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Student Artwork Guide

Patience

Name Class Date

Charles Spencelayh, Patience. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Spencelayh topimpressionists.com/en/artists/charles-spencelayh/
Artist’s dates
1865 – 1958

In context

Patience — Charles Spencelayh

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Shaded: the lifetime of Charles Spencelayh (1865–1958) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • A good tonic topimpressionists.com/en/art/charles-spencelayh-a-good-tonic-9H5TVK-en/
  • A Cure For Everything topimpressionists.com/en/art/charles-spencelayh-a-cure-for-everything-9DGHG7-en/
  • His Daily Ration topimpressionists.com/en/art/charles-spencelayh-his-daily-ration-9DGHKG-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/charles-spencelayh-patience-9DGHM3-en/

Colours

Measured from the image

    Main colour

    Gray #8a6e5f

    Catalogued palette

    • #8A6E5F
    • #181512
    • #D3B8AE
    • #372B24

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Spencelayh over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United Kingdom 40.0%
    3. 3 Canada 10.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Spencelayh

    1. 1 Smile 16.7%
    2. 2 The Laughing Parson 13.9%
    3. 3 If They Were Real 8.3%
    4. 4 His Favourite 5.6%
    5. 5 A Cure For Everything 5.6%
    6. 6 Why War 5.6%
    7. 7 Vernon Spencelayh 5.6%
    8. 8 The Second Mrs Spencelayh 5.6%
    9. 9 The cause of all the trouble 2.8%
    10. 10 His Daily Ration 2.8%
    11. 11 Fingerprints 2.8%
    12. 12 The Scent 2.8%
    13. 13 Frindsbury Steam Brewery 2.8%
    14. 14 Mother 2.8%
    15. 15 Forty winks 2.8%
    16. 16 My Pet 2.8%
    17. 17 Mrs Spencelayh 2.8%
    18. 18 A Dark Beauty 2.8%
    19. 19 His Sunday Best 2.8%
    20. — Patience this painting 0.0%

    Together these works take 97.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 64 works by this artist, of which 20 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Charles Spencelayh

    Born in County Kent, United Kingdom

    Charles Spencelayh: A Master of Hyperrealist Domesticity

    Charles Spencelayh (1865-1958) was a highly regarded British genre and portrait painter, born on October 27, 1865, in Rochester, Kent. His artistic journey began at the National Art Training School in South Kensington. While initially exhibiting his work in Paris, Spencelayh achieved significant recognition within Great Britain, becoming celebrated for his meticulous depictions of everyday life and intimate portraits.

    Early Life & Artistic Development

    Spencelayh's career spanned several decades, with over 70 paintings exhibited at the Royal Academy between 1892 and 1958. A pivotal moment arrived in 1939 when his work "Why War" earned him the title of 'Painting of the Year,' solidifying his position as a leading figure in British art. His early training instilled a strong foundation in classical techniques, which he later adapted to create his signature hyperrealistic style. He was influenced by the meticulous detail found in 17th-century Dutch genre painting, particularly artists like Pieter de Hooch and Jan Steen, though Spencelayh’s work is distinctly Victorian in its sensibility.

    Key Works & Artistic Style

    Spencelayh's paintings are characterized by their extraordinary attention to detail, capturing the nuances of light, texture, and expression with remarkable precision. His subjects frequently revolved around domestic scenes, portraying moments of quiet contemplation or gentle amusement. Notable works include:

    The Laughing Parson (1935): Demonstrates his ability to capture a moment of jovial interaction.

    His Daily Ration (1946): A poignant depiction of everyday life, showcasing his observational skills.

    Exploration (1931): An impressive still life example highlighting his mastery of form and composition.

    Apples (1951): Showcases his command of color and light in a seemingly simple subject.

    Mrs Spencelayh: A stunning portrait exemplifying his skill in capturing character and dignity.

    The Lacemaker: A testament to his hyperrealistic technique, filled with intricate detail.

    Spencelayh’s style is often described as hyperrealist, though he avoided the overtly photographic quality sometimes associated with that term. Instead, his paintings possess a timeless quality, imbued with a sense of warmth and nostalgia.

    Legacy & Royal Patronage

    Charles Spencelayh enjoyed considerable popularity during his lifetime, notably becoming a favorite artist of Queen Mary, who avidly collected his works. In 1924, he was commissioned to paint a miniature portrait of King George V for the Queen’s Doll Museum. His masterpiece, "The Old Dealer," achieved significant recognition when it sold at Sotheby's for over £345,000 in 2009, demonstrating the enduring value and appeal of his art. His meticulous approach to capturing everyday life resonated with audiences seeking a sense of stability and beauty amidst societal changes.

    Further Exploration & Related Artists

    Explore more about Charles Spencelayh's style on AllPaintingsStore.

    Discover similar artists such as David Woodlock and William Heath Wilson.

    A retrospective exhibition celebrating his life and art was held at the Guildhall Museum, Rochester, from January 31 to June 21, 2015.

    Where to read more

    • The artist Charles Spencelayh topimpressionists.com/en/artists/charles-spencelayh/
    • Similar works More works to compare topimpressionists.com/en/art/similar/charles-spencelayh-patience-9DGHM3-en/

    Find this online

    QR code linking to the download page for Patience

    topimpressionists.com/en/art/download/charles-spencelayh-patience-9DGHM3-en/

    Cite this artwork

    MLA
    Spencelayh, Charles. Patience. n.d., https://topimpressionists.com/en/art/charles-spencelayh-patience-9DGHM3-en/
    APA
    Spencelayh, Charles (n.d.). Patience [Painting]. https://topimpressionists.com/en/art/charles-spencelayh-patience-9DGHM3-en/
    Chicago
    Charles Spencelayh. Patience. n.d. https://topimpressionists.com/en/art/charles-spencelayh-patience-9DGHM3-en/
    Harvard
    Spencelayh, Charles (n.d.) Patience. Available at: https://topimpressionists.com/en/art/charles-spencelayh-patience-9DGHM3-en/

    Look closely

    Patience — Charles Spencelayh

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at A good tonic, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Patience" free of copyright?

    The copyright answer for "Patience" by Charles Spencelayh: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.

    How strong are the colors of "Patience"?

    The colors of "Patience" by Charles Spencelayh show a muted saturation with a monochromatic intensity.

    How can I get a digital file of "Patience" by Charles Spencelayh?

    To get a digital file of "Patience" by Charles Spencelayh, order a high-resolution digital image download on its Digital Image page.