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Student Artwork Guide

Milking Time

Name Class Date

arthur hacker, Milking Time, National Gallery of Wales. Public domain.

The facts

Artist
arthur hacker topimpressionists.com/en/artists/arthur-hacker/
Artist’s dates
1858 – 1919
Held at
National Gallery of Wales topimpressionists.com/en/museums/national-gallery-of-wales-cardiff/

In context

Milking Time — arthur hacker

When might this have been painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Shaded: the lifetime of arthur hacker (1858–1919)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/arthur-hacker-milking-time-8YDG48-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a39876

    Catalogued palette

    • #A39876
    • #4B3F28
    • #2E2415
    • #726746
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    arthur hacker

    Born in London, United Kingdom

    Early Life and Academic Foundations

    Arthur Hacker, born in St Pancras, London, on September 25th, 1858, emerged from a family steeped in artistic tradition. His father, Edward Hacker, was a respected line engraver specializing in animal and sporting prints—a profession that undoubtedly instilled in young Arthur an early appreciation for meticulous detail and technical skill. This foundation proved crucial as Hacker embarked on his formal art education at the Royal Academy Schools between 1876 and 1880. However, seeking broader horizons, he continued his studies at the prestigious Atelier Bonnat in Paris, a move that would profoundly shape his artistic trajectory. The influence of French academic painting became immediately apparent, providing Hacker with a rigorous framework for composition, anatomy, and color theory. He debuted at the Royal Academy Summer Exhibition in 1878, signaling the beginning of his public career.

    A Synthesis of Styles: Religious Scenes and Portraiture

    Hacker’s artistic output was remarkably diverse, yet consistently characterized by a refined elegance and a deep sensitivity to light and atmosphere. While he gained recognition for painting religious scenes—works imbued with a quiet spirituality and emotional depth—he also excelled in portraiture. His travels through Spain and North Africa left an indelible mark on his palette and subject matter, introducing exotic elements and vibrant color schemes into his work. He twice exhibited at the Royal Academy, in 1878 and 1910, demonstrating a sustained commitment to the established art world. In 1910, Hacker was elected an Academician—a testament to his growing reputation and mastery of the craft. This period saw him balancing grand religious compositions with increasingly sought-after portrait commissions, capturing the likenesses of prominent politicians, army officers, clergy, and figures from the artistic community.

    Navigating Victorian Tastes: Genre Painting and Symbolism

    As the Victorian era transitioned into the Edwardian period, Hacker adeptly navigated shifting aesthetic preferences. The demand for literary and historical subjects waned, prompting him to diversify his repertoire. He revisited rustic and domestic genre scenes, showcasing a natural versatility that allowed him to adapt to changing tastes. During the Boer War, he contributed works reflecting the bittersweet nature of conflict—subtle symbolic explorations rather than explicit depictions of battle. His painting The Cloister of the Bell, for example, exemplifies this period, featuring an ethereal woman within a serene landscape, evoking a sense of contemplation and tranquility. He also demonstrated a fascination with Pre-Raphaelite values, attempting to revive their aesthetic in his own unique style.

    Major Works and Lasting Legacy

    Hacker’s oeuvre includes several notable paintings that continue to captivate audiences today. The Annunciation at the Tate Britain is a prime example of his religious artistry—a delicate rendering of a pivotal biblical moment. Pelagia and Philammon, housed in Liverpool's Walker Art Gallery, showcases his skill in depicting classical narratives with emotional nuance. Other significant works include The Children’s Prayer (1888) at the Atkinson Museum, Southport, and The Temptation of Sir Percival in Leeds City Art Gallery. In 1902, Hacker built a new house called Hall Ingle in Checkendon, Oxfordshire, commissioning architect Maxwell Ayrton and personally overseeing the decorations—a testament to his holistic artistic vision. He died on November 12th, 1919, in Kensington, London, and is buried in Brookwood Cemetery, Surrey.

    Historical Significance and Modern Appreciation

    Arthur Hacker occupies a unique position within British art history. He successfully bridged the gap between French academic training and Victorian sensibilities, creating works that were both technically accomplished and emotionally resonant. His ability to adapt to changing tastes while maintaining his distinctive style ensured his continued success throughout his career. While perhaps not as widely celebrated as some of his contemporaries, Hacker’s paintings are increasingly recognized for their beauty, sophistication, and insightful portrayal of the human condition. Today, his works can be found in prominent public collections and private galleries, offering a glimpse into a fascinating era of artistic innovation and refinement. His legacy endures through the captivating scenes he created—a testament to his skill as a painter and his enduring contribution to British art.

    Museum

    National Gallery of Wales

    On show in Cardiff, United Kingdom

    A Bastion of Welsh Culture: The Soul of Cardiff

    Nestled within the elegant, leafy expanse of Cathays Park, National Museum Cardiff stands as a profound emblem of Wales’ rich artistic and natural heritage, acting as a sanctuary where centuries of human creativity and prehistoric wonder converge under one magnificent roof. To step through its doors is to enter a space where history breathes; the museum’s very foundations are steeped in a narrative of ambition and endurance. While construction began in 1912, the shadow of the Great War delayed its grand opening until 1922, followed by a formal unveiling five years later. The building itself, an exquisite example of civic architecture designed by Arnold Dunbar Smith and Cecil Brewer, possesses a grandeur that hints at the original, more expansive dreams of its creators, offering a stately introduction to the treasures held within.

    For the art lover or the discerning collector, the museum is not merely a repository of artifacts but a vibrant cultural hub that offers an immersive journey through the nation’s evolving story. The heart of the museum beats most vibrantly within its art galleries, which are particularly renowned for their exceptional strength in Impressionist masterpieces. Here, the atmosphere shifts as one wanders through luminous landscapes where the delicate brushstrokes of

    Claude Monet

    and the raw, visceral emotion of

    Vincent van Gogh

    come to life. These works do more than decorate a space; they capture the ephemeral nature of light and the profound weight of human feeling, making them perennial inspirations for those who seek beauty in the fleeting moments of existence.

    Yet, the collection’s scope extends far beyond the French masters, weaving a tapestry of both international significance and deep local pride. Visitors can discover the nuanced brilliance of Welsh talents such as

    Richard Wilson

    ,

    Thomas Jones

    ,

    Augustus John

    , and the ethereal

    Gwen John

    . Each painting, sculpture, and ceramic piece is curated to tell a story of artistic evolution and cultural identity, making the museum an essential pilgrimage for those who seek art that transcends time. This collection serves as a masterclass in texture and tone, offering endless inspiration for interior designers looking to integrate the quiet dignity of historical landscapes or the bold energy of modern portraiture into contemporary environments.

    Beyond the canvas, the museum offers a captivating exploration of the natural world and the deep-rooted history of the Welsh landscape. The natural history galleries ignite the imagination with dinosaur exhibits and comprehensive displays of native flora and fauna, where one might marvel at the imposing skeleton of a humpback whale or encounter the largest leatherback turtle ever recorded. This duality—the intersection of fine art and scientific wonder—is what makes National Museum Cardiff truly unique. It presents a nuanced portrait of Wales, acknowledging its triumphs and complexities through archaeological finds and compelling exhibits on social evolution. From the captivating displays of Welsh folklore to the legacy of the Gregynog Press, the museum remains a steadfast champion of literature and creativity.

    Supported by the Welsh Government, the museum offers free admission, embodying a generous ethos of shared cultural wealth. It stands as a beacon of artistic appreciation, inviting every visitor to embark on an unforgettable journey into the very heart of Wales. Whether you are drawn by the structural elegance of its historical exhibits or the way a landscape captures the soft light of a winter morning, the museum’s commitment to preservation and accessibility ensures that these wonders remain available to all, serving as a timeless source of wonder for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Milking Time

    topimpressionists.com/en/art/download/arthur-hacker-milking-time-8YDG48-en/

    Cite this artwork

    MLA
    hacker, arthur. Milking Time. n.d., National Gallery of Wales. https://topimpressionists.com/en/art/arthur-hacker-milking-time-8YDG48-en/
    APA
    hacker, arthur (n.d.). Milking Time [Painting]. National Gallery of Wales. https://topimpressionists.com/en/art/arthur-hacker-milking-time-8YDG48-en/
    Chicago
    arthur hacker. Milking Time. n.d. National Gallery of Wales. https://topimpressionists.com/en/art/arthur-hacker-milking-time-8YDG48-en/
    Harvard
    hacker, arthur (n.d.) Milking Time. National Gallery of Wales. Available at: https://topimpressionists.com/en/art/arthur-hacker-milking-time-8YDG48-en/

    Look closely

    Milking Time — arthur hacker

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at A Morning Walk (1902), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.