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Student Artwork Guide

Colored Composition of Forms, 1914

Name Class Date

August Macke, Colored Composition of Forms, 1914 (1914), Albertina. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke topimpressionists.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1914
Movement
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Period
19th Century
Held at
Albertina topimpressionists.com/en/museums/albertina-vienna/
Artistic style
Vibrant, colorful
Influences
Impressionism, Post-Impressionism
Notable elements
Tennis racket, shapes
Subject or theme
Compositional forms

In context

Colored Composition of Forms, 1914 — August Macke

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 27. The artist lived to 27. 83 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1914 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/august-macke-colored-composition-of-forms-1914-D3X2EW-en/

Colours

Measured from the image

    Main colour

    Gray #567176

    Catalogued palette

    • #567176
    • #CDB39E
    • #1E1720
    • #A8312F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.1%
    2. 2 United States of America 5.8%
    3. 3 Mexico 5.1%
    4. 4 Germany 4.7%
    5. 5 Spain 4.1%
    6. 6 France 3.4%
    7. 7 Hong Kong 3.4%
    8. 8 South Korea 3.4%
    9. 9 Colombia 2.4%
    10. 10 India 2.0%
    11. · 30 other countries 21.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 40.9%
    2. 2 Landscape with Cows and Camel, 1914 4.6%
    3. 3 Bathing girls with town in the backgraund, 1913 3.3%
    4. 4 The Hat Shop, 1913 2.8%
    5. 5 Market in Tunis II 2.5%
    6. 6 Still life hyacinths carpet, 1910 1.5%
    7. 7 Three girls in yellow straw hats I, 1913 1.3%
    8. 8 Milliner 1.3%
    9. 9 Little Walter, 1912 1.0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1.0%
    11. 11 Man Reading in a Park, 1914 0.8%
    12. 12 Portrait of Franz Marc, 1910 0.8%
    13. 13 At the Garden Table, 1914 0.8%
    14. 14 Red house in park, 1914 0.8%
    15. 15 Church with Flags, 1914 0.8%
    16. 16 Sailing boat on the Tegernsee, 1910 0.8%
    17. 17 Promenade, 1913 0.8%
    18. 18 Bright House, 1914 0.8%
    19. 19 Hat Shop, 1914 0.8%
    20. 28 Colored Composition of Forms, 1914, 1914 this painting 0.5%

    Together these works take 67.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 118 were looked at at least once. This painting ranks 28 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Colored Composition of Forms, 1914 — August Macke

    A Burst of Color and Fragmented Form: August Macke’s *Colored Composition of Forms* (1914)

    August Macke's Colored Composition of Forms, painted in the tumultuous year of 1914, is a captivating testament to the burgeoning energy of German Expressionism. This vibrant work, dominated by a central tennis racket – a seemingly mundane object elevated to symbolic importance – embodies Macke’s exploration of modern life and his desire to capture fleeting moments of intense feeling. The painting isn't simply a depiction; it’s an emotional resonance rendered in bold color and fractured forms. Created just months before the artist’s untimely death at the age of 27, the work carries with it the weight of a generation poised on the brink of war, reflecting both optimism and a profound sense of unease.

    Subject Matter: The central focus is undeniably the tennis racket, an object associated with leisure, sport, and perhaps even a yearning for escape. However, Macke doesn’t present it as a static subject; rather, it's integrated into a dynamic composition of shapes and objects.

    Style & Technique: Macke employs a technique that blends elements of Post-Impressionism with the nascent principles of Expressionism. Thick impasto brushstrokes build up layers of color, creating a tactile surface and emphasizing the physicality of the paint itself. The fragmented forms contribute to a sense of disorientation and emotional intensity, characteristic of the movement’s exploration of subjective experience.

    Color as Emotion: Macke's Palette

    Macke’s use of color is utterly crucial to understanding this work. He rejects naturalistic representation in favor of an intensely chromatic approach. The palette – a riot of blues, greens, yellows, and reds – isn’t intended to mimic reality but rather to convey emotion directly. The vibrant hues evoke a sense of energy, excitement, and perhaps even anxiety. Notice how the cooler tones of blue and green are juxtaposed with the warmer shades of yellow and red, creating visual tension and amplifying the painting's emotional impact. This deliberate manipulation of color aligns perfectly with the Expressionist desire to express inner feelings rather than simply depict external appearances.

    Symbolic Layers & Historical Context

    The inclusion of seemingly random objects – a bowl, a cup, and other scattered items – adds layers of symbolic meaning. These fragments could represent the brokenness of modern life, the anxieties surrounding rapid industrialization, or perhaps even the artist’s own fragmented state of mind. Painted in 1914, a year marked by political instability and impending war, the work resonates with the broader historical context of the time. Macke was deeply concerned with portraying the experiences of ordinary people – particularly children – and his art reflects this social consciousness.

    Emotional Impact & Artistic Legacy

    Colored Composition of Forms is more than just a visually striking painting; it’s an emotionally charged experience. The dynamic composition, bold colors, and fragmented forms combine to create a powerful sense of movement and energy. Macke's work foreshadowed the key tenets of Expressionism – a focus on subjective emotion, distortion of form, and the use of color as a primary means of expression. It stands as a poignant reminder of a brilliant artist’s tragically short career and his significant contribution to the development of modern art.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Albertina

    On show in Vienna, Austria

    A Habsburg Legacy: Unveiling the Albertina’s Enduring Allure

    Nestled within Vienna's historic Innere Stadt, the Albertina is more than simply a museum; it’s a layered chronicle of Austrian history, dynastic ambition, and an unwavering devotion to the art of the graphic. Founded as a palace for Duke Albert Casimir in 1805, its very foundations whisper tales of emperors and dukes, transformations from fortified walls into opulent spaces, and ultimately, a public sanctuary dedicated to the exquisite beauty of printmaking. The building’s evolution mirrors the collection within – a journey through centuries of artistic innovation, beginning with the meticulous detail of medieval masters and culminating in the bold experimentation of contemporary artists. A striking example of architectural layering, the Albertina stands as a testament to Vienna's enduring legacy of patronage and its commitment to preserving the world’s finest collection of drawings and prints. The building itself is a masterpiece, originally conceived as a grand residence before being reimagined as a public institution, reflecting a fascinating blend of Baroque grandeur and Neoclassical restraint – a visual echo of the artistic movements it houses.

    The Albertina's story truly begins with Emanuel Teles Count Silva-Tarouca initiating renovations in 1805, followed by Hans Hollein’s transformative roof design completed in 2008 – a bold statement of modernist ambition against the backdrop of Vienna’s historic Habsburg heritage. This architectural dialogue, between the past and the present, is central to the museum's identity. The original palace structure, built upon the last remaining section of Vienna’s fortifications, speaks volumes about the city’s strategic importance throughout history. Hollein’s roof, a dramatic cascade of titanium panels, isn’t merely a functional element; it’s an assertion of the Albertina’s role as a vibrant, forward-looking cultural institution. The juxtaposition of these architectural styles – the stately Baroque interiors alongside the sleek, modern exterior – creates a compelling narrative of transformation and continuity.

    At its core lies an astonishing repository: approximately 65,000 drawings and over one million old master prints. This isn’t merely a vast quantity; it’s a curated universe of artistic mastery, spanning from the delicate brushstrokes of Albrecht Dürer – his “large clumps of grass” revealing a profound understanding of observation and engraving – to the courtly grandeur of Pisanello's "The Luxury," a lavish depiction of 15th-century life rendered with breathtaking precision. The collection isn’t confined to the past, however; it breathes with vitality through centuries of artistic evolution, showcasing works by Michelangelo, Raphael, Rembrandt, and countless others. Wandering these galleries is akin to witnessing an artist's process unfold – observing preliminary sketches that reveal initial ideas, studies that demonstrate explorations of form and composition, and finished prints that exemplify technical virtuosity. The Albertina offers a rare opportunity to appreciate not just what was created, but how it came to be. A particular highlight is the extensive collection of Dürer’s works, including his iconic self-portraits and intricate woodcuts, offering intimate glimpses into the artist's life and creative process.

    A Tripartite Tapestry: Exploring Art Across Three Distinct Venues

    What truly distinguishes the Albertina is its unique structural design – an institution comprised of three interconnected locations, each offering a distinct experience. The main museum on Albertinaplatz provides a comprehensive overview of art history, tracing its evolution from medieval masterpieces to 19th-century paintings. Albertina Modern, housed in the former Austrian Museum for Applied Arts, is dedicated exclusively to contemporary and 20th-century art, serving as a platform for emerging artists and challenging established perspectives. Finally, Albertina Klosterneuburg, located just outside Vienna, showcases works from the Batliner Collection – a treasure trove of post-1945 art that further expands the museum’s reach and provides visitors with a diverse range of artistic experiences. This tripartite structure allows for a more nuanced exploration of art history, catering to a wide range of tastes and interests and fostering a deeper appreciation for the multifaceted nature of artistic expression. The integration of these spaces creates a dynamic flow, encouraging visitors to consider how artistic styles have evolved and influenced one another across time periods.

    The Collection’s Soul: A Chronicle of Artistic Dedication

    Featuring approximately 65,000 drawings and over one million old master prints—a staggering testament to artistic dedication—the Albertina's holdings represent a cornerstone of European art history. The collection isn’t simply a collection; it’s a carefully assembled narrative, reflecting the tastes and passions of generations of collectors. From the meticulous detail of early Renaissance sketches to the bold experimentation of modern graphic works, each piece tells a story – a story of artistic innovation, cultural exchange, and the enduring power of visual communication. The Albertina's commitment to preserving this legacy is evident in its ongoing efforts to expand the collection through acquisitions and collaborations with other institutions around the world.

    Notable Exhibitions & Architectural Significance

    Regularly hosting exhibitions that illuminate both its permanent collection and temporary acquisitions, including retrospectives dedicated to renowned artists and thematic explorations of artistic movements—the Albertina consistently engages audiences with groundbreaking displays. Currently, a captivating retrospective on Albrecht Dürer showcases the breadth and depth of his genius, while upcoming exhibitions promise to delve into the evolution of printmaking techniques and the influence of contemporary art on traditional forms. The building itself continues to evolve, reflecting the museum’s commitment to innovation and engagement. Architectural Significance: The Albertina’s story begins with Emanuel Teles Count Silva-Tarouca initiating renovations in 1805, followed by Hans Hollein’s transformative roof design completed in 2008 – a bold statement of modernist ambition against the backdrop of Vienna’s historic Habsburg heritage. Historical Context: Situated within the walls of a former fortress—a strategic stronghold throughout Austrian history—the Albertina embodies the spirit of dynastic patronage and its role in shaping Viennese culture.

    Where to read more

    Find this online

    QR code linking to the download page for Colored Composition of Forms, 1914

    topimpressionists.com/en/art/download/august-macke-colored-composition-of-forms-1914-D3X2EW-en/

    Cite this artwork

    MLA
    Macke, August. Colored Composition of Forms, 1914. 1914, Albertina. https://topimpressionists.com/en/art/august-macke-colored-composition-of-forms-1914-D3X2EW-en/
    APA
    Macke, August (1914). Colored Composition of Forms, 1914 [Painting]. Albertina. https://topimpressionists.com/en/art/august-macke-colored-composition-of-forms-1914-D3X2EW-en/
    Chicago
    August Macke. Colored Composition of Forms, 1914. 1914. Albertina. https://topimpressionists.com/en/art/august-macke-colored-composition-of-forms-1914-D3X2EW-en/
    Harvard
    Macke, August (1914) Colored Composition of Forms, 1914. Albertina. Available at: https://topimpressionists.com/en/art/august-macke-colored-composition-of-forms-1914-D3X2EW-en/

    Look closely

    Colored Composition of Forms, 1914 — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: collage, composition, tennis racket. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a digital file of "Colored Composition of Forms, 1914" by August Macke?

    A digital image of "Colored Composition of Forms, 1914" by August Macke can be purchased on its Digital Image page: a high-resolution digital image download.

    What is "Colored Composition of Forms, 1914" made with?

    August Macke used the acrylic on canvas technique for "Colored Composition of Forms, 1914". The technique defines the material nature of the original work.

    Who made "Colored Composition of Forms, 1914", and when?

    The author of "Colored Composition of Forms, 1914" is August Macke, and the work is dated 1914.