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Student Artwork Guide

A study from nature

Name Class Date

Asher Brown Durand, A study from nature. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Asher Brown Durand topimpressionists.com/en/artists/asher-brown-durand/
Artist’s dates
1796 – 1886
Movement
Hudson River School American landscape painters treating vast untouched wilderness as something close to holy.

In context

A study from nature — Asher Brown Durand

When might this have been painted?

  1. 1790
  2. 1800
  3. 1810
  4. 1820
  5. 1830
  6. 1840
  7. 1850
  8. 1860
  9. 1870
  10. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 90 at death.

Shaded: the lifetime of Asher Brown Durand (1796–1886) every dated painting, decade by decade

First works: up to 1840 Main working years: 1840–1856 Late works: from 1856

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/asher-brown-durand-a-study-from-nature-8DP3DZ-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #26180f

    Catalogued palette

    • #26180F
    • #9F854F
    • #5A4023
    • #EAE3BD

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Asher Brown Durand over the last twelve months — 10 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 64.5%
    2. 2 United States of America 18.2%
    3. 3 Spain 5.0%
    4. 4 Singapore 4.1%
    5. 5 Hong Kong 2.5%
    6. 6 Armenia 1.7%
    7. 7 Cuba 1.7%
    8. 8 Belgium 0.8%
    9. 9 Germany 0.8%
    10. 10 France 0.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Asher Brown Durand

    1. 1 A study from nature this painting 3.7%
    2. 2 God, 1852 2.2%
    3. 3 Study for Summer Afternoon (also known as Summer Afternoon), 1865 2.2%
    4. 4 A Stream in the Wood, 1865 2.2%
    5. 5 The Solitary Oak (also known as The Old Oak), 1844 2.2%
    6. 6 Jonathan Sturges, 1840 2.2%
    7. 7 The Dance Of The Battery In The Presence Of Peter Stuyvesant 2.2%
    8. 8 The American Wilderness, (painting), 1864 2.2%
    9. 9 Landscape - Scene from `Thanatopsis`, 1850 1.5%
    10. 10 Kindred Spirits, 1849 1.5%
    11. 11 Sketch in the Woods (also known as Landscape, Wood Scene), 1854 1.5%
    12. 12 Woodland Landscape, 1854 1.5%
    13. 13 Progress (The Advance of Civilization), 1853 1.5%
    14. 14 View near Rutland, Vermont 1.5%
    15. 15 Kindred Spirits, 1849 1.5%
    16. 16 Sunday Morning, 1860 1.5%
    17. 17 Dover Plain, Dutchess County, New York, 1848 1.5%
    18. 18 Woodland Glen, (painting), 1855 1.5%
    19. 19 Nature study, trees, newburth, n.y. 1.5%
    20. 20 Kaaterskill Clove, 1866 1.5%

    Together these works take 37.1% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 285 works by this artist, of which 97 were looked at at least once. This painting ranks 1 of them, with 3.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Asher Brown Durand

    Born in Maplewood, United States of America

    A Life Rooted in the American Landscape

    Asher Brown Durand, born August 21, 1796, in Maplewood, New Jersey, wasn’t initially destined for a life steeped in paint and canvas. His early years were shaped by the practical world of his father, a watchmaker and silversmith, instilling in him a meticulous attention to detail that would later profoundly influence his artistic approach. This foundation in craftsmanship led to an apprenticeship with engraver Peter Maverick in 1812, a path that initially seemed to define his career. Durand quickly proved himself exceptionally skilled, becoming a partner in the firm and establishing its New York City branch. His reputation as an engraver soared after completing the intricate reproduction of John Trumbull’s The Declaration of Independence in 1823 – a feat that cemented his standing within the artistic community. However, beneath the precision of engraving lay a burgeoning passion for capturing the raw beauty of the natural world, a calling that would ultimately lead him to become a pivotal figure in American art.

    From Engraving to Embracing Nature’s Palette

    The transition from meticulous engraver to celebrated landscape painter wasn't immediate. Durand continued his engraving work while simultaneously exploring painting, initially focusing on portraiture and genre scenes. A crucial turning point arrived with the patronage of Luman Reed in the 1830s, who encouraged him to fully embrace his artistic inclinations. Reed’s support allowed Durand to dedicate himself more completely to painting, a pursuit further ignited by a transformative sketching expedition with his close friend, Thomas Cole, in the Adirondacks in 1837. This journey into the untamed wilderness proved pivotal; it was here that Durand truly discovered his calling – to capture the sublime grandeur of the American landscape. He began to spend summers immersed in nature, meticulously documenting the Catskills, Adirondacks, and White Mountains through countless drawings and oil sketches. These studies weren’t merely preparatory exercises but became integral to his artistic process, informing the compositions and details of his finished paintings.

    A Founding Voice of the Hudson River School

    Durand's dedication to landscape painting aligned him with a growing circle of artists who shared a similar vision – a group that would become known as the Hudson River School. He was among its founding members, alongside Cole, and played a vital role in establishing the school’s distinctive aesthetic. The Hudson River School wasn’t simply about depicting scenery; it was about imbuing landscapes with emotional resonance and spiritual significance. Durand's work embodies this philosophy, characterized by a meticulous realism combined with a romantic sensibility. He believed in observing nature with unwavering accuracy but also recognized its power to evoke feelings of awe, reverence, and the sublime. His paintings weren’t just representations of places; they were expressions of his deep connection to the American wilderness and a celebration of God's creation.

    Legacy and Enduring Influence

    Durand’s influence extended beyond his own artistic output. He served as president of the National Academy of Design from 1845 to 1861, using his position to champion American art and nurture emerging talent. He also penned insightful “Letters on Landscape Painting” published in The Crayon – a significant art periodical – articulating his artistic principles and advocating for direct observation from nature. His commitment to realism and detailed representation set a high standard for subsequent generations of landscape painters. Works like Kindred Spirits, painted in 1849 as a tribute to Thomas Cole, became iconic representations of the Hudson River School aesthetic and continue to resonate with viewers today. The painting’s depiction of Cole and poet William Cullen Bryant amidst a serene woodland scene encapsulates the school's reverence for nature and its belief in the power of art to connect humanity with the divine. Durand’s paintings offer more than just picturesque views; they provide a window into 19th-century America, reflecting its evolving relationship with the natural world and its burgeoning sense of national identity. His legacy endures not only through his captivating canvases but also through his enduring influence on American landscape painting and his unwavering commitment to capturing the beauty and spiritual significance of the land.

    Where to read more

    • The artist Asher Brown Durand topimpressionists.com/en/artists/asher-brown-durand/
    • Similar works More works to compare topimpressionists.com/en/art/similar/asher-brown-durand-a-study-from-nature-8DP3DZ-en/

    Find this online

    QR code linking to the download page for A study from nature

    topimpressionists.com/en/art/download/asher-brown-durand-a-study-from-nature-8DP3DZ-en/

    Cite this artwork

    MLA
    Durand, Asher Brown. A study from nature. n.d., https://topimpressionists.com/en/art/asher-brown-durand-a-study-from-nature-8DP3DZ-en/
    APA
    Durand, Asher Brown (n.d.). A study from nature [Painting]. https://topimpressionists.com/en/art/asher-brown-durand-a-study-from-nature-8DP3DZ-en/
    Chicago
    Asher Brown Durand. A study from nature. n.d. https://topimpressionists.com/en/art/asher-brown-durand-a-study-from-nature-8DP3DZ-en/
    Harvard
    Durand, Asher Brown (n.d.) A study from nature. Available at: https://topimpressionists.com/en/art/asher-brown-durand-a-study-from-nature-8DP3DZ-en/

    Look closely

    A study from nature — Asher Brown Durand

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: forests, study, nature. Do you agree? What would you add, or take away?
    4. Look back at The Beeches (1845), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Hudson River School: American landscape painters treating vast untouched wilderness as something close to holy. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is Asher Brown Durand, creator of "A study from nature", known under other names?

    Asher Brown Durand is also known as A. B. Durand.

    Toward which tone does "A study from nature" lean?

    An ochre to sepia hue runs through "A study from nature" by Asher Brown Durand.

    How does "A study from nature" balance light and dark?

    The recorded values for "A study from nature" by Asher Brown Durand are: deep_shadow brightness, soft shadow luminance.