Student Artwork Guide
Copyright This work is in the public domain. Charles Caryl Coleman died in 1928; copyright lasts 70 years after the artist’s death, so it ended in 1998.
In context
Capri — Charles Caryl Coleman
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 88 at death.
Painted when the artist was 72. The artist lived to 88. 13 of the 15 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Charles Caryl Coleman (1840–1928) ▲ this work, 1912 every dated painting, decade by decade
First works: up to 1888 Main working years: 1888–1901 Late works: from 1901
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: topimpressionists.com/en/art/similar/charles-caryl-coleman-capri-8XX5S2-en/
Measured from the image
Main colour
Putty #d0d6cc
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 15 works by this artist, of which 5 were looked at at least once. This painting ranks 5 of them, with 16.7% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Buffalo, United States of America
Charles Caryl Coleman, born in Buffalo, New York, in 1840, was an American artist who carved a unique niche for himself within the late 19th-century art world. His journey, spanning continents and artistic movements, culminated in a style celebrated for its delicate beauty, refined craftsmanship, and evocative atmosphere. Coleman’s story is one of dedicated study, personal hardship overcome through artistic expression, and an enduring fascination with the landscapes and aesthetics that captivated his imagination. From early training under William Holbrook Beard to formal instruction with Thomas Couture in Paris, Coleman absorbed a foundation steeped in academic tradition. This period proved crucial, exposing him to European sensibilities that would profoundly shape his artistic vision. The outbreak of the American Civil War interrupted his studies; he served with the Union Army and sustained serious injuries in South Carolina, experiences which undoubtedly left an indelible mark on his psyche. Following recovery, Coleman embarked on a series of travels through Europe alongside fellow artists William Morris Hunt and Elihu Vedder – journeys that broadened his horizons and solidified his commitment to a life devoted to art.
It was Italy, however, that truly claimed Coleman’s artistic allegiance. Settling in Rome during the late 1860s and later finding solace and inspiration on the island of Capri, he immersed himself in a vibrant international art scene. This extended sojourn profoundly influenced his aesthetic sensibilities, leading him to develop a style that blended elements of Aestheticism, Pre-Raphaelitism, and Japanese artistic principles. The influence of Aestheticism is particularly evident in Coleman’s emphasis on beauty for its own sake – a rejection of moral or social didacticism in favor of pure visual harmony. His meticulous attention to detail echoes the spirit of the Pre-Raphaelites, while the flattened perspective and decorative patterns found within his compositions reveal a clear appreciation for Japanese prints. These diverse influences coalesced into something distinctly Coleman’s own: large-scale decorative panels depicting flowering branches arranged with exquisite care in ornate vases against richly patterned backgrounds.
Coleman's most significant contribution to the art world lies within these remarkable decorative panels. These were not merely paintings; they were immersive visual experiences, precursors to stained glass art that embodied the principles of the Aesthetic Movement. The attenuated branches of blossoming fruit trees or azaleas, rendered with painstaking detail, seem to float against a backdrop of luxurious textiles and intricate designs. He masterfully manipulated light and shadow, creating an ethereal quality that draws the viewer into a world of serene beauty. Beyond these panels, Coleman also excelled in Italian landscapes and still lifes, showcasing his ability to capture the nuances of light and atmosphere with remarkable sensitivity. His landscapes evoke a sense of tranquility and timelessness, while his still lifes – particularly those featuring flowers – are characterized by their delicate brushwork and exquisite attention to detail.
Coleman’s dedication to art extended beyond the canvas; he sought to create an environment entirely devoted to aesthetic experience. In Capri, he transformed a former convent into Villa Narcissus, a “palace of art” where his own works were displayed alongside a carefully curated collection of antiquities. This space served not only as his home and studio but also as a testament to his artistic philosophy – a celebration of beauty in all its forms. The villa became a gathering place for artists, writers, and intellectuals, fostering a vibrant exchange of ideas and creative energy. It was a physical manifestation of Coleman’s belief that art should permeate every aspect of life.
Charles Caryl Coleman passed away in Capri in 1928, leaving behind a body of work that continues to captivate and inspire. His decorative panels are now recognized as unique contributions to 19th-century American art, representing a distinctive blend of European artistic traditions and Aesthetic ideals. He bridged the gap between painting and decorative arts, influencing subsequent generations of artists and designers. Today, his paintings grace major museum collections worldwide, including the Metropolitan Museum of Art and the Virginia Museum of Fine Arts, ensuring that his legacy endures. Coleman remains a significant figure in the study of American Aestheticism and the artistic exchange between Europe and America during a pivotal period in art history – an artist who dedicated his life to the pursuit and celebration of beauty.
topimpressionists.com/en/art/download/charles-caryl-coleman-capri-8XX5S2-en/
Look closely
Capri — Charles Caryl Coleman
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
A golden yellow range hue runs through "Capri" by Charles Caryl Coleman.
"Capri" by Charles Caryl Coleman has a panoramic format. The format describes the proportions of the composition.
"Capri" by Charles Caryl Coleman is recorded with a balanced soft saturation and a balanced intensity.