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Teaching guide

Teaching guide: Bodhidarma under Pine Tree

Order Bodhidarma under Pine Tree as a hand-painted impressionist oil copy

Name Class Date

Yishan Yining, Bodhidarma under Pine Tree, Tokyo National Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Yishan Yining topimpressionists.com/en/artists/yishan-yining/
Artist’s dates
1247 – 1317
Original size
100.8 x 50.8cm
Held at
Tokyo National Museum topimpressionists.com/en/museums/tokyo-national-museum-tokyo/

In context

Bodhidarma under Pine Tree — Yishan Yining

How big is it?

The original measures 101 × 51 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1240
  2. 1250
  3. 1260
  4. 1270
  5. 1280
  6. 1290
  7. 1300
  8. 1310

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 70 at death.

Shaded: the lifetime of Yishan Yining (1247–1317) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Colours

Measured from the image

    Main colour

    Espresso #46351e

    Catalogued palette

    • #46351E
    • #A38453
    • #533D24
    • #3A2B1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Yishan Yining

    Born in Linhai, People's Republic of China

    Early Life and Buddhist Training

    Born in 1247 in Linhai, Taizhou, Zhejiang, China, Yishan Yining begins his life under the family name Hu. He enters a monastery as a boy, beginning a rigorous period of study into various Buddhist doctrines. His early path follows the Tiantai school, but this focus shifts as he turns toward Chan Buddhism. This transition marks a fundamental change in his spiritual direction.

    The training intensifies through a series of tutors. Eventually, Yishan Yining becomes the Dharma heir of Wanji Singmi, who was the fourth lineage holder of Mi'an Xianji. This lineage connects him to a deep tradition of Zen practice. His growing reputation leads him to the Island of Putuoshan, where he serves as the abbot of Puji Monastery.

    Mission to and Life in Japan

    In 1299, the Yuan government dispatches Yishan Yining to Japan on a diplomatic mission to restore relations with the Bakufu government. The arrival in Kamakura brings immediate tension. The regent Hojo Sadatoki arrests him on charges of spying. This period of detention ends when Sadatoki comes to respect the monk, granting him his freedom. Once released, Yishan Yining integrates into the religious landscape of the Kamakura period, serving within the walls of Kenchō-ji, Engaku-ji, and Jochi-ji.

    The focus shifts from Kamakura to the imperial capital. In 1313, the resigned emperor Go-Uda extends an invitation to Kyoto. The request is for Yishan Yining to take the position of abbot at Nanzen-ji, the most influential Zen center of the era. He accepts, moving into the heart of Japanese Zen administration.

    Legacy and Literary Influence

    Yishan Yining functions as a bridge between the Song dynasty aesthetics of China and the developing culture of Kamakura-period Japan. He does not merely teach Zen; he reshapes the intellectual landscape by introducing the literary forms of the Song to the Japanese monastic community. This movement establishes the foundation for Gozan Bungaku, a distinct literary tradition centered within the Five Mountains temple system. Through his mastery of diverse genres, from the precision of historiography to the fluidity of poetry, he shifts the focus of Japanese monkhood toward a sophisticated literary orientation.

    His influence extends deep into the social hierarchy of Japan. He finds a receptive audience among the new militarized nobility, embedding Zen principles within the warrior class. This cultural exchange transforms the monasteries into centers of high learning and artistic production. His teaching reaches beyond the temple walls, shaping the minds of influential figures who will define the next era of Japanese Zen. Among his most significant disciples are Muso Soseki, Sesson Yubai, and Kokan Shiren.

    Later Years and Death

    By 1306, a physical decline begins to shadow his final years as Yishan Yining suffers from a persistent eye ailment. Despite this affliction, his influence within the religious and political spheres of Japan remains potent. In the tenth month of 1317, even while seventy years old and facing severe illness, he leads a procession to Nanzen-ji Temple. He is accompanied by the ex-Emperor Go-Uda, a fervent admirer who remains by his side during these final months.

    The end comes shortly after the imperial visit. Yishan Yining dies on 28 November 1317 at Nanzen-ji Temple. In recognition of his profound impact on the spiritual landscape of the country, the Japanese Imperial Court grants him the posthumous title of the Teacher of State, known as Kokushi.

    Museum

    Tokyo National Museum

    On show in Tokyo, Japan

    A Living Chronicle of the Japanese Soul

    Nestled within the verdant, tranquil expanse of Ueno Park, the Tokyo National Museum stands as a monumental testament to Japan’s profound cultural heritage and its ancient, intricate connections with the Asian continent. Established in 1872 during the transformative Meiji era, this venerable institution has evolved into one of the world’s most significant repositories of human creativity, safeguarding an astonishing collection of over 120,000 cultural properties. To walk through its halls is to embark on a journey through time, where the whispers of the past meet the vibrant pulse of the present. The museum serves not merely as a storehouse for relics, but as a living chronicle that illuminates Japan’s metamorphosis from its earliest prehistoric roots to its emergence as a modern global power.

    The sheer breadth of the collection is nothing short of breathtaking, offering an unparalleled glimpse into the aesthetic evolution of an entire civilization. Collectors and art enthusiasts will find themselves captivated by the exquisite Horyuji Treasures, which include sacred relics from Nara’s legendary temple, representing some of the most poignant and delicate examples of early Buddhist art. The museum’s mastery lies in its ability to showcase the dialogue between cultures; through its significant holdings of Silk Road treasures and Greco-Buddhist sculptures, visitors can witness a fascinating fusion of Greek iconography and Buddhist spirituality. This intersection of East and West provides a compelling narrative of trade, conquest, and the enduring exchange of artistic ideas that shaped the ancient world.

    Architectural Harmony and the Art of Preservation

    The physical presence of the Tokyo National Museum is an art form in itself, characterized by a seamless integration of tradition and modernity. The main Honkan building, designated as an Important Cultural Property, embodies the quiet elegance of traditional Japanese design. Its architecture is a deliberate study in balance, utilizing meticulously crafted wooden structures and expansive galleries that invite contemplation. For the interior designer or lover of aesthetics, the building offers a masterclass in the subtle interplay of light and space. The way natural tones of wood interact with carefully curated lighting creates an atmosphere of reverence, making the museum a sanctuary for those seeking beauty in simplicity and structural grace.

    Beyond its architectural splendor, the institution remains a vital center for global scholarship and ongoing discovery. As the custodian of approximately 89 National Treasures—the highest designation for Japan’s most precious cultural assets—the museum carries a heavy yet noble responsibility of preservation. This commitment to excellence is reflected in its rotating exhibitions, which ensure that the museum remains a dynamic entity, constantly revealing new layers of history to the public. Whether one is studying the intricate brushstrokes of ancient scrolls or marveling at the imposing grandeur of ceramic masterpieces, the Tokyo National Museum offers an immersive encounter with the artistic soul of Japan, making it an essential pilgrimage for anyone devoted to the enduring legacy of human craftsmanship.

    Where to read more

    Study it on your own wall: Bodhidarma under Pine Tree by Yishan Yining as a hand-painted impressionist oil copy, made to your size

    Find this online

    QR code linking to the download page for Bodhidarma under Pine Tree

    topimpressionists.com/en/art/download/bodhidarma-under-pine-tree-by-yishan-yining/

    Cite this artwork

    MLA
    Yining, Yishan. Bodhidarma under Pine Tree. n.d., Tokyo National Museum. https://topimpressionists.com/en/art/bodhidarma-under-pine-tree-by-yishan-yining/
    APA
    Yining, Yishan (n.d.). Bodhidarma under Pine Tree [Painting]. Tokyo National Museum. https://topimpressionists.com/en/art/bodhidarma-under-pine-tree-by-yishan-yining/
    Chicago
    Yishan Yining. Bodhidarma under Pine Tree. n.d. Tokyo National Museum. https://topimpressionists.com/en/art/bodhidarma-under-pine-tree-by-yishan-yining/
    Harvard
    Yining, Yishan (n.d.) Bodhidarma under Pine Tree. Tokyo National Museum. Available at: https://topimpressionists.com/en/art/bodhidarma-under-pine-tree-by-yishan-yining/

    Look closely

    Bodhidarma under Pine Tree — Yishan Yining

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How much light do the colors of "Bodhidarma under Pine Tree" appear to reflect?

    "Bodhidarma under Pine Tree" by Yishan Yining has a dark luminance. Luminance describes how much light the colors appear to reflect.

    Is a high-resolution download of "Bodhidarma under Pine Tree" available?

    "Bodhidarma under Pine Tree" is available as a high-resolution digital image download, purchased directly on its Digital Image page.

    Where do the visitors of "Bodhidarma under Pine Tree" by Yishan Yining come from?

    Statistics about "Bodhidarma under Pine Tree" by Yishan Yining are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.