Paper

Student Artwork Guide

Maximilian I

Name Class Date

Bernhard Strigel, Maximilian I (1459). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bernhard Strigel topimpressionists.com/en/artists/bernhard-strigel/
Artist’s dates
1461 – 1528
Painted
1459
Original size
60 x 41 cm
Movement
Northern Renaissance Northern European painters using the new oil paint for astonishing detail — every hair, every reflection.

In context

Maximilian I — Bernhard Strigel

How big is it?

The original measures 60 × 41 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1450
  2. 1460
  3. 1470
  4. 1480
  5. 1490
  6. 1500
  7. 1510
  8. 1520

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Shaded: the lifetime of Bernhard Strigel (1461–1528) ▲ this work, 1459 every dated painting, decade by decade

First works: up to 1511 Main working years: 1511–1520 Late works: from 1520

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/bernhard-strigel-maximilian-i-8XXQ2J-en/

Colours

Measured from the image

    Main colour

    Walnut #692f0f

    Catalogued palette

    • #692F0F
    • #2E2010
    • #514225
    • #886031

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Walnut
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bernhard Strigel over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 55.6%
    2. 2 United States of America 22.2%
    3. 3 Spain 11.1%
    4. 4 Hong Kong 11.1%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 16 most looked-at works by Bernhard Strigel

    1. 1 Portrait of Sybilla von Freyberg (born Gossenbrot) 19.0%
    2. 2 Emperor Maximilian I with His Family, 1520 9.5%
    3. 3 Christ Taking Leave of His Mother, 1520 9.5%
    4. 4 Pair of lovers with the Devil and Cupid 9.5%
    5. 5 Portrait of Emperor Maximilian and His Family, 1515 4.8%
    6. 6 The Annunciation, 1515 4.8%
    7. 7 Mary and Joseph with Jesus, 1506 4.8%
    8. 8 Portrait of Louis II of Hungary, 1515 4.8%
    9. 9 Sleeping Grave Guards with Mace and Sword 4.8%
    10. 10 Portrait of Georg Tannstetter (Collimitius), 1515 4.8%
    11. 11 The Announcement to Anne and Joachim, 1510 4.8%
    12. 12 John the Baptist 4.8%
    13. 13 Margaret of Antioch 4.8%
    14. 14 Saint Mary Cleophas and Her Family, 1528 4.8%
    15. 15 Saint Mary Salome and Her Family, 1528 4.8%
    16. — Maximilian I, 1459 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 41 works by this artist, of which 15 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Bernhard Strigel

    Born in Memmingen, Germany

    The Luminous Legacy of Bernhard Strigel

    In the heart of the Swabian landscape, during a period when the medieval world was beginning to yield to the dawn of the Renaissance, Bernhard Strigel emerged as a master of light and human presence. Born in Memmingen around 1461, Strigel did not merely paint figures; he breathed life into them through a meticulous command of color and form. His journey was one of profound artistic evolution, moving from the structured traditions of the Gothic era toward a more nuanced, observational style that would define the German Renaissance. As a pivotal figure of the Swabian School, his work serves as a vital bridge between the spiritual intensity of the Middle Ages and the humanistic clarity of the sixteenth century.

    The foundations of Strigel’s genius were laid within the intimate confines of a familial workshop. Under the guidance of his father, Hans Strigel, and influenced by the esteemed master Zeitblom of Ulm, the young artist developed an eye for the minute details that characterize Northern Renaissance art. This early training instilled in him a reverence for the textures of reality—the heavy fold of a velvet robe, the subtle sheen of a pearl, and the soft glow of skin under candlelight. One can trace the echoes of masters like Rogier van der

    der Weyden and Dieric Bouts in his early compositions, where a sense of profound devotion meets an almost scientific precision in detail.

    Imperial Favor and the Art of the Portrait

    Strigel’s ascent from a regional talent to a celebrated figure of European importance was propelled by the most powerful patronage of his age: that of Emperor Maximilian I. The Emperor, a man with an insatiable appetite for imagery and historical documentation, recognized in Strigel a unique ability to capture not just the likeness, but the very essence of authority and nobility. This relationship transformed Strigel’s career, leading him on grand artistic expeditions through the cultural hubs of Augsburg, Innsbruck, and Vienna. His presence in the imperial courts allowed him to participate in the most significant political and social narratives of his time.

    Perhaps his most enduring contribution to the history of portraiture lies in his role during the momentous Habsburg-Jagellon marriage negotiations. In 1515, summoned specifically to Vienna, Strigel was tasked with capturing the faces of a changing Europe. His portraits from this era are characterized by an extraordinary clarity and a psychological depth that transcends mere documentation. Through his brush, the subjects possess a quiet dignity and a luminous quality that suggests a soul peering out from behind the pigment. These works do more than record history; they humanize it, offering us an intimate window into the faces of the Renaissance elite.

    A Masterpiece of Technique and Tradition

    The technical brilliance of Bernhard Strigel is most evident in his mastery of luminosity. He possessed a rare ability to manipulate light so that it seemed to emanate from within the painting itself, rather than merely reflecting off its surface. This technique, combined with a sophisticated use of color palettes, allowed him to create works that felt both physically tangible and spiritually elevated. Whether he was working on large-scale historical compositions or intimate individual portraits, his commitment to precision remained unwavering.

    His artistic achievements can be summarized through several key pillars of his career:

    The Synthesis of Styles: Successfully merging the meticulous detail of the Ulm school with the burgeoning naturalism of the Renaissance.

    Imperial Documentation: Serving as a primary visual chronicler for Emperor Maximilian I, capturing the faces of European royalty.

    Mastery of Color: Utilizing a vibrant and luminous palette that brought a sense of life and movement to static forms.

    Historical Significance: Acting as a crucial link in the evolution of German painting, transitioning from Gothic symbolism to Renaissance humanism.

    Today, the works of Bernhard Strigel remain a testament to an era of profound transformation. His ability to capture the fleeting light of a moment and preserve it within the permanence of oil and tempera ensures that his legacy continues to resonate. To look upon a Strigel portrait is to encounter the very spirit of the Swabian Renaissance—a world where every brushstroke is an act of devotion to the beauty of the visible world.

    Where to read more

    • The artist Bernhard Strigel topimpressionists.com/en/artists/bernhard-strigel/
    • Similar works More works to compare topimpressionists.com/en/art/similar/bernhard-strigel-maximilian-i-8XXQ2J-en/

    Find this online

    QR code linking to the download page for Maximilian I

    topimpressionists.com/en/art/download/bernhard-strigel-maximilian-i-8XXQ2J-en/

    Cite this artwork

    MLA
    Strigel, Bernhard. Maximilian I. 1459, https://topimpressionists.com/en/art/bernhard-strigel-maximilian-i-8XXQ2J-en/
    APA
    Strigel, Bernhard (1459). Maximilian I [Painting]. https://topimpressionists.com/en/art/bernhard-strigel-maximilian-i-8XXQ2J-en/
    Chicago
    Bernhard Strigel. Maximilian I. 1459. https://topimpressionists.com/en/art/bernhard-strigel-maximilian-i-8XXQ2J-en/
    Harvard
    Strigel, Bernhard (1459) Maximilian I. Available at: https://topimpressionists.com/en/art/bernhard-strigel-maximilian-i-8XXQ2J-en/

    Look closely

    Maximilian I — Bernhard Strigel

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: men, famous people. Do you agree? What would you add, or take away?
    4. Look back at Emperor Maximilian I with His Family (1520), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Northern Renaissance: Northern European painters using the new oil paint for astonishing detail — every hair, every reflection. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Maximilian I" by Bernhard Strigel a bright or a dark artwork?

    Overall, "Maximilian I" is recorded as deep_shadow. Perceived brightness describes how light or dark the work appears.

    How harmonious are the colors of "Maximilian I" by Bernhard Strigel?

    "Maximilian I" by Bernhard Strigel displays a strong color unity color harmony.

    How can I get a print of "Maximilian I" by Bernhard Strigel?

    To get a print of "Maximilian I" by Bernhard Strigel, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.