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Student Artwork Guide

At the Garden Table

Name Class Date

August Macke, At the Garden Table (1914). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke topimpressionists.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1914
Medium
Oil On Canvas
Movement
Fauvism Wild, unnatural colour used straight from the tube — critics called the painters "wild beasts".
Period
Modern
Artistic style
Fauvist, Expressionist
Influences
Salvador Dali
Notable elements or techniques
Bold colors, Geometric shapes
Subject or theme
Everyday life, garden scene

In context

At the Garden Table — August Macke

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 27. The artist lived to 27. 83 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1914 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/august-macke-at-the-garden-table-8XXPFQ-en/

Colours

Measured from the image

    Main colour

    Steel Blue #3d588b

    Catalogued palette

    • #3D588B
    • #AD5E3C
    • #302B26
    • #EAC090

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Steel Blue
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 42.3%13,000 visits
    2. 2 Germany 5.9%1,800 visits
    3. 3 United States of America 5.5%1,700 visits
    4. 4 Mexico 5.2%1,600 visits
    5. 5 Spain 3.9%1,200 visits
    6. 6 France 3.6%1,100 visits
    7. 7 Hong Kong 3.3%1,000 visits
    8. 8 South Korea 3.3%1,000 visits
    9. 9 Colombia 2.3%700 visits
    10. 10 Italy 2.3%700 visits
    11. · 30 other countries 22.4%6,900 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 43.9%19,700 visits
    2. 2 Landscape with Cows and Camel, 1914 5.3%2,400 visits
    3. 3 Bathing girls with town in the backgraund, 1913 3.6%1,600 visits
    4. 4 The Hat Shop, 1913 2.4%1,100 visits
    5. 5 Market in Tunis II 2.2%1,000 visits
    6. 6 Three girls in yellow straw hats I, 1913 1.3%600 visits
    7. 7 Still life hyacinths carpet, 1910 1.3%600 visits
    8. 8 Milliner 1.1%500 visits
    9. 9 Little Walter, 1912 0.9%400 visits
    10. 10 Red house in park, 1914 0.9%400 visits
    11. 11 Inner courtyard of house in St. Germain, 1914 0.9%400 visits
    12. 12 Portrait of the Artist's Wife with Hat, 1909 0.9%400 visits
    13. 13 Man Reading in a Park, 1914 0.7%300 visits
    14. 14 Fashion window 0.7%300 visits
    15. 15 Colored Composition of Forms, 1914, 1914 0.7%300 visits
    16. 16 Girl in the greenery, 1914 0.7%300 visits
    17. 17 Portrait of Franz Marc, 1910 0.7%300 visits
    18. 18 At the Garden Table, 1914 this painting 0.7%300 visits
    19. 19 Church with Flags, 1914 0.7%300 visits
    20. 20 Sailing boat on the Tegernsee, 1910 0.7%300 visits

    Together these works take 70.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 119 were looked at at least once. This painting ranks 18 of them, with 0.7% of that attention (300 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    At the Garden Table — August Macke

    At the Garden Table: A Glimpse of Everyday Life Through Fauvism

    August Macke's At the Garden Table is a captivating oil on canvas painting created in 1914, offering a vibrant and intimate portrayal of everyday life through the lens of Fauvism. This artwork exemplifies Macke’s unique ability to distill complex scenes into elegant compositions characterized by bold colors and energetic brushstrokes. The piece, now residing within the esteemed collection of the Baltimore Museum of Art, invites viewers to step into a tranquil garden setting where two figures engage in quiet contemplation.

    The Artist and His Artistic Journey

    August Robert Ludwig Macke (1887-1914) was a pivotal figure in the German Expressionist movement. Born in Meschede, Germany, his artistic journey began at the Kunstakademie Düsseldorf. Initially influenced by Impressionism and Post-Impressionism, Macke's style underwent a significant transformation following his exposure to French Fauvism. A crucial turning point arrived with his encounter with Robert Delaunay in Paris (1912), which introduced him to Chromatic Cubism or Orphism – a style he incorporated into works like Shops Windows, blending it with the dynamism of Italian Futurism. As a member of Der Blaue Reiter (The Blue Rider) group, Macke sought to express inner emotions and spiritual experiences through color and form, departing from traditional representational art.

    Key Elements and Compositional Choices

    At the Garden Table showcases several defining characteristics of Macke’s artistic approach. The painting depicts two individuals seated at a table within a lush garden environment, surrounded by vibrant greenery and colorful flowers. Macke's masterful use of bold, saturated colors—ranging from striking greens and yellows to deep blues and reds—creates an immediate sense of energy and visual excitement. Geometric shapes are strategically employed to structure the composition, fostering a feeling of harmony and balance despite the seemingly spontaneous brushwork. The flattened perspective contributes to the painting’s immediacy, drawing the viewer into the scene. Macke's skillful manipulation of light and shadow adds depth and dimension, enhancing the overall sense of warmth and intimacy.

    Historical Context and Symbolism

    Created in 1914, just before the outbreak of World War I, At the Garden Table reflects a yearning for tranquility and beauty amidst growing societal unrest. The painting’s subject matter—a simple scene of everyday life—can be interpreted as a celebration of ordinary moments and human connection. While seemingly straightforward, the artwork also carries symbolic weight. The garden setting itself can represent paradise or an idyllic escape from the harsh realities of the world. Macke's vibrant color palette may symbolize joy, vitality, and optimism, offering a counterpoint to the impending darkness of war. The painting’s style is distinctly Expressionistic, characterized by distorted forms, heightened colors, and an emphasis on conveying inner emotions.

    A Lasting Legacy

    At the Garden Table stands as a testament to August Macke's artistic genius and his contribution to the development of modern art. His unique style continues to inspire artists today, demonstrating the enduring power of color, composition, and emotional expression. The painting’s ability to evoke a sense of warmth, intimacy, and quiet contemplation makes it a truly captivating piece—a timeless reflection on the beauty of everyday life.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Where to read more

    Find this online

    QR code linking to the download page for At the Garden Table

    topimpressionists.com/en/art/download/august-macke-at-the-garden-table-8XXPFQ-en/

    Cite this artwork

    MLA
    Macke, August. At the Garden Table. 1914, https://topimpressionists.com/en/art/august-macke-at-the-garden-table-8XXPFQ-en/
    APA
    Macke, August (1914). At the Garden Table [Painting]. https://topimpressionists.com/en/art/august-macke-at-the-garden-table-8XXPFQ-en/
    Chicago
    August Macke. At the Garden Table. 1914. https://topimpressionists.com/en/art/august-macke-at-the-garden-table-8XXPFQ-en/
    Harvard
    Macke, August (1914) At the Garden Table. Available at: https://topimpressionists.com/en/art/august-macke-at-the-garden-table-8XXPFQ-en/

    Look closely

    At the Garden Table — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: garden, table, figures. Do you agree? What would you add, or take away?
    5. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    At the Garden Table — August Macke

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is August Macke’s ‘At the Garden Table’ most closely associated with?

      • A Cubism
      • B Fauvism
      • C Surrealism
    2. 2. According to the description, what element is prominently used in Macke's painting to convey a sense of energy and movement?

      • A Subtle shading
      • B Bold, vibrant colors
      • C Realistic depictions
    3. 3. Which artist is mentioned as sharing similarities with August Macke in their exploration of color and composition?

      • A Claude Monet
      • B Salvador Dali
      • C Vincent van Gogh
    4. 4. What is a key characteristic of the painting's style, as described in relation to Expressionism?

      • A Precise realism and detailed accuracy
      • B Distorted forms and heightened colors
      • C Monochromatic palettes and smooth brushstrokes
    5. 5. What group was August Macke a part of, contributing to the development of modern art?

      • A Impressionists
      • B Der Blaue Reiter
      • C Cubists

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1B · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    How can I get a print of "At the Garden Table" by August Macke?

    To get a print of "At the Garden Table" by August Macke, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    Can the image of "At the Garden Table" by August Macke be freely reproduced?

    Regarding copyright, "At the Garden Table" is in the public domain - its copyright has expired.

    Is "At the Garden Table" a famous Fauvism artwork?

    "At the Garden Table" is recorded as recognized among the Fauvism works in the catalog.