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Student Artwork Guide

Smile

Name Class Date

Charles Spencelayh, Smile. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Charles Spencelayh topimpressionists.com/en/artists/charles-spencelayh/
Artist’s dates
1865 – 1958
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Smile — Charles Spencelayh

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 93 at death.

Shaded: the lifetime of Charles Spencelayh (1865–1958) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • A good tonic topimpressionists.com/en/art/charles-spencelayh-a-good-tonic-9H5TVK-en/
  • A Cure For Everything topimpressionists.com/en/art/charles-spencelayh-a-cure-for-everything-9DGHG7-en/
  • His Favourite topimpressionists.com/en/art/charles-spencelayh-his-favourite-9DGHKK-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: topimpressionists.com/en/art/similar/charles-spencelayh-smile-9DGHMQ-en/

Colours

Measured from the image

    Main colour

    Putty #d9bca1

    Catalogued palette

    • #D9BCA1
    • #BA7150
    • #552F16
    • #844F28

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Charles Spencelayh over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 United Kingdom 40.0%
    3. 3 Canada 10.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Charles Spencelayh

    1. 1 Smile this painting 16.7%
    2. 2 The Laughing Parson 13.9%
    3. 3 If They Were Real 8.3%
    4. 4 His Favourite 5.6%
    5. 5 A Cure For Everything 5.6%
    6. 6 Why War 5.6%
    7. 7 Vernon Spencelayh 5.6%
    8. 8 The Second Mrs Spencelayh 5.6%
    9. 9 The cause of all the trouble 2.8%
    10. 10 His Daily Ration 2.8%
    11. 11 Fingerprints 2.8%
    12. 12 The Scent 2.8%
    13. 13 Frindsbury Steam Brewery 2.8%
    14. 14 Mother 2.8%
    15. 15 Forty winks 2.8%
    16. 16 My Pet 2.8%
    17. 17 Mrs Spencelayh 2.8%
    18. 18 A Dark Beauty 2.8%
    19. 19 His Sunday Best 2.8%
    20. 20 Dig For Victory 2.8%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 64 works by this artist, of which 20 were looked at at least once. This painting ranks 1 of them, with 16.7% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Charles Spencelayh

    Born in County Kent, United Kingdom

    Charles Spencelayh: A Master of Hyperrealist Domesticity

    Charles Spencelayh (1865-1958) was a highly regarded British genre and portrait painter, born on October 27, 1865, in Rochester, Kent. His artistic journey began at the National Art Training School in South Kensington. While initially exhibiting his work in Paris, Spencelayh achieved significant recognition within Great Britain, becoming celebrated for his meticulous depictions of everyday life and intimate portraits.

    Early Life & Artistic Development

    Spencelayh's career spanned several decades, with over 70 paintings exhibited at the Royal Academy between 1892 and 1958. A pivotal moment arrived in 1939 when his work "Why War" earned him the title of 'Painting of the Year,' solidifying his position as a leading figure in British art. His early training instilled a strong foundation in classical techniques, which he later adapted to create his signature hyperrealistic style. He was influenced by the meticulous detail found in 17th-century Dutch genre painting, particularly artists like Pieter de Hooch and Jan Steen, though Spencelayh’s work is distinctly Victorian in its sensibility.

    Key Works & Artistic Style

    Spencelayh's paintings are characterized by their extraordinary attention to detail, capturing the nuances of light, texture, and expression with remarkable precision. His subjects frequently revolved around domestic scenes, portraying moments of quiet contemplation or gentle amusement. Notable works include:

    The Laughing Parson (1935): Demonstrates his ability to capture a moment of jovial interaction.

    His Daily Ration (1946): A poignant depiction of everyday life, showcasing his observational skills.

    Exploration (1931): An impressive still life example highlighting his mastery of form and composition.

    Apples (1951): Showcases his command of color and light in a seemingly simple subject.

    Mrs Spencelayh: A stunning portrait exemplifying his skill in capturing character and dignity.

    The Lacemaker: A testament to his hyperrealistic technique, filled with intricate detail.

    Spencelayh’s style is often described as hyperrealist, though he avoided the overtly photographic quality sometimes associated with that term. Instead, his paintings possess a timeless quality, imbued with a sense of warmth and nostalgia.

    Legacy & Royal Patronage

    Charles Spencelayh enjoyed considerable popularity during his lifetime, notably becoming a favorite artist of Queen Mary, who avidly collected his works. In 1924, he was commissioned to paint a miniature portrait of King George V for the Queen’s Doll Museum. His masterpiece, "The Old Dealer," achieved significant recognition when it sold at Sotheby's for over £345,000 in 2009, demonstrating the enduring value and appeal of his art. His meticulous approach to capturing everyday life resonated with audiences seeking a sense of stability and beauty amidst societal changes.

    Further Exploration & Related Artists

    Explore more about Charles Spencelayh's style on AllPaintingsStore.

    Discover similar artists such as David Woodlock and William Heath Wilson.

    A retrospective exhibition celebrating his life and art was held at the Guildhall Museum, Rochester, from January 31 to June 21, 2015.

    Where to read more

    Find this online

    QR code linking to the download page for Smile

    topimpressionists.com/en/art/download/charles-spencelayh-smile-9DGHMQ-en/

    Cite this artwork

    MLA
    Spencelayh, Charles. Smile. n.d., https://topimpressionists.com/en/art/charles-spencelayh-smile-9DGHMQ-en/
    APA
    Spencelayh, Charles (n.d.). Smile [Painting]. https://topimpressionists.com/en/art/charles-spencelayh-smile-9DGHMQ-en/
    Chicago
    Charles Spencelayh. Smile. n.d. https://topimpressionists.com/en/art/charles-spencelayh-smile-9DGHMQ-en/
    Harvard
    Spencelayh, Charles (n.d.) Smile. Available at: https://topimpressionists.com/en/art/charles-spencelayh-smile-9DGHMQ-en/

    Look closely

    Smile — Charles Spencelayh

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: artist studio, domestic scene, portraiture. Do you agree? What would you add, or take away?
    5. Look back at A good tonic, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What art movement does "Smile" by Charles Spencelayh belong to?

    "Smile" by Charles Spencelayh belongs to the Contemporary Realism movement. This movement provides the stylistic context of the work.

    What orientation does "Smile" by Charles Spencelayh have?

    "Smile" by Charles Spencelayh has a landscape format. The format describes the proportions of the composition.

    How can I get a print of "Smile" by Charles Spencelayh?

    "Smile" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on its Fine Art Print page, in the size of your choice.