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Student Artwork Guide

Red Roofs

Name Class Date

Carol Hiles, Red Roofs. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Carol Hiles topimpressionists.com/en/artists/carol-hiles/
Artist’s dates
1959 –
Original size
102 x 122 cm

In context

Red Roofs — Carol Hiles

How big is it?

The original measures 102 × 122 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/carol-hiles-red-roofs-AQUGH6-en/

Colours

Measured from the image

    Main colour

    Putty #ddc599

    Catalogued palette

    • #DDC599
    • #936520
    • #473C1C
    • #B39A43

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Carol Hiles over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Carol Hiles

    1. 1 Alexandra Park, Evening, 1989 100.0%
    2. — Red Roofs this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 13 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Carol Hiles

    Carol Hiles: A Weaver of Newport Light

    Carol Hiles, born in 1959 and still actively creating today, is a British watercolorist whose work has become inextricably linked to the evocative landscapes of Newport, Rhode Island. More than simply depicting scenes, Hiles’ paintings capture a specific mood – a quiet nostalgia for the Gilded Age, a subtle melancholy intertwined with the enduring beauty of New England’s coastal charm. Her art isn't merely observation; it’s an intimate dialogue between the artist and her subject, rendered in delicate washes and meticulously observed detail.

    Hiles’ journey to becoming a celebrated watercolorist began not in Newport, but in WahooArt, where she initially found inspiration for her work. Early influences included the Impressionists – Monet's dappled light and Pissarro's urban scenes resonated deeply with her desire to capture fleeting moments and atmospheric effects. However, it was a move to Newport that fundamentally shaped her artistic vision. Drawn by the city’s rich history, its stately mansions, and the ever-changing interplay of light on the water, Hiles began to immerse herself in the local environment, sketching tirelessly and developing an unparalleled understanding of the region's unique character.

    The Language of Watercolor

    Hiles’ distinctive style is rooted in a masterful command of watercolor techniques. She eschews bold outlines and dramatic contrasts, instead relying on subtle gradations of color, layering washes to build depth and atmosphere. Her palette is predominantly muted – soft blues, greens, greys, and ochres dominate, creating a sense of tranquility and understated elegance. A key element of her work lies in the way she renders light; it’s not simply applied but diffused, reflected, and absorbed into the surfaces of buildings, foliage, and water. This creates an illusion of shimmering reality, as if the paintings are imbued with a life of their own.

    Her meticulous attention to detail is equally remarkable. She captures the texture of weathered brick, the delicate veins in leaves, and the subtle ripples on the surface of the ocean with astonishing precision. Yet, this realism never feels contrived; it’s seamlessly integrated into her overall atmospheric approach. She often employs a technique she calls “atmospheric perspective,” subtly darkening colors in the distance to create a sense of depth and recession – a hallmark of traditional landscape painting.

    Newport's Enduring Presence

    While Newport serves as Hiles’ primary subject, her paintings extend beyond mere topographical representations. She explores themes of memory, loss, and the passage of time. Many of her most celebrated works depict scenes from the city’s past – grand estates now faded into elegant decay, bustling harbor activity frozen in a moment of timelessness. “Alexandra Park, Evening,” for example, is not simply a depiction of a waterfront view; it's a poignant meditation on the beauty and melancholy of a bygone era.

    Her series "Newport Docks" exemplifies this approach. These paintings aren’t just records of a harbor scene; they are stylized abstractions that evoke the energy, movement, and history of the docks. The bold lines and vibrant colors create a lively, almost naive depiction of maritime industry, capturing the spirit of Newport's past while simultaneously offering a fresh perspective on its present.

    Legacy and Influence

    Carol Hiles’ work has garnered significant recognition within the art world, with her paintings exhibited in galleries across the United States and featured in numerous publications. Her distinctive style – characterized by its atmospheric quality, meticulous detail, and evocative portrayal of New England landscapes – has earned her a devoted following among collectors and admirers alike. She continues to create new works, ensuring that her unique vision will continue to resonate with audiences for years to come.

    Her art stands as a testament to the power of observation, the beauty of simplicity, and the enduring allure of Newport, Rhode Island – a place she has so skillfully captured on canvas.

    Where to read more

    • The artist Carol Hiles topimpressionists.com/en/artists/carol-hiles/
    • Similar works More works to compare topimpressionists.com/en/art/similar/carol-hiles-red-roofs-AQUGH6-en/

    Find this online

    QR code linking to the download page for Red Roofs

    topimpressionists.com/en/art/download/carol-hiles-red-roofs-AQUGH6-en/

    Cite this artwork

    MLA
    Hiles, Carol. Red Roofs. n.d., https://topimpressionists.com/en/art/carol-hiles-red-roofs-AQUGH6-en/
    APA
    Hiles, Carol (n.d.). Red Roofs [Painting]. https://topimpressionists.com/en/art/carol-hiles-red-roofs-AQUGH6-en/
    Chicago
    Carol Hiles. Red Roofs. n.d. https://topimpressionists.com/en/art/carol-hiles-red-roofs-AQUGH6-en/
    Harvard
    Hiles, Carol (n.d.) Red Roofs. Available at: https://topimpressionists.com/en/art/carol-hiles-red-roofs-AQUGH6-en/

    Look closely

    Red Roofs — Carol Hiles

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Where Did You Come from Baby Dear (1999), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the color identity of "Red Roofs" by Carol Hiles?

    The color identity of "Red Roofs" by Carol Hiles: an earthy palette, dominated by putty (#ddc599).

    Is "Red Roofs" available as a fine art print?

    To get a print of "Red Roofs" by Carol Hiles, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.

    How do the colors of "Red Roofs" relate to each other?

    The colors of "Red Roofs" by Carol Hiles show a strong color unity harmony. Harmony describes how the colors relate to each other.