Paper

Student Artwork Guide

Assisi

Name Class Date

Bertram Nicholls, Assisi, Bristol Museum - Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Bertram Nicholls topimpressionists.com/en/artists/bertram-nicholls/
Artist’s dates
1883 – 1974
Original size
62 x 75 cm
Held at
Bristol Museum - Art Gallery topimpressionists.com/en/museums/bristol-museum-art-gallery-bristol/

In context

Assisi — Bertram Nicholls

How big is it?

The original measures 62 × 75 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 91 at death.

Shaded: the lifetime of Bertram Nicholls (1883–1974) every dated painting, decade by decade

First works: up to 1926 Main working years: 1926–1943 Late works: from 1943

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/bertram-nicholls-assisi-AQV9L9-en/

Colours

Measured from the image

    Main colour

    Driftwood #8d7f4d

    Catalogued palette

    • #8D7F4D
    • #BE9F55
    • #72542C
    • #433520

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Bertram Nicholls over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 91.7%
    2. 2 United States of America 8.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Bertram Nicholls

    1. 1 Bridgnorth, Shropshire, 1943 35.0%
    2. 2 Pitigliano, 1926 5.0%
    3. 3 Washing in a Stream at Gouda, 1928 5.0%
    4. 4 San Giovanni Nepomuceno, 1928 5.0%
    5. 5 A Mountain Village, 1937 5.0%
    6. 6 Old Mill, Midhurst, West Sussex, 1944 5.0%
    7. 7 Collioure from the Port Vendres Road, 1930 5.0%
    8. 8 By a Sussex Stream, 1926 5.0%
    9. 9 Villeneuve les Avignons, 1925 5.0%
    10. 10 Ebb Tide, Padstow, 1947 5.0%
    11. 11 Drying the Sails, 1920 5.0%
    12. 12 Chepstow Castle 5.0%
    13. 13 Upton Farm, 1946 5.0%
    14. 14 Goodrich Village, Herefordshire, 1944 5.0%
    15. — Assisi this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 36 works by this artist, of which 14 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Bertram Nicholls

    The Quiet Observer: The Life and Legacy of Bertram Nicholls

    Born in the industrious heart of Didsbury, Manchester, on September 26th, 1883, Bertram Nicholls emerged as a painter of profound stillness and atmospheric grace. As the youngest child of William Andrews Nicholls, a local fruit merchant, and Mary Allen, his early years were rooted in the steady rhythms of Northern English life. His journey toward artistic mastery began at the Manchester Grammar School, but it was his subsequent enrollment at the prestigious Slade School of Fine Art between 1901 and 1904 that would fundamentally reshape his vision. Under the tutelage of Reginald Barber, Nicholls began to move beyond mere representation, seeking instead a deeper connection with the light and tonal harmonies that define the natural world.

    The foundations of his style were laid by the giants of British art history. He drew deep inspiration from the meticulous observation found in the works of Joshua Reynolds and the landscape sensibilities of Richard Wilson. These early influences instilled in him a reverence for compositional balance and a sophisticated understanding of how light interacts with texture. His formative years were further enriched by encounters with the Staithes Group, particularly Frederick Jackson, whose commitment to plein air painting—the practice of painting directly from nature—encouraged Nicholls to capture the immediate, breathing essence of the British countryside.

    A Journey Through Light and Stone

    In 1904, a transformative voyage to Madrid introduced Nicholls to the profound complexities of Baroque mastery. Immersing himself in the works of Diego Velázquez, he developed an acute sensitivity to the rendering of light and the structural integrity of composition. This Spanish influence would later manifest in his ability to imbue even the most tranquil landscapes with a sense of monumental presence. Upon returning to England, Nicholls’ work began to reflect a unique synthesis of styles; he absorbed the innovative color palettes of Whistler and the atmospheric grandeur of Turner, blending them into a personal language characterized by understated beauty and quietude.

    His travels across Europe provided him with an endless repertoire of subjects, from the rugged, sun-drenched architecture of Italy to the pastoral serenity of the Netherlands. In his 1926 masterpiece, Pitigliano, one can witness his ability to turn stone into memory, capturing an Italian town carved from volcanic tuff with a tactile precision that makes the ancient masonry feel almost palpable. Similarly, in works such as Washing in a Stream at Gouda (1928), he achieved a rare dissolution of boundaries between human presence and the natural world, using soft, painterly brushstrokes to evoke the misty, restorative solitude of a Dutch landscape.

    The Resilience of Vision

    The trajectory of Nicholls’ life was not without its interruptions by the turbulence of history. During the First World War, he served in the Kite Balloon Service of the Royal Flying Corps. This period of aerial reconnaissance offered him a unique, panoramic perspective on the landscape—a view from above that likely deepened his understanding of spatial relationships and the sweeping contours of the earth. This experience of observing the world from a detached, soaring height may have contributed to the sense of peaceful, observational distance found in his later landscapes.

    Throughout his long life, which concluded in 1974, Nicholls remained dedicated to the pursuit of the "quiet landscape." His oeuvre stands as a testament to the power of subtle emotion and the enduring beauty of the everyday. Whether depicting a sun-dappled quay in Italy or a muted, impressionistic stream in Sussex, his work continues to resonate with those seeking a moment of respite. His historical significance lies in his ability to bridge the gap between the rigorous traditions of the Slade School and a modern, emotive approach to light, ensuring that his paintings remain timeless windows into a world of profound peace.

    Museum

    Bristol Museum - Art Gallery

    On show in Bristol, United Kingdom

    A Bastion of Culture: The Soul of Bristol

    Nestled in the elegant heart of Clifton, overlooking the dramatic expanse of the Avon Gorge, the Bristol Museum & Art Gallery stands as a profound testament to the enduring power of human creativity and historical inquiry. More than a mere repository for artifacts, this institution serves as a vibrant cultural crossroads where centuries collide and stories unfold within walls of architectural splendor. Since its origins in 1823, evolving from the ambitious Bristol Institution for the Advancement of Science and Art, the museum has maintained an unwavering commitment to public enrichment. This dedication is most poignantly felt in its enduring free admission policy, a rare and precious gift in a modern era often dominated by commercial interests, ensuring that the treasures within remain accessible to every curious mind, from the local student to the seasoned global collector.

    To enter the museum is to step into a masterpiece of Edwardian Baroque grandeur. Designed by the visionary Frederick Wills, the building itself commands respect with its opulent detailing and monumental scale. As visitors traverse the magnificent halls, they are bathed in a soft, ethereal light that filters through spectacular barrel-vaulted glazed roofs—a triumph of engineering that lends an airy, expansive atmosphere to the entire experience. The graceful double staircase acts as a sculptural centerpiece, inviting guests to ascend into realms of artistic and historical wonder. This Grade II* listed landmark does not merely house art; it provides a dignified stage where the architectural harmony of the setting enhances the profound significance of the collections held within.

    A Kaleidoscope of Human Achievement

    The true magic of the Bristol Museum & Art Gallery lies in its breathtakingly diverse collection, a kaleidoscope of human history and artistic expression. For those drawn to the mysteries of antiquity, the Egyptian Collection offers a hauntingly beautiful journey back millennia, where remarkably preserved mummies and intricate artifacts whisper the secrets of pharaohs and ancient spiritual beliefs. This sense of global connection continues through the vibrant, symbolic narratives found in the museum’s Islamic art, featuring exquisite pieces from Persia and Morocco that illuminate the rich textures of Eastern heritage. The museum also serves as a vital guardian of local identity, showcasing the celebrated English delftware tradition that defines Bristol’s unique artisanal history.

    For the lover of fine art and the interior designer seeking inspiration, the gallery’s paintings offer an unparalleled panoramic view of artistic evolution. The collection features the sweeping landscapes of Turner and Constable, the delicate touch of Whistler, and the raw, visceral energy of Francis Bacon. This dialogue between the masters of the past and contemporary painters captures the very spirit of modern Bristol, creating a space where tradition and innovation exist in constant conversation. Beyond the canvas, the museum’s geological specimens provide a grounding connection to the Earth itself, showcasing fossils from the Jurassic and Cretaceous periods alongside rare minerals gathered from every corner of the globe.

    A Stage for Innovation and Community

    What truly distinguishes this institution is its fearless embrace of the contemporary and the unexpected. The museum has proven itself to be a bold provocateur, most famously demonstrated in 2009 when it played host to a large-scale, secretly planned exhibition by the enigmatic street artist Banksy. This event, executed with characteristic wit and shrouded in mystery, captured worldwide attention and cemented the museum’s reputation as a space where art can transcend traditional boundaries to provoke vital social dialogue. It is this ability to bridge the gap between high art and urban culture that makes the museum a living, breathing entity rather than a static monument.

    This spirit of inclusivity extends into the community through joyous celebrations such as the annual Lunar New Year, which transforms the galleries into a festive arena for performers and artisans from across Asia. Whether one is an art historian studying the nuances of a Victorian oil painting, a family discovering the wonders of natural history, or a collector seeking hidden gems, the Bristol Museum & Art Gallery offers a sanctuary of discovery. It remains a unique cultural beacon, illuminating Bristol’s rich heritage while casting a bright, welcoming light on the limitless possibilities of the future.

    Where to read more

    Find this online

    QR code linking to the download page for Assisi

    topimpressionists.com/en/art/download/bertram-nicholls-assisi-AQV9L9-en/

    Cite this artwork

    MLA
    Nicholls, Bertram. Assisi. n.d., Bristol Museum - Art Gallery. https://topimpressionists.com/en/art/bertram-nicholls-assisi-AQV9L9-en/
    APA
    Nicholls, Bertram (n.d.). Assisi [Painting]. Bristol Museum - Art Gallery. https://topimpressionists.com/en/art/bertram-nicholls-assisi-AQV9L9-en/
    Chicago
    Bertram Nicholls. Assisi. n.d. Bristol Museum - Art Gallery. https://topimpressionists.com/en/art/bertram-nicholls-assisi-AQV9L9-en/
    Harvard
    Nicholls, Bertram (n.d.) Assisi. Bristol Museum - Art Gallery. Available at: https://topimpressionists.com/en/art/bertram-nicholls-assisi-AQV9L9-en/

    Look closely

    Assisi — Bertram Nicholls

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Pitigliano (1926), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Assisi" more bright or more dark overall?

    The recorded values for "Assisi" by Bertram Nicholls are: balanced brightness, soft shadow luminance.

    Does "Assisi" show strong light-dark contrasts?

    The light-dark contrast of "Assisi" is recorded as gentle. Contrast describes how strongly light and dark areas differ.

    Is "Assisi" available as a fine art print?

    To get a print of "Assisi" by Bertram Nicholls, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.