward Hacker, was a respected line engraver specializing in animal and sporting prints—a profession that undoubtedly instilled in young Arthur an early appreciation for meticulous detail and technical skill. This foundation proved crucial as Hacker embarked on his formal art education at the Royal Academy Schools between 1876 and 1880. However, seeking broader horizons, he continued his studies at the prestigious Atelier Bonnat in Paris, a move that would profoundly shape his artistic trajectory. The influence of French academic painting became immediately apparent, providing Hacker with a rigorous framework for composition, anatomy, and color theory. He debuted at the Royal Academy Summer Exhibition in 1878, signaling the beginning of his public career.

    A Synthesis of Styles: Religious Scenes and Portraiture

    Hacker’s artistic output was remarkably diverse, yet consistently characterized by a refined elegance and a deep sensitivity to light and atmosphere. While he gained recognition for painting religious scenes—works imbued with a quiet spirituality and emotional depth—he also excelled in portraiture. His travels through Spain and North Africa left an indelible mark on his palette and subject matter, introducing exotic elements and vibrant color schemes into his work. He twice exhibited at the Royal Academy, in 1878 and 1910, demonstrating a sustained commitment to the established art world. In 1910, Hacker was elected an Academician—a testament to his growing reputation and mastery of the craft. This period saw him balancing grand religious compositions with increasingly sought-after portrait commissions, capturing the likenesses of prominent politicians, army officers, clergy, and figures from the artistic community.

    Navigating Victorian Tastes: Genre Painting and Symbolism

    As the Victorian era transitioned into the Edwardian period, Hacker adeptly navigated shifting aesthetic preferences. The demand for literary and historical subjects waned, prompting him to diversify his repertoire. He revisited rustic and domestic genre scenes, showcasing a natural versatility that allowed him to adapt to changing tastes. During the Boer War, he contributed works reflecting the bittersweet nature of conflict—subtle symbolic explorations rather than explicit depictions of battle. His painting The Cloister of the Bell, for example, exemplifies this period, featuring an ethereal woman within a serene landscape, evoking a sense of contemplation and tranquility. He also demonstrated a fascination with Pre-Raphaelite values, attempting to revive their aesthetic in his own unique style.

    Major Works and Lasting Legacy

    Hacker’s oeuvre includes several notable paintings that continue to captivate audiences today. The Annunciation at the Tate Britain is a prime example of his religious artistry—a delicate rendering of a pivotal biblical moment. Pelagia and Philammon, housed in Liverpool's Walker Art Gallery, showcases his skill in depicting classical narratives with emotional nuance. Other significant works include The Children’s Prayer (1888) at the Atkinson Museum, Southport, and The Temptation of Sir Percival in Leeds City Art Gallery. In 1902, Hacker built a new house called Hall Ingle in Checkendon, Oxfordshire, commissioning architect Maxwell Ayrton and personally overseeing the decorations—a testament to his holistic artistic vision. He died on November 12th, 1919, in Kensington, London, and is buried in Brookwood Cemetery, Surrey.

    Historical Significance and Modern Appreciation

    Arthur Hacker occupies a unique position within British art history. He successfully bridged the gap between French academic training and Victorian sensibilities, creating works that were both technically accomplished and emotionally resonant. His ability to adapt to changing tastes while maintaining his distinctive style ensured his continued success throughout his career. While perhaps not as widely celebrated as some of his contemporaries, Hacker’s paintings are increasingly recognized for their beauty, sophistication, and insightful portrayal of the human condition. Today, his works can be found in prominent public collections and private galleries, offering a glimpse into a fascinating era of artistic innovation and refinement. His legacy endures through the captivating scenes he created—a testament to his skill as a painter and his enduring contribution to British art.

    Where to read more

    Find this online

    QR code linking to the download page for A Heavy Burden

    topimpressionists.com/en/art/download/arthur-hacker-a-heavy-burden-8XXFQ2-en/

    Cite this artwork

    MLA
    Hacker, Arthur. A Heavy Burden. n.d., https://topimpressionists.com/en/art/arthur-hacker-a-heavy-burden-8XXFQ2-en/
    APA
    Hacker, Arthur (n.d.). A Heavy Burden [Painting]. https://topimpressionists.com/en/art/arthur-hacker-a-heavy-burden-8XXFQ2-en/
    Chicago
    Arthur Hacker. A Heavy Burden. n.d. https://topimpressionists.com/en/art/arthur-hacker-a-heavy-burden-8XXFQ2-en/
    Harvard
    Hacker, Arthur (n.d.) A Heavy Burden. Available at: https://topimpressionists.com/en/art/arthur-hacker-a-heavy-burden-8XXFQ2-en/

    Look closely

    A Heavy Burden — Arthur Hacker

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: family, resilience, landscape. Do you agree? What would you add, or take away?
    5. Look back at A Morning Walk (1902), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How harmonious are the colors of "A Heavy Burden" by Arthur Hacker?

    The color harmony of "A Heavy Burden" is recorded as strong color unity.

    Where can I find artworks similar to "A Heavy Burden" by Arthur Hacker?

    Works similar to "A Heavy Burden" are listed on the artwork's Similars page.

    How can I get a digital file of "A Heavy Burden" by Arthur Hacker?

    A digital image of "A Heavy Burden" by Arthur Hacker can be purchased on its Digital Image page: a high-resolution digital image download.