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Student Artwork Guide

Four Girls

Name Class Date

August Macke, Four Girls (1913), Kunstpalast. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
August Macke topimpressionists.com/en/artists/august-macke/
Artist’s dates
1887 – 1914
Painted
1913
Original size
810 x 1050 cm
Movement
German Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Held at
Kunstpalast topimpressionists.com/en/museums/kunstpalast-duesseldorf/
Artistic style
Orphism, Decorative
Influences
Robert Delaunay, Impressionism
Notable elements
Colour, harmony
Subject or theme
Youth, Leisure

In context

Four Girls — August Macke

How big is it?

The original measures 810 × 1050 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 27 at death.

Painted when the artist was 26. The artist lived to 27. 50 of the 138 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of August Macke (1887–1914) ▲ this work, 1913 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/august-macke-four-girls-D4BCVX-en/

Colours

Measured from the image

    Main colour

    Clay #af6b47

    Catalogued palette

    • #AF6B47
    • #323933
    • #C2BEB3
    • #537077

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by August Macke over the last twelve months — 40 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 44.1%
    2. 2 United States of America 5.8%
    3. 3 Mexico 5.1%
    4. 4 Germany 4.7%
    5. 5 Spain 4.1%
    6. 6 France 3.4%
    7. 7 Hong Kong 3.4%
    8. 8 South Korea 3.4%
    9. 9 Colombia 2.4%
    10. 10 India 2.0%
    11. · 30 other countries 21.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by August Macke

    1. 1 Woman in a Green Jacket, 1913 41.1%
    2. 2 Landscape with Cows and Camel, 1914 4.8%
    3. 3 Bathing girls with town in the backgraund, 1913 3.5%
    4. 4 The Hat Shop, 1913 2.8%
    5. 5 Market in Tunis II 2.5%
    6. 6 Still life hyacinths carpet, 1910 1.5%
    7. 7 Three girls in yellow straw hats I, 1913 1.3%
    8. 8 Milliner 1.3%
    9. 9 Little Walter, 1912 1.0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1.0%
    11. 11 Man Reading in a Park, 1914 0.8%
    12. 12 Portrait of Franz Marc, 1910 0.8%
    13. 13 At the Garden Table, 1914 0.8%
    14. 14 Red house in park, 1914 0.8%
    15. 15 Church with Flags, 1914 0.8%
    16. 16 Sailing boat on the Tegernsee, 1910 0.8%
    17. 17 Promenade, 1913 0.8%
    18. 18 Bright House, 1914 0.8%
    19. 19 Hat Shop, 1914 0.8%
    20. — Four Girls, 1913 this painting 0.0%

    Together these works take 68.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 228 works by this artist, of which 118 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Four Girls — August Macke

    August Macke’s “Four Girls”: A Window into German Expressionism

    August Macke's "Four Girls," painted in 1913, stands as a pivotal work within the artist’s trajectory and a compelling example of the burgeoning movement towards abstraction that was reshaping European art at the time. Created during a remarkably productive period in Bonn, this painting embodies Macke’s shift away from purely representational forms toward a more emotionally charged and visually dynamic style – a hallmark of his engagement with both German Expressionism and the innovative approaches emerging from Paris.

    A Moment of Leisure: The scene depicts four young women enjoying an idyllic moment in a woodland setting. Their relaxed postures and apparent camaraderie evoke a sense of youthful joy and freedom, capturing a fleeting instance of everyday life with remarkable sensitivity.

    Rhythmic Colour Harmonies: Macke’s masterful use of colour is central to the painting's impact. Drawing inspiration from Robert Delaunay’s Orphism – a movement characterized by its exploration of simultaneous contrasts and rhythmic colour combinations – Macke employs bold, saturated hues that vibrate with energy and create a powerful visual effect.

    Simplified Forms: The figures themselves are rendered in simplified forms, almost icon-like in their clarity. This deliberate reduction of detail contributes to the painting’s decorative quality and emphasizes its ornamental two-dimensionality, reflecting Macke's move away from traditional perspective and realism.

    The Context of a Shifting Artistic Landscape

    Painted in 1913, “Four Girls” reflects a crucial moment in art history – the collision of Impressionism’s influence with the rising tide of German Expressionism. Macke, like many artists of his generation, was grappling with the rapid changes occurring in Paris and seeking to synthesize these diverse influences into a uniquely German aesthetic. The painting's rhythmic colour harmonies and simplified forms align with the Blaue Reiter group’s exploration of abstraction and emotional expression, while simultaneously retaining a distinctly Impressionistic sensibility in its focus on light and atmosphere.

    Macke’s artistic journey was profoundly shaped by his travels and intellectual explorations. His time in Tunis in 1914 further intensified his experimentation with transparency, flatness, and abstract forms, anticipating the developments of Cubism and Abstraction that would dominate the art world in the years to come.

    Technique and Materials

    Macke’s technique is characterized by a confident brushstroke and a deliberate layering of colour. He employed a palette knife alongside traditional brushes to build up thick impasto surfaces, creating a tactile quality that adds to the painting's visual richness. The use of pure pigments, combined with Macke’s innovative approach to colour mixing, results in vibrant, luminous tones that seem to shimmer and vibrate on the canvas. The scale of this artwork – 810 x 1050 cm – further amplifies its impact, allowing for an immersive experience of colour and form.

    Symbolism and Emotional Resonance

    "Four Girls" transcends a simple portrait; it’s a meditation on youth, leisure, and the beauty of nature. The presence of the dog and handbag adds subtle details that enhance the sense of everyday life and human connection. Macke's ability to capture not just the outward appearance of his subjects but also their inner emotions is what elevates this work beyond mere representation. It speaks to a yearning for simplicity, harmony, and the joy of shared experience – themes that resonate deeply with viewers even today.

    Artist and museum

    Artist

    August Macke

    Born in Meschede, Germany

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name synonymous with German Expressionism’s brief but incandescent flowering, lived a life tragically curtailed by the outbreak of the First World War. Born in 1887 in Meschede, Westphalia, his artistic journey was one of rapid evolution and fervent exploration, marked by an insatiable curiosity for new styles and a deep desire to capture the essence of modern experience. Macke’s early life saw a move to Bonn with his family, where he received his initial education and began to nurture his burgeoning talent. Though formally trained at the Düsseldorf Art Academy from 1904-1906, under Adolf Maennchen, it was through independent study and travel that his artistic voice truly began to emerge. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques, laying a foundation for the bolder expressions to come. He supplemented his income with stage design work, honing his compositional skills and developing a keen sense of color.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with key figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism focused on pure abstraction and vibrant color harmonies. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and influencing his work towards a more dynamic and non-representational approach. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about what he saw. Simultaneously, his close friendship with Franz Marc, a fellow artist and member of the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life, imbued with a sense of joy and optimism.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group’s exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn't simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes, Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor, he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent. Though his life was tragically short, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change, imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter, revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Museum

    Kunstpalast

    On show in Duesseldorf, Germany

    A Düsseldorf Jewel: Exploring the Kunstpalast

    The Kunstpalast in Düsseldorf isn’t merely a repository of art; it's a vibrant testament to the enduring power of human creativity, housed within an architectural gem that echoes the city’s own dynamic history. Originally known as the Kunstmuseum Düsseldorf, its evolution reflects a commitment to showcasing artistic expression across millennia, from the classical world through to the cutting-edge innovations of contemporary masters.

    Stepping into the Kunstpalast is akin to embarking on a journey through time, where each gallery unveils a new chapter in art’s unfolding narrative. The building itself, a striking example of Art Deco design significantly reimagined by Oswald Mathias Ungers, provides an inviting and inspiring space for contemplation and discovery. Its elegant facade hints at the treasures within, while spacious interiors allow visitors to fully immerse themselves in the world of art.

    From Baroque Grandeur to ZERO’s Avant-Garde

    The breadth of the Kunstpalast's collection is truly remarkable. One can lose oneself in the opulent detail of paintings by Peter Paul Rubens, experiencing the drama and emotional intensity that define the Baroque period. These works aren’t simply historical artifacts; they are windows into a world of lavish courts, religious fervor, and masterful technique. Shifting gears, visitors encounter the evocative landscapes and animal studies of Franz Marc, a key figure in German Expressionism whose unique style sought to capture the spiritual essence of nature.

    But the Kunstpalast doesn’t dwell solely on established masters. It also champions groundbreaking movements like ZERO, boasting a significant collection that showcases the innovative explorations of light, space, and movement undertaken by artists associated with this influential group. The spirit of experimentation and radical thinking permeates these works, offering a glimpse into art’s relentless pursuit of new forms of expression.

    A Museum Within Museums: Glass and Beyond

    What truly sets the Kunstpalast apart is its dedication to specialized collections housed within its walls. The Helmut Hentrich Glass Museum stands as one of Europe’s largest institutions dedicated to this captivating medium, tracing the evolution of glass art from ancient techniques to contemporary sculptural forms. Here, visitors can marvel at the delicate beauty and technical virtuosity of glassblowing, cutting, and engraving, appreciating how artists have harnessed this versatile material throughout history.

    This focused exploration complements the broader collection, offering a deeper understanding of artistic craftsmanship and innovation. Beyond these core strengths, the Kunstpalast continually hosts diverse exhibitions, concerts, and events, solidifying its role as a cultural hub for Düsseldorf and beyond.

    A Legacy of Transformation

    The story of the Kunstpalast is one of continuous transformation. From its origins as a collection within the Kunstakademie Düsseldorf in 1710 to its current incarnation as a multifaceted museum, it has consistently adapted to reflect the changing artistic landscape. The initial collections were bolstered by gifts from prominent figures like Jan Wellem, Duke of Palatinate, and his wife Anna Maria Luisa de' Medici, laying the foundation for a rich cultural heritage.

    The recent integration of the NRW Forum in 2020 further expanded its scope, solidifying its position as a leading center for art and culture in the region. This willingness to evolve ensures that the Kunstpalast remains relevant and engaging for generations to come, offering a dynamic platform for artistic dialogue and discovery.

    The museum’s commitment to restitution, exemplified by the return of Franz Marc’s The Foxes to the Grawi heirs, demonstrates a dedication to ethical collecting practices and acknowledging the complex histories surrounding artworks.

    Where to read more

    Find this online

    QR code linking to the download page for Four Girls

    topimpressionists.com/en/art/download/august-macke-four-girls-D4BCVX-en/

    Cite this artwork

    MLA
    Macke, August. Four Girls. 1913, Kunstpalast. https://topimpressionists.com/en/art/august-macke-four-girls-D4BCVX-en/
    APA
    Macke, August (1913). Four Girls [Painting]. Kunstpalast. https://topimpressionists.com/en/art/august-macke-four-girls-D4BCVX-en/
    Chicago
    August Macke. Four Girls. 1913. Kunstpalast. https://topimpressionists.com/en/art/august-macke-four-girls-D4BCVX-en/
    Harvard
    Macke, August (1913) Four Girls. Kunstpalast. Available at: https://topimpressionists.com/en/art/august-macke-four-girls-D4BCVX-en/

    Look closely

    Four Girls — August Macke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: girls portrait, woods setting, color harmony. Do you agree? What would you add, or take away?
    4. Look back at Woman in a Green Jacket (1913), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. German Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How much light do the colors of "Four Girls" appear to reflect?

    The colors of "Four Girls" show a soft shadow luminance.

    How do movement and era meet in "Four Girls" by August Macke?

    "Four Girls" by August Macke is placed in the German Expressionism movement, within the Modern era of its creator.

    At what age did August Macke make "Four Girls"?

    August Macke made "Four Girls" at the age of 26. The artist was born in 1887 and the work is dated 1913.